Aisha

As someone from Ireland this is an important movie. As someone who has lived abroad in China there were some things I could relate to. That feeling of being temporary, being defined by your country, constantly having to justify why you're there and being the minority. That on top of having to answer the same stupid questions. All these complaints are minor compared to how my country treats these asylum seekers. It's inhumane and disgusting to be trapped in this limbo where they say you have rights, but the smug people in control get to do whatever they want, move you, take you away from the life you're building even though want to work and contribute. These people flee from the threat of abuse, death, sexual exploitation. They have to escape quickly and the countries that take them in keep them waiting around for 6 years with limit freedom and ask why they don't have this imaginary paperwork that proves they went through these things. When refugees fled Germany and France during WW2 they weren't scrutinised like this and it makes no sense that you can't just live. There has to be a better system than this.

I went in blind to a screening of this film from a passing recommendation at Irish Film Festival London. Admittedly I was not expecting much from this film which has definitely worked to its advantage, giving it a favourable review.

Aisha is a girl who has been through the ropes. Bad luck, tragedy and mental scarring. While seeking refuge in Ireland, she befriends a security guard who shows her empathy. She lives under the threat of being exiled, interview after interview from the pencil pushers, with no end in sight.

The truths it shows about Ireland could never be more true, while the people of Ireland are selfless, the government itself is selfish. This juxtaposition is what most countries deal with. A decent watch if you are interested in current socio-political topics.

"Aisha" (Letitia Wright) has been seeking asylum in Ireland for some while when she encounters and builds a friendship with the security guard at her hostel. He, "Conor" (John O'Connor) has a bit of baggage of his own, and the two find a certain comfort in supporting each other as she is moved to a rural caravan park where she must continue her quest for residency. There's no doubt that both Wright and O'Connor deliver decent efforts here, but somehow the underlying story left me rather underwhelmed. Why Ireland? Is it just the most porous part of the EU? There is little context given as to that choice, and so when her struggles against the bureaucracy become more difficult, I felt that whilst I empathised with her predicament, I couldn't quite see why this was an Irish problem? The presentation of her as an asylum seeker is largely predicated on the skills of Wright as an engaging actor, rather than of any depth to her characterisation that could enable a neutral to make the judgements the film is clearly steering us to make. It all has a certain degree of entitlement to it, and the writer and director needed to work much harder to present the audience with a legitimacy to the story, not just to rely on an assumption that the innate kindness and sympathy we ought to feel would be forthcoming. This needed much more development and balance - those doing immigration management jobs portrayed here are usually shown as uncaring and unfeeling in an almost lazy fashion - and that compromises the whole integrity of the story. The complexities of this scenario are over-simplified here, and I think an opportunity to raise awareness of this - on both sides - has been largely missed.

Letitia Wright owns this film as Aisha, an immigrant from Nigeria seeking refuge in Ireland. The actress appears in almost every frame and her performance is worthy of an Oscar nomination.

Her father has been killed and she and her mother raped by vicious loan sharks and she is shown navigating the asylum system in Ireland. A security guard at a shelter befriends her and the young woman is moved from place to place as she must attend hearing after hearing, reciting her terrible story to a long line of unsympathetic paper pushers. I am sure that it is pretty much the same here in ther United States.

I hope that Aisha will be Ireland's entry for an Academy Award.

Letitia Wright is the unique selling point of Aisha. She gives a fantastic performance. Watch her body language, the things she doesn't say, it's all in her eyes. It's a beautiful measured performance. Josh O' Connor gives her good support, eventhough his character sometimes feels a bit too goog to be true. There could have been some more fleshing out there. The movie itself is a timely complaint about the insufferable way asylum seekers are treated by the system. Never a break, always a new form to be complied, a interview with friendly if slightly uninterested caseworkers to be taken. It's a dehumanising treatment. The cruelty seems to be the point. Director Frank Berry shows it all in long takes, documentary like hitting his point home.