PUNTUACIÓN EN IMDb
4,9/10
1,9 mil
TU PUNTUACIÓN
Conecta la centralidad de la esclavitud en la historia con un retrato inquebrantable del brutal racismo que persiste en muchos aspectos de la vida estadounidense actual.Conecta la centralidad de la esclavitud en la historia con un retrato inquebrantable del brutal racismo que persiste en muchos aspectos de la vida estadounidense actual.Conecta la centralidad de la esclavitud en la historia con un retrato inquebrantable del brutal racismo que persiste en muchos aspectos de la vida estadounidense actual.
- Reparto principal
- Ganó 1 premio Primetime Emmy
- 5 premios y 12 nominaciones en total
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I noticed this had a 1.8/10 in under two hours after its release: meaning that these ratings could not even possibly finish the episodes before reviewing.
Obviously, this series was polarizing before its release. The source material is banned in many schools, since it is one of the most prominent publications of modern critical race theory.
I have not read the book yet, but I like to listen to colored voices explain their issues with credible history.
So does the beginning deliver? Yes, in many ways.
This isn't some victim-complex montage of people screaming at you that all white people are bad; this is a calm yet focused presentation of American history trickling down into modern policies.
On the other hand, this isn't as organized as other documentaries advocating for black liberation such as 13th (2016) or LA 92 (2017). So far, this series seems to be a bit too personally led by Nikole Hannah-Jones and the people she chooses to survey.
So is this biased? Of course it is, it's a pro-black documentary in America. If you have strong reservations against black social progression, then get ready to be challenged. But bias aside, legitimate history is here, and I learned a lot of new material from all eras of black America such as modern voting laws, 1960s marching logistics, and brutal punishments of early activists.
Overall, it's a strong series that I would recommend anyone to watch. It's not a cesspool of liberal lies as the other reviews suggest, but it's also not the most impactful series on race ever made. Hopefully the direction of the series can flow better in the remaining four episodes, so I can't wait to finish it.
Watch 13th or LA 92 before watching this.
7/10.
Obviously, this series was polarizing before its release. The source material is banned in many schools, since it is one of the most prominent publications of modern critical race theory.
I have not read the book yet, but I like to listen to colored voices explain their issues with credible history.
So does the beginning deliver? Yes, in many ways.
This isn't some victim-complex montage of people screaming at you that all white people are bad; this is a calm yet focused presentation of American history trickling down into modern policies.
On the other hand, this isn't as organized as other documentaries advocating for black liberation such as 13th (2016) or LA 92 (2017). So far, this series seems to be a bit too personally led by Nikole Hannah-Jones and the people she chooses to survey.
So is this biased? Of course it is, it's a pro-black documentary in America. If you have strong reservations against black social progression, then get ready to be challenged. But bias aside, legitimate history is here, and I learned a lot of new material from all eras of black America such as modern voting laws, 1960s marching logistics, and brutal punishments of early activists.
Overall, it's a strong series that I would recommend anyone to watch. It's not a cesspool of liberal lies as the other reviews suggest, but it's also not the most impactful series on race ever made. Hopefully the direction of the series can flow better in the remaining four episodes, so I can't wait to finish it.
Watch 13th or LA 92 before watching this.
7/10.
I've read through a bunch of the 1-star reviews and noticed that none of them actually address anything that is IN the episodes. Many of them claim that the documentary traffics in false history but literally every single person interviewed falls into one of two camps: 1) they are discussing things that personally happened to them; or 2) they are academic experts citing primary sources.
As a documentary work, The 1619 Project is off to a very strong start. I'm not ready to give it a 10 yet because I want to see how the entire series plays out. It's fair to say that it has an agenda but I can't think of any documentary that does not. There are obviously people who will disagree with the premise but from what I've seen so far, it does an excellent job of backing up its stance with verifiable facts.
As a documentary work, The 1619 Project is off to a very strong start. I'm not ready to give it a 10 yet because I want to see how the entire series plays out. It's fair to say that it has an agenda but I can't think of any documentary that does not. There are obviously people who will disagree with the premise but from what I've seen so far, it does an excellent job of backing up its stance with verifiable facts.
The filming itself is high quality. The storytelling is clear and has good audio. There are several interviews with people who lived through the Civil Rights Movement. There are some clips in black and white from the 1950s and 1960s. There is also contemporary footage of voting suppression. I found it interesting to learn more about events during my own lifetime.
The lens that is shaping the story is that Black people forged the US democracy by continually fighting for full citizenship and voting rights. I had never heard this perspective and am interested to see it fleshed out in the other episodes.
The lens that is shaping the story is that Black people forged the US democracy by continually fighting for full citizenship and voting rights. I had never heard this perspective and am interested to see it fleshed out in the other episodes.
I was looking forward to this series. As a public school teacher, my district has incorporated The 1619 Project into our SS and Civics curriculum from K-12. I was interested in seeing how it would transfer over into a documentary series. It did not disappoint.
I won't serve up any spoilers. But I will say I like that each episode is connecting the dots between the past history of slavery and present-day laws and circumstances and how they effect EVERYONE. Not just Black people, but poor people, in general. I am learning some intricate details that I didn't know, even with family members that lived through the Civil Rights Movement. It really gives nuance to the rich history of the country and how everyone has contributed to what we as a country have become.
I am looking forward to the final four episodes and the topics that are tackled. So far, so good!
I won't serve up any spoilers. But I will say I like that each episode is connecting the dots between the past history of slavery and present-day laws and circumstances and how they effect EVERYONE. Not just Black people, but poor people, in general. I am learning some intricate details that I didn't know, even with family members that lived through the Civil Rights Movement. It really gives nuance to the rich history of the country and how everyone has contributed to what we as a country have become.
I am looking forward to the final four episodes and the topics that are tackled. So far, so good!
Not sure why people are stating this is historically inaccurate. It's very accurate. It is what it is people. We have a shameful past. If you want to disagree with some of the causation that is one thing, but we cannot disagree with historical fact on how this nation was founded. Obviously this is going to point out things that our nation is and should be shameful for. This does not mean we are our ancestors, but we do need to reconcile our history and how this nation was built on the back of slavery and how our laws were impacted by it. I encourage everyone to embrace this for what it is. It's not an admission of guilt personally, it's an admission of our countries history.
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- ConexionesFeatured in Amala Ekpunobi: Hulu's New Series 'The 1619 Project' Looks SUS (2023)
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