El simpatizante

I was really looking forward to watching this, especially after reading the source material and its sequel. It wasn't bad, but it wasn't as great as it could have been. I thought the creative liberties taken were welcome, but what I thought was missing through the series was The Captain's thoughts on capitalism, imperialism, and what it is like being Asian in the U. S. A. His thoughts were touched upon, but never examined with the level of depth the book did.

The story is ultimately about how The Captain lost sight of which side he was fighting for, and that he couldn't be a part of what he hoped to. That wasn't conveyed as clearly as it could have been.

The show felt more interested in showing the General as paranoid, yet intimidating and RDJ as the deceiptfulness of white America / imperialism.

I had hopes for this show especially with Park Chan Wook involved. It was interesting to see RDJ play different roles but no one would be surprised with his versatility in acting skills. The show started off decent but felt the show just wasn't executed in the best way possible. The story felt dragged out each episode with only a seven episode count and although it was nice to see some Asian representation, I just didn't care much for any of the characters. They might've been better off with doing a 2 hour movie. The satire tone worked on some parts but really was overdone throughout the show. I expected something more to keep me engaged and feel some type of emotional attachment but it never delivered. Considering that Hoa Xuande was playing a Vietnamese communist spy, I wanted to see more scenes that made you want to empathize more for the character so by the time the ending came, you'd feel satisfied with the outcome of his character.

I didn't know what to make of this mini-series from the previews. It seemed underwhelming. And Robert Downey Jr. Looked all the bit of a caricature.

However, realizing Park Chan-wook was involved, heavily gave me all the faith needed to fully invest. His work on the original Old Boy, Sympathy for Mr Vengence and Thirst brought Korean Cinema into its golden age, two decades ago.

The Sympathizer itself has the hallmarks of a Chan-wook film. The absurd, yet believable and charming characters. The constant sense of dread and a plot that feels like it can punish someone you are starting to care for, very quickly.

Excited to see where the series goes and feeling confident it's going to be good with its source material being a Pulitzer Prize winner.

I do not know what book the reviewer who claims the novel is set in France read but The Sympathizer by Viet Thanh Nguyen takes place in America. That is the whole point of the story. The main character is a communist spy undercover as an aide to a South Vietnamese military commander who escapes to the United States of America at the conclusion of the war in Vietnam. Once in America, the narrator is then is a sleeper agent and a wry observer of American culture. His commentary on American life and capitalism offers a fresh perspective not offer seen and allows us, as readers, to see the war and its aftermath from a different and much needed viewpoint.

The first and second episode got me get up on my feet and applause at the end credit when nobody's even looking. Interesting and intelligent at the same time. Historical and very well researched on that time but snazzy at the same time. A story within a story organization is freaking genius The external narrative is The Captain in the reeducation camp, and the inner narrative is his experience as a spy from around the fall of Saigon to new (but not very new) life in America. Because he's telling the story in front of a guard, how far is the inner narrative true? The audience experiences 'the war of memory' second handedly because the captain might restart, recollect, and reeducate.

It's not just about the story. It also feels like I'm watching the theater within the series. The first interrogation scene on the stage with the lighting makes another frame within frame. A fictional film 'The Hamlet' in Episode 4 is played like a movie within a series as well. Like there is no camera rolling, it changes the screen ratio for 'The Hamlet'. Again, frame within a frame. Park knows how to use the screen to the fullest.

However, from episode 3, 'Sympathizer' becomes loose and flabby. Park's direction is sometimes for the sake of the direction itself. It shows off and screams 'I'm such a good director', and has nothing to do with connecting with the audience. His direction does not make the story fuller or the message louder. It's just artsy. And, what is the purpose of Downey Jr. Taking four roles? He was not even that good, and it was ineffective and inefficient, adding just confusion. Hoa Xuande, on the contrary, is a newly discovered talent. He succeeds in not losing wit and humor in serious situations. His acting is on point especially in the black comedy.