Qala

After impressing the audience with skillful writing in Bulbul, Anvita Dutta steps into the area with direction and she does comes out well in the today's release - Qala

Based in the lovely city of Calcutta during the 1930's era, Qala tells the story of a female playback singer (Tripti Dimri) who life goes for a toss when her mother Urmila (Swastika Mukherjee) brings home an orphaned boy, Jagan (Babil Khan) who poses threat when it comes to singing.

Debutant director Anvita Dutta creates an artistic world of Qala with mesmerizing cinematography and enchanting art direction where each frame is so ecstatically presented that it is difficult to take your eyes off the screen. The tale of aspiration, opportunity, jealousy and betrayal is well balanced thanks to the tight screenplay, fine technical aspects and electrifying performances by Tripti Dimri, Swastika Mukherjee and Babil Khan.

Overall, well written and stunning performances is what makes Qala a pleasant watch.

It explores an unexpected theme bounded by metaphors and symbolisms pointing to the vulnerability of women to make a career in showbiz. Envy, guilt, trauma are some of the key motifs. Dichotomy of fame is portrayed with flashes and blinding lights. With earnest acting performances and art direction. The anatomy of Qala is enthralling. We often stage sadness rather than madness as the cornerstone of female heartache. Qala rectifies that with the freedom to lose control. With an unsettling aftertaste it left me with a story that felt familiar with a syntax of arthouse and unconventional horrors.

My god what musical numbers, what storyline,what performances by all the the actors, specifically tripti she definitely will steal your heart with her performance, her childlike innocence and struggle to seek validation from her mother really comes as genuine. This film is truly slap on haters of bollywood who think bollywood dead and doesn't have any original storyline. What an amazing story and with character depth. Every scene of this movie feels like painting .Each frame has so much meaning behind it. Amit trivedi really did sone amazing work with the music and every song feels like breath of fresh air. I can't tell you how song beautifully infused life in this movie. Please give it a watch who who thinks bollywood is dead.

The story is beautiful & so are the songs in the movie. It tugged at some mother issues I have as well, so it connected with me. How your mother labels you remains with you forever. The plot is unraveled very beautifully for the audience, Anvita Dutt is a brilliant director. And the aesthetics is just - chef's kiss.

Amit Trivedi has done a beautiful job with the music. The entire soundtrack is a banger. Hands down, best album in a Bollywood movie in 2022. Brahmastra's album is a close second, but not ALL the songs in that album are as amazing as the songs in Qala.

Tripti Dimri, Swastika Mukherjee & Babil Khan have done a fine job. Especially Tripti, showing all the emotions a mentally disturbed person might feel with her expressions, body language & tone of voice so effortlessly. I'm excited to see more of her future works.

Qala is one of those films which makes you feel books are better than films. It is just so difficult to tune everything to the same frequency the cinematography, acting, pacing, storytelling, music(which is top-notch in this one btw.) etc. It could have been one fine mystery short story, but of course, how would we have gotten the great album then?

I don't have much problem with its slow pacing because it picks up in 2nd half, and I am used to slow-paced films. What bothered me the most was the monotonicity.

Playing the role of a child who has a disturbing childhood and is continuously deprived of her mother's attention and love despite being a single child is not easy, even for someone who has done a dozen films, let alone a new actor. And it did prove a bit too much for Tripti Dimri(Qala). She's cute, but her expressions in the film are primarily scared (that too in a weird way) or terrified. Very sorry to say, but Babil Khan(Jagan) was not up to the mark either. I absolutely loved the bits with Sunil Grover(he's an absolute gem) and his thoughtful dialogue:

". . . Par daur badlega. Daur ki ye puraani aadat hai."

Apart from music, the colour grading is very beautiful, which complements the dark aspects of the film industry. The shooting locations and photography are great too.