Qala

Qala is a poignant masterpiece. The movie is dark, mysterious amd powerful of capturing the attention of the spectators. Not just the plot, the minute details that the setting holds are eerie and at the same melancholic just like a still painting. It is a concoction of resentment, desire to love and be loved and an extreme form of jealousy that leads to the metamorphosis of a being. The enchanting aura of Tripti Dimri as Qala and the magical acting of Babil Khan as Jagan does full justice to the plot. Comprehensively, it is a gut -wrenching narrative with extremely beautiful musical that narrates/describes the inner psyche of the characters.

Dimri's acting was way better than the story pace but needed Babil's character to grow more to let Qala's feelings be justified. The Cinematography was too beautiful. The movie was a musical and it's music justifies it's genre all the music scores in the movie were soulful and heartwarming. Cinematography and music were the two things I loved about the movie. There were some things which needed research like himachali people wearing black on funeral was not good but yeah it looked beautiful in the snow. The story pace was slow but it added beauty to the tragedy but sometimes it was just too slow. Overall movie was a slow painful but beautiful and melodic death.

After impressing the audience with skillful writing in Bulbul, Anvita Dutta steps into the area with direction and she does comes out well in the today's release - Qala

Based in the lovely city of Calcutta during the 1930's era, Qala tells the story of a female playback singer (Tripti Dimri) who life goes for a toss when her mother Urmila (Swastika Mukherjee) brings home an orphaned boy, Jagan (Babil Khan) who poses threat when it comes to singing.

Debutant director Anvita Dutta creates an artistic world of Qala with mesmerizing cinematography and enchanting art direction where each frame is so ecstatically presented that it is difficult to take your eyes off the screen. The tale of aspiration, opportunity, jealousy and betrayal is well balanced thanks to the tight screenplay, fine technical aspects and electrifying performances by Tripti Dimri, Swastika Mukherjee and Babil Khan.

Overall, well written and stunning performances is what makes Qala a pleasant watch.

The story is beautiful & so are the songs in the movie. It tugged at some mother issues I have as well, so it connected with me. How your mother labels you remains with you forever. The plot is unraveled very beautifully for the audience, Anvita Dutt is a brilliant director. And the aesthetics is just - chef's kiss.

Amit Trivedi has done a beautiful job with the music. The entire soundtrack is a banger. Hands down, best album in a Bollywood movie in 2022. Brahmastra's album is a close second, but not ALL the songs in that album are as amazing as the songs in Qala.

Tripti Dimri, Swastika Mukherjee & Babil Khan have done a fine job. Especially Tripti, showing all the emotions a mentally disturbed person might feel with her expressions, body language & tone of voice so effortlessly. I'm excited to see more of her future works.

It explores an unexpected theme bounded by metaphors and symbolisms pointing to the vulnerability of women to make a career in showbiz. Envy, guilt, trauma are some of the key motifs. Dichotomy of fame is portrayed with flashes and blinding lights. With earnest acting performances and art direction. The anatomy of Qala is enthralling. We often stage sadness rather than madness as the cornerstone of female heartache. Qala rectifies that with the freedom to lose control. With an unsettling aftertaste it left me with a story that felt familiar with a syntax of arthouse and unconventional horrors.