The Palace
- 2023
- 1h 40min
PUNTUACIÓN EN IMDb
5,5/10
4,1 mil
TU PUNTUACIÓN
Un drama ambientado en la víspera de Año Nuevo de 1999 en un lujoso hotel suizo donde las vidas de los trabajadores del hotel y de varios huéspedes se entrelazan.Un drama ambientado en la víspera de Año Nuevo de 1999 en un lujoso hotel suizo donde las vidas de los trabajadores del hotel y de varios huéspedes se entrelazan.Un drama ambientado en la víspera de Año Nuevo de 1999 en un lujoso hotel suizo donde las vidas de los trabajadores del hotel y de varios huéspedes se entrelazan.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
Ema Mur
- Russian Girl
- (as Ema Kovac)
Reseñas destacadas
It is New Year's Eve 1999, at a luxury hotel in Switzerland. A grotesque gallery of the filthy rich gather to see in the new year, with many afraid the Y2K bug is imminently about to destroy western civilization...
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Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
-------------
Roman Polanski's latest film flopped at the box office and got awful reviews, but of course that's mostly because of the present political climate and the line the mainstream media have taken to "cancel" its creator. The film IS indubitably erratic, especially early on: full use is not made of the majority of story-lines, and most don't conclude in any satisfactory way. It also feels a little rushed and uncertain and as though several corners (and scenes) were cut. But there are a bunch of funny and ludicrous moments along the way, and the overall freak-show tone of it - the nightmarish way it depicts humanity, especially the very rich - feels much like something out of Gulliver's Travels. It doesn't more than half-succeed at any point, but at least it's reaching for something.
The cast has a variety of slightly over the hill famous faces, like Mickey Rourke, Fanny Ardant, and John Cleese as a nonagenarian oil tycoon celebrating his one year wedding anniversary with his dumpy young bride. But the best performance is probably by Hansueli Kopf, as the hotel director tirelessly trying to please them all and hold the show together.
Polanski has always been terrible at comedy; much too broad and heavy-handed, and it's clear some of the things that make him laugh don't translate into tickling most other people. But the truth is, I definitely enjoyed this one more than any of his other ones, like "The Fearless Vampire Killers", "What?" and "Pirates". I could be wrong, but the impression I get is that he just wanted one time to make a decent comedy before he dies, and if this does turn out to be the last film he ever makes, he really didn't do as bad as we're being told.
The movie was never boring, and i never felt grabing a smartphone.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
I thought that the movie was building up to something good, a lot of characters with different stories and I keep wondering if it was supposed to be funny because nothing made me laugh.
It kept on building nonsense, but I kept hoping for the punch line. You know, Blake Edwards style when all of the sudden everything gets tied up into a slapstick hilarious mess.
More than an hour into the movie I realized that, this was as good as it gets. Not a comedy, not drama... nothing!. But I watched it until the end just curious to know how they would fill the plot holes, and the movie ends just full of plot holes.
A dog fu**** a pinguin on the back... The End.
It kept on building nonsense, but I kept hoping for the punch line. You know, Blake Edwards style when all of the sudden everything gets tied up into a slapstick hilarious mess.
More than an hour into the movie I realized that, this was as good as it gets. Not a comedy, not drama... nothing!. But I watched it until the end just curious to know how they would fill the plot holes, and the movie ends just full of plot holes.
A dog fu**** a pinguin on the back... The End.
No rating is possible for this. The Palace is a deliberate, intentional trash, vulgar kitsch realised with impeccable skill.
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
I've been looking forward to this film for a long time and I haven't been disappointed. I was a bit irritated by the bad citics, but after watching the film, I realized that it was a Hollwood smear campaign against Polanski and his film. Non political correctness, non compromises. Typical Polanski style. This is not Hollywood trash, its serious Cineme. If you don´t like it, go watch "Barbie", "Everything Everywhere All at Once" or another Hollywood trash.
I read a few of the bad Reviews. I don't understand why it's hard to rate this movie, or why the movie is politically hard to defend? Is it because of Putins New Year's address? LOL
This is a damn fine comedy/Satire and it deserves at least one Oscar Nominee. Unfortunately, Hollywood these days is all about politics.
Normally, I would give the movie 8 stars, but because of the hate, i give it 9 Stars. Hopefully it wasn't Polanski's last film. He should get an Oscar for his life's work, but it's not going to happen. Hollywood, take your political correctness and go to Hell.
I recommend the film to all those who are still interested in real Cinema.
I read a few of the bad Reviews. I don't understand why it's hard to rate this movie, or why the movie is politically hard to defend? Is it because of Putins New Year's address? LOL
This is a damn fine comedy/Satire and it deserves at least one Oscar Nominee. Unfortunately, Hollywood these days is all about politics.
Normally, I would give the movie 8 stars, but because of the hate, i give it 9 Stars. Hopefully it wasn't Polanski's last film. He should get an Oscar for his life's work, but it's not going to happen. Hollywood, take your political correctness and go to Hell.
I recommend the film to all those who are still interested in real Cinema.
¿Sabías que...?
- CuriosidadesWhen suggesting to use a bandaid for Bongo's nose, Hansueli suggests he would look like "that actor" in "that movie". He's speaking of Jack Nicholson in Roman Polanski's Chinatown (1974).
- PifiasChampagne, especially a $12,450 bottle of Bollinger 1938 vintage champagne, would never under any circumstances be served at room temperature.
- Citas
Arthur William Dallas III: Can I have that blowjob now?
- ConexionesFeatures Lou Bega: Mambo No. 5 (A Little Bit of...) (1999)
- Banda sonoraMambo No.5 (A Little Bit Of...)
Written by Dámaso Pérez Prado, Lou Bega and Zippy Davids
Performed by Lou Bega
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- How long is The Palace?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Палац
- Localizaciones del rodaje
- Palace Hotel, Gstaad, Suiza(main location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 21.000.000 € (estimación)
- Recaudación en todo el mundo
- 972.161 US$
- Duración
- 1h 40min(100 min)
- Color
- Mezcla de sonido
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