La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en perfo... Leer todoLa especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.
- Dirección
- Guión
- Reparto principal
- Premios
- 10 premios y 33 nominaciones en total
Ephie Kantza
- Adrienne Berceau
- (as Efi Kantza)
Alexandra Anger
- Surgeon
- (sin acreditar)
Reseñas destacadas
Not sure I liked it, not sure I disliked it, but boy oh boy was it a Cronenberg movie, and if you like his style, check it out. My two biggest gripes are that I felt as though it ended too abruptly, and that honestly, I wish it was grosser. Is that weird? Most of the "shocking bits", besides one scene, were in the trailer, which was a bit disappointing. Really not much more that I can say. Great performances!
65/100
My expectations for the film were completely off. The trailer made me think that the film was going to be one way, but turned out it was the opposite.
While it wasn't as I expected it was still a decent film. It was artistic, dark, twisted, and intriguing. The story had an interesting concept. "Surgery is the new sex". With that in my mind now it really opens a new visual to the film.
The performance was very well done. It's been awhile since I've seen Viggo Mortensen in a film. He was excellent and I enjoyed his performance. Having only seen Léa Seydoux in "James Bond" previously, I thought she did an excellent job as well opposite Viggo. Continuing with the acting performances, this is perhaps the first film that I enjoyed Kristen Stewart's performance. Just her shyness and dark persona made her likeable.
The film does lose a lot interest because it becomes too slow at times and drags on more than it needs to a certain moments. While a slower pace is key to the film it's just too slow.
Overall, there is some good intriguing moments to the film that I struggle to convey into words. A twisted art story involving slicing and dicing the body. Honestly, it was worth seeing in theatres, but I would've preferred to see it on a cheap night.
Thank you for reading my review. I hope it helps you a little in making a decision. Until next time.... Enjoy the show!
My expectations for the film were completely off. The trailer made me think that the film was going to be one way, but turned out it was the opposite.
While it wasn't as I expected it was still a decent film. It was artistic, dark, twisted, and intriguing. The story had an interesting concept. "Surgery is the new sex". With that in my mind now it really opens a new visual to the film.
The performance was very well done. It's been awhile since I've seen Viggo Mortensen in a film. He was excellent and I enjoyed his performance. Having only seen Léa Seydoux in "James Bond" previously, I thought she did an excellent job as well opposite Viggo. Continuing with the acting performances, this is perhaps the first film that I enjoyed Kristen Stewart's performance. Just her shyness and dark persona made her likeable.
The film does lose a lot interest because it becomes too slow at times and drags on more than it needs to a certain moments. While a slower pace is key to the film it's just too slow.
Overall, there is some good intriguing moments to the film that I struggle to convey into words. A twisted art story involving slicing and dicing the body. Honestly, it was worth seeing in theatres, but I would've preferred to see it on a cheap night.
Thank you for reading my review. I hope it helps you a little in making a decision. Until next time.... Enjoy the show!
This flick is off the wall even for Cronenberg. And I'm amazed that such well known actors made this dark and almost plotless film.
It opens withan outrage and ends with a whimper. The dialogue is vague and depressing as is the premise that future art will be of pain and suffering.
It opens withan outrage and ends with a whimper. The dialogue is vague and depressing as is the premise that future art will be of pain and suffering.
I was really excited to see this movie, and while I enjoyed the movie, I was ultimately left dissatisfied, because Cronenberg is capable of making better films. This movie basically explores a lot of the same themes as Crash, eXistenZ (did i spell that right?) and Dead Ringers, and sort of throws them together. I think it was miles beyond what eXistenZ was, but not as good as Dead Ringers, and nowhere near as good as Crash.
The pros: Acting is great, Scott Speedman was surprisingly really good in his performance, concept of the film is great
The mehs: Soundtrack, I feel like you could slap any of Howard Shore's Cronenberg soundtracks onto this one, and it wouldn't matter, it's there, it probably doesn't need to be though, for me it doesn't add anything, which makes me wonder if I would have enjoyed this move more if it didn't have a soundtrack...and I think I would. I think maybe going for something ambient over orchestral would have worked better as well, but I guess you can't teach an old dog new tricks. People have been talking about how gross some of the stuff is in the movie, but in all honesty, after watching it, I feel like Cronenberg and or the production company pays people to talk about how hard it is to watch, to build hype. Pretty tame in the gross out department if you ask me, which is fine, because I think all of the surgical stuff that's happening was delivered at a very appropriate level, not off putting to watch.
The cons: the costume design is hokey, Viggo Mortensen's ninja poncho hoodie thing looks silly, the set design is really boring, the design of the various apparatuses that characters are connected to (the autopsy machine, the eating chair thing, the bed) all look like cheap plastic crap, and I don't think that was intentional, the way they're presented is as elaborate pieces of technology, but they look cheap and idiotic, and it really killed any engagement that I had, it kept reminding me that I was watching a movie with bad props, I'm glad he used props instead of CGI, but these just look like crap. The props and makeup in Naked Lunch worked, these look like they were props that were discarded from Naked Lunch's props department because they weren't good enough to use. Lastly the final con of the film is the script, the entire plot is fantastic, it's well thought out, but when you're dealing with complex themes and subject matter, why would you write a script that tries to explain what's going on like a 3 year old is watching the movie? The script is patronizing to the viewer, and I felt cheated when I listened to the dialogue. Characters don't need to explain to the audience what's happening when we're already watching it, most of the dialogue is a narration of the plot and the themes, and it's irritating to sit through.
The pros: Acting is great, Scott Speedman was surprisingly really good in his performance, concept of the film is great
The mehs: Soundtrack, I feel like you could slap any of Howard Shore's Cronenberg soundtracks onto this one, and it wouldn't matter, it's there, it probably doesn't need to be though, for me it doesn't add anything, which makes me wonder if I would have enjoyed this move more if it didn't have a soundtrack...and I think I would. I think maybe going for something ambient over orchestral would have worked better as well, but I guess you can't teach an old dog new tricks. People have been talking about how gross some of the stuff is in the movie, but in all honesty, after watching it, I feel like Cronenberg and or the production company pays people to talk about how hard it is to watch, to build hype. Pretty tame in the gross out department if you ask me, which is fine, because I think all of the surgical stuff that's happening was delivered at a very appropriate level, not off putting to watch.
The cons: the costume design is hokey, Viggo Mortensen's ninja poncho hoodie thing looks silly, the set design is really boring, the design of the various apparatuses that characters are connected to (the autopsy machine, the eating chair thing, the bed) all look like cheap plastic crap, and I don't think that was intentional, the way they're presented is as elaborate pieces of technology, but they look cheap and idiotic, and it really killed any engagement that I had, it kept reminding me that I was watching a movie with bad props, I'm glad he used props instead of CGI, but these just look like crap. The props and makeup in Naked Lunch worked, these look like they were props that were discarded from Naked Lunch's props department because they weren't good enough to use. Lastly the final con of the film is the script, the entire plot is fantastic, it's well thought out, but when you're dealing with complex themes and subject matter, why would you write a script that tries to explain what's going on like a 3 year old is watching the movie? The script is patronizing to the viewer, and I felt cheated when I listened to the dialogue. Characters don't need to explain to the audience what's happening when we're already watching it, most of the dialogue is a narration of the plot and the themes, and it's irritating to sit through.
Some people in the future muck about with their saucy organs and that's about it. Some of the effects and prosthetics are creative, but some of them are bobbins.
The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.
The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.
A meandering, middle-of-the-road sci-fi.
The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.
The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.
A meandering, middle-of-the-road sci-fi.
¿Sabías que...?
- CuriosidadesDavid Cronenberg's first film in thirty-five years not to have his sister Denise Cronenberg serve as costume design. Denise passed away in summer 2020.
- PifiasAround the 44th minute, when Caprice and Saul use the bed for their own play, the cuts on her chest differ between the scene when she was alone and after he joined her on the bed.
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- How long is Crimes of the Future?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Crimes of the Future
- Localizaciones del rodaje
- Piraeus, Grecia(hotel Sparti exteriors: Kapodistriou 18)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.452.882 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1.117.962 US$
- 5 jun 2022
- Recaudación en todo el mundo
- 4.551.565 US$
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Crímenes del futuro (2022) in India?
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