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Crímenes del futuro

Título original: Crimes of the Future
  • 2022
  • 18
  • 1h 47min
PUNTUACIÓN EN IMDb
5,8/10
45 mil
TU PUNTUACIÓN
POPULARIDAD
3244
553
Viggo Mortensen, Kristen Stewart, and Léa Seydoux in Crímenes del futuro (2022)
Teaser 1
Reproducir trailer0:57
5 vídeos
99+ imágenes
Ciencia ficciónCiencia ficción distópicaDramaHorror corporalTerror

La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en perfo... Leer todoLa especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.La especie humana evoluciona y se adapta a un entorno sintético, el cuerpo es sometido a nuevas transformaciones y mutaciones. El artista Saul exhibe las metamorfósis de sus órganos en performances de vanguardia con su compañera Caprice.

  • Dirección
    • David Cronenberg
  • Guión
    • David Cronenberg
  • Reparto principal
    • Viggo Mortensen
    • Léa Seydoux
    • Kristen Stewart
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,8/10
    45 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3244
    553
    • Dirección
      • David Cronenberg
    • Guión
      • David Cronenberg
    • Reparto principal
      • Viggo Mortensen
      • Léa Seydoux
      • Kristen Stewart
    • 400Reseñas de usuarios
    • 299Reseñas de críticos
    • 68Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 10 premios y 33 nominaciones en total

    Vídeos5

    Official Redband Trailer
    Trailer 1:43
    Official Redband Trailer
    Official Teaser
    Trailer 0:57
    Official Teaser
    Official Teaser
    Trailer 0:57
    Official Teaser
    Crimes of the Future
    Trailer 0:57
    Crimes of the Future
    Is Cronenberg's 'Crimes of the Future' Actually About Filmmaking?
    Clip 4:00
    Is Cronenberg's 'Crimes of the Future' Actually About Filmmaking?
    Crimes Of The Future (French Featurette Subtitled)
    Featurette 4:51
    Crimes Of The Future (French Featurette Subtitled)

    Imágenes180

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    + 172
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    Reparto principal19

    Editar
    Viggo Mortensen
    Viggo Mortensen
    • Saul Tenser
    Léa Seydoux
    Léa Seydoux
    • Caprice
    Kristen Stewart
    Kristen Stewart
    • Timlin
    Scott Speedman
    Scott Speedman
    • Lang Dotrice
    Sotiris Siozos
    Sotiris Siozos
    • Brecken
    Lihi Kornowski
    Lihi Kornowski
    • Djuna
    Don McKellar
    Don McKellar
    • Wippet
    Nadia Litz
    Nadia Litz
    • Router
    Tanaya Beatty
    Tanaya Beatty
    • Berst
    Mihalis Valasoglou
    Mihalis Valasoglou
    • NVU Agent
    Welket Bungué
    Welket Bungué
    • Cope
    Tassos Karahalios
    Tassos Karahalios
    • Klinek
    Ephie Kantza
    Ephie Kantza
    • Adrienne Berceau
    • (as Efi Kantza)
    Yorgos Pirpassopoulos
    Yorgos Pirpassopoulos
    • Dr. Nasatir
    Jason Bitter
    • Tarr
    Denise Capezza
    Denise Capezza
    • Odile
    Penelope Tsilika
    Penelope Tsilika
    • Beauty Spa Woman
    Alexandra Anger
    • Surgeon
    • (sin acreditar)
    • Dirección
      • David Cronenberg
    • Guión
      • David Cronenberg
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios400

    5,845.1K
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    Reseñas destacadas

    6dsayshi257

    Hmmmm

    Not sure I liked it, not sure I disliked it, but boy oh boy was it a Cronenberg movie, and if you like his style, check it out. My two biggest gripes are that I felt as though it ended too abruptly, and that honestly, I wish it was grosser. Is that weird? Most of the "shocking bits", besides one scene, were in the trailer, which was a bit disappointing. Really not much more that I can say. Great performances!
    6PerryAtTheMovies

    The future of art....

    65/100

    My expectations for the film were completely off. The trailer made me think that the film was going to be one way, but turned out it was the opposite.

    While it wasn't as I expected it was still a decent film. It was artistic, dark, twisted, and intriguing. The story had an interesting concept. "Surgery is the new sex". With that in my mind now it really opens a new visual to the film.

    The performance was very well done. It's been awhile since I've seen Viggo Mortensen in a film. He was excellent and I enjoyed his performance. Having only seen Léa Seydoux in "James Bond" previously, I thought she did an excellent job as well opposite Viggo. Continuing with the acting performances, this is perhaps the first film that I enjoyed Kristen Stewart's performance. Just her shyness and dark persona made her likeable.

    The film does lose a lot interest because it becomes too slow at times and drags on more than it needs to a certain moments. While a slower pace is key to the film it's just too slow.

    Overall, there is some good intriguing moments to the film that I struggle to convey into words. A twisted art story involving slicing and dicing the body. Honestly, it was worth seeing in theatres, but I would've preferred to see it on a cheap night.

    Thank you for reading my review. I hope it helps you a little in making a decision. Until next time.... Enjoy the show!
    5danew13

    Hard to Watch,and You Wonder Why You Did

    This flick is off the wall even for Cronenberg. And I'm amazed that such well known actors made this dark and almost plotless film.

    It opens withan outrage and ends with a whimper. The dialogue is vague and depressing as is the premise that future art will be of pain and suffering.
    6tomghiley

    Average Cronenberg

    I was really excited to see this movie, and while I enjoyed the movie, I was ultimately left dissatisfied, because Cronenberg is capable of making better films. This movie basically explores a lot of the same themes as Crash, eXistenZ (did i spell that right?) and Dead Ringers, and sort of throws them together. I think it was miles beyond what eXistenZ was, but not as good as Dead Ringers, and nowhere near as good as Crash.

    The pros: Acting is great, Scott Speedman was surprisingly really good in his performance, concept of the film is great

    The mehs: Soundtrack, I feel like you could slap any of Howard Shore's Cronenberg soundtracks onto this one, and it wouldn't matter, it's there, it probably doesn't need to be though, for me it doesn't add anything, which makes me wonder if I would have enjoyed this move more if it didn't have a soundtrack...and I think I would. I think maybe going for something ambient over orchestral would have worked better as well, but I guess you can't teach an old dog new tricks. People have been talking about how gross some of the stuff is in the movie, but in all honesty, after watching it, I feel like Cronenberg and or the production company pays people to talk about how hard it is to watch, to build hype. Pretty tame in the gross out department if you ask me, which is fine, because I think all of the surgical stuff that's happening was delivered at a very appropriate level, not off putting to watch.

    The cons: the costume design is hokey, Viggo Mortensen's ninja poncho hoodie thing looks silly, the set design is really boring, the design of the various apparatuses that characters are connected to (the autopsy machine, the eating chair thing, the bed) all look like cheap plastic crap, and I don't think that was intentional, the way they're presented is as elaborate pieces of technology, but they look cheap and idiotic, and it really killed any engagement that I had, it kept reminding me that I was watching a movie with bad props, I'm glad he used props instead of CGI, but these just look like crap. The props and makeup in Naked Lunch worked, these look like they were props that were discarded from Naked Lunch's props department because they weren't good enough to use. Lastly the final con of the film is the script, the entire plot is fantastic, it's well thought out, but when you're dealing with complex themes and subject matter, why would you write a script that tries to explain what's going on like a 3 year old is watching the movie? The script is patronizing to the viewer, and I felt cheated when I listened to the dialogue. Characters don't need to explain to the audience what's happening when we're already watching it, most of the dialogue is a narration of the plot and the themes, and it's irritating to sit through.
    5Victor_Fallon

    Nice idea barely explored.

    Some people in the future muck about with their saucy organs and that's about it. Some of the effects and prosthetics are creative, but some of them are bobbins.

    The drama is mundane. There's no suspense, tension or stakes. If all the movie had is a premise, then the body horror needed to be bonkers to give the audience a bit of fun. But it's all too serious. The philosophical aspect is brought to the fore, which is the least interesting thing about it. I like that it's trying something different, but it comes at the cost of good storytelling. A simple thriller element would have balanced the movie nicely. Unfortunately, the plot is too thin to hold any weight.

    The sets and cinematography are good. The acting is clunky and the dialogue is waffling, when it's audible. Cronenberg has fallen victim to the trend of dialogue being whispered, mumbled, fried or delivered in an accent so outrageous that it's hard to decipher what anybody's banging on about.

    A meandering, middle-of-the-road sci-fi.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      David Cronenberg's first film in thirty-five years not to have his sister Denise Cronenberg serve as costume design. Denise passed away in summer 2020.
    • Pifias
      Around the 44th minute, when Caprice and Saul use the bed for their own play, the cuts on her chest differ between the scene when she was alone and after he joined her on the bed.
    • Citas

      Timlin: Surgery is the new sex.

    • Conexiones
      Featured in Amanda the Jedi Show: CRIMES OF THE FUTURE is the Most Disgusting Movie of the Year? | Explained (2022)
    • Banda sonora
      Body Is Reality
      Written and produced by Howard Shore

      © 2022 South Fifth Avenue Publishing (ASCAP)

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    Preguntas frecuentes

    • How long is Crimes of the Future?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de septiembre de 2022 (España)
    • Países de origen
      • Canadá
      • Grecia
      • Reino Unido
      • Francia
    • Sitio oficial
      • Official Neon
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Crimes of the Future
    • Localizaciones del rodaje
      • Piraeus, Grecia(hotel Sparti exteriors: Kapodistriou 18)
    • Empresas productoras
      • Serendipity Point Films
      • Téléfilm Canada
      • Ingenious Media
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 35.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 2.452.882 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 1.117.962 US$
      • 5 jun 2022
    • Recaudación en todo el mundo
      • 4.551.565 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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