The Way Out

This intense psychological thriller from director Barry Jay is a must-watch. Jonny Beauchamp stars as a young man grappling with the sudden death of his abusive father. Stuck in a dead-end job as a pizza delivery driver, he learns that his father has died of a "massive heart attack." With the help of his AA sponsor, played by Sherri Shepherd, and his "girlfriend," portrayed by Ashleigh Murray, he begins to navigate his new reality. Inheriting his father's house and a pile of massive unpaid bills, he decides to rent out rooms. This leads to an encounter with a mysterious and unsettling stranger, played brilliantly by Mike Manning, who teaches him how to fight back.

Barry Jay expertly combines suspense with a meaningful exploration of trauma and addiction. The film's slow-build tension and deep character development set it apart from typical thrillers. Beauchamp delivers a powerful performance as the vulnerable yet determined Alex, while Manning brings a chilling intensity to Shane. The supporting cast, including Sherri Shepherd and Ashleigh Murray, adds depth and authenticity to the story.

The Way Out avoids cheap scares, focusing instead on psychological richness and emotional resonance. It delves into the complexities of dependency and recovery, making every moment significant and contributing to a profound sense of unease. For those seeking a thought-provoking and suspenseful film, The Way Out is a compelling reminder of how our pasts shape our present and is a must-watch in the psychological thriller genre.

A gripping psychological thriller that follows a young man dealing with the sudden loss of his abusive father. Stuck in a dead-end job as a pizza delivery driver, he learns that his father has died of a "massive heart attack." With the support of his AA sponsor and his girlfriend, he begins to navigate his new reality. Inheriting his father's house and a mountain of unpaid bills, he starts renting out rooms to make ends meet. This leads to an encounter with a mysterious and unsettling stranger who teaches him how to fight back.

The film takes you on a wild ride filled with suspense and a quest for revenge. The acting and storyline are both compelling and well-executed, making it a standout in the thriller genre. The intense and engaging narrative keeps you hooked from start to finish.

In The Way Out, director Barry Jay crafts an intense psychological thriller that dives deep into the complexities of trauma and survival. The film follows a young man, reeling from the recent death of his abusive father. Struggling to find direction, he crosses paths with a charming yet dangerous stranger. This enigmatic figure becomes an unexpected mentor, imparting unconventional life lessons that span the spectrum from the intimate and personal to the violent and empowering. As the young man learns about life, sex, and how to fight back, he begins to reclaim his sense of self and confront the ghosts of his past. Barry Jay masterfully weaves a narrative that is as unsettling as it is captivating, making The Way Out a compelling exploration of resilience and transformation.

"Alex" (Jonny Beauchamp) is a young man recovering from a ghastly relationship with his father. He's pretty broke, in a bit of an emotional cul-de-sac and working as a pizza boy when he encounters the enigmatic and charming "Shane" (Mike Manning) with whom he soon becomes fascinated, infatuated and every so slightly obsessed. His new mentor determines to push "Alex" to his limits, then beyond those limits - enabling him to more fully enjoy sex, but also to be able to defend himself from those who would gay-bash him. As you will expect, there is quite a bit more to "Shane", and as this revenge thriller pans out, we discover a little more of just how his eye-for-an-eye mentality delivers brutal and violent results. My problems with this were twofold. The dialogue is extremely uninspiring, pedestrian even. This story deals with real issues faced by many young gay men who have difficulties with their parents, their friends, with alcohol and their own self-esteem and self-worth. The writing here is just too light-weight and it doesn't arm either character - especially Beauchamp - with enough to really punch through. The second is the woefully underlit photography. It's as if it were all being shot using some candles, or a Davy lamp. That works at certain stages of the story, but after a while I felt the whole point of "Alex" not having to live in the shadows was being compromised by director Barry Jay's choice to film it as if we were all in a cave. It's a solid story that looks at a few salient (and criminal) point. This just doesn't deliver that story very well.