Tres canciones para Benazir

So cute, simple, delicate, real, painful, tragic, simple, passionate, real... I would like you to delve a little deeper into Benazir's motivations for joining the Afghan army and "abandoning" his wife and baby son, I know he will in addition to his love for his country and the possibility of giving a little better life to both of them, as he had faced the whole family and community, which did not support him... Beautiful documentary...

This short documentary film is an emotional rollercoaster packing a powerful love story and a quick glimpse into the disturbing reign of the Taliban into 22 minutes. In the time it takes to get a coffee at the Starbucks drive through you can feel the love, hope, pain, and despair of this young couple in Afghanistan.

A reminder that love is universal despite the political and cultural environment that surrounds you. It is a beautiful film full of truth and honor telling the story of a real Afghan couple that you won't see in the media.

It is a must-see for every American who feels disconnected because the media only highlights the war. A reminder that there are innocent citizens living their lives in Afghanistan, beautiful people who lead with their brave and courageous hearts.

I only hope that Benazir has found peace and comfort in her tumultuous life.

Three Songs for Benazir is an incredibly intimate film about young love in the midst of ongoing turmoil in Afghanistan. Set for the most part in a refugee camp, the film conveys so much and is an essential watch for anyone who has any interest in Afghanistan. With the Taliban takeover last year, this film couldn't be more relevant.

Told through the perspective of Shaista, a young man (still a teenager), we understand what aspirations can be in the most challenging of circumstances:-- how it can break you, and that life, ultimately, is a struggle.

Elizabeth and Gulistan Mirzaei have created a beautiful poem and ode to the people of Afghanistan.

While it is important to talk about the situation in Afghanistan, it has so much more potential than what this short film portrayed.

I feel like I missed something crucial, because there is a wide gap that is unfilled. In the end, you get the picture, but it would have been better to witness what had happened.

Overall, this film does not show the grave issues of what it means to live there in these troubled times, hence 6/10.

The movie itself is beautiful - a concise portrait of broken hopes, ending in an ultimately resilient note of fighting against an additional adversity: addiction. Shaista has an innocent, cheerful twinkle in his eye that becomes duller over time, until we see him a "grown" man. Grown into accepting his circumstances, into abandoning his youthful dreans. For all of us who grew in the Global South, the portrayal feels real beyond words.

But there's one thing I can't get over, and it's the fact that the movie and its producers don't serm to have made it a point to actually help Benazir and Shaista. It's one thing to record their troubles as faithfully as possible, without intervening, but was it necessary to keep them in obscurity after the film came out? The official website for the movie doesn't even profile them, or offer any ways to help them out. There's no GoFundMe, no mention of what happened to them after the film, not enough credit to them as the living, breathing protagonists of this story.

I don't know about Shaista and Benazir, but if I had a movie made about how difficult my life is, and that movie got all the way to the Oscars, and that success didn't make my life a bit easier at least, I'd feel cheated. Their reality was shared, but was it improved? It certainly was improved for the makers of the film, and so it should have been for its subjects. I'm not sure if they helped them in ways not shown in the documentary, but from what is visible they could have done much, much more. Otherwise this film takes a prentended tone of impartiality that just feels outright exploitative.

Where are Benazir and Shaista, whose voices and faces were seen accross the world; whose story was sold and rented, now?