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IMDbPro

Martes, después de Navidad

Título original: Marti, dupa Craciun
  • 2010
  • Unrated
  • 1h 39min
PUNTUACIÓN EN IMDb
6,9/10
5,1 mil
TU PUNTUACIÓN
Martes, después de Navidad (2010)
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
Reproducir trailer1:19
1 vídeo
8 imágenes
DramaRomance

Añade un argumento en tu idiomaPaul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him rede... Leer todoPaul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.

  • Dirección
    • Radu Muntean
  • Guión
    • Alexandru Baciu
    • Radu Muntean
    • Razvan Radulescu
  • Reparto principal
    • Mimi Branescu
    • Mirela Oprisor
    • Maria Popistasu
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,9/10
    5,1 mil
    TU PUNTUACIÓN
    • Dirección
      • Radu Muntean
    • Guión
      • Alexandru Baciu
      • Radu Muntean
      • Razvan Radulescu
    • Reparto principal
      • Mimi Branescu
      • Mirela Oprisor
      • Maria Popistasu
    • 17Reseñas de usuarios
    • 70Reseñas de críticos
    • 81Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 8 premios y 16 nominaciones en total

    Vídeos1

    Official Trailer
    Trailer 1:19
    Official Trailer

    Imágenes7

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    Ver cartel
    Ver cartel
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    + 3
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    Reparto principal12

    Editar
    Mimi Branescu
    Mimi Branescu
    • Paul Hanganu
    Mirela Oprisor
    Mirela Oprisor
    • Adriana Hanganu
    Maria Popistasu
    Maria Popistasu
    • Raluca
    Sasa Paul-Szel
    • Mara
    Victor Rebengiuc
    Victor Rebengiuc
    • Nucu
    Dragos Bucur
    Dragos Bucur
    • Cristi
    Dana Dembinski Medeleanu
    • Ralusca's mother
    Silvia Nastase
    • Ica
    Adrian Vancica
    • Mircea Dumbraveanu
    Carmen Lopazan
    • Cosmina
    Ioana Blaj
    Ioana Blaj
    • Narcisa
    Claudiu Dumitru
    • Vanzator de brazi
    • Dirección
      • Radu Muntean
    • Guión
      • Alexandru Baciu
      • Radu Muntean
      • Razvan Radulescu
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios17

    6,95.1K
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    Reseñas destacadas

    9Red-125

    He has to decide by Christmas.

    The Romanian film "Marti, Dupa Craciun" (2010) was shown in the United States with the title, "Tuesday, After Christmas." The movie is co-written and directed by Radu Muntean.

    Many movies show female full frontal nudity, so the fact that this occurs in this movie is no great surprise. What is surprising is that the film opens with two of the principals in bed. They have obviously just made love, and what we hear and see is their casual, languid talk right afterward. The woman has no reason to cover herself, so we see the nudity within the first minute or two of the film. Definitely different.

    The man, Paul, is played by Mimi Branescu. (Apparently Mimi can be a man's name in Romania.) He looks and acts like an Eastern European George Clooney, although he's not as handsome as Clooney.

    We learn that the woman, played by Maria Popistasu, is Raluca, who has been having an affair with Paul for months. She is certainly young and beautiful. (In fact, all of her is beautiful, as we learn in the first few minutes of the film.) What sets Raluca apart from most "other women" is that she's a dentist. (I can't remember ever seeing a movie where one of the women actors is a dentist.) In fact, it was through dentistry that she and Paul met, because Paul's daughter is her patient.

    Mirela Oprisor plays Adriana, Paul's wife. She too is very beautiful, although that aspect of her appearance is played down in the movie. She too is intelligent, and she loves Paul.

    That's the basic plot of the film. Paul has to decide. It's Christmas, and, in the context of the film, one of the women is going to get Paul for a Christmas present, and one is going to get left by Paul as her present.

    The film proceeds almost like a documentary. We meet Raluca's mother, Paul's parents, Adriana's sister, and some family friends. Paul and Adriana take their daughter to Raluca's clinic. Obviously, Paul and Raluca are exquisitely aware of the awkwardness of the situation, but, equally obviously, Adriana is not.

    All of these essentially normal activities take place with the clock ticking--in Paul's mind and in ours. Either way, this is going to end badly for someone. We just don't know who that someone will be, and what will happen after Paul decides. It's not a great movie if you want violent action or broad dramatic strokes. It is a great movie if you want to see a portrayal of normal people in an all-too-normal situation.

    I enjoyed this movie and recommend it. The only weakness is that it wasn't clear to me what qualities Paul had that would make both women want him as their partner. He's attractive enough, apparently virile enough, and fairly well off financially. However, Raluca knows he's cheating on his wife. What makes her think he won't cheat on her? Adrianna knows that he's away a lot, and, even when he's there, he's not particularly loving or caring. Still, there it is. Two women want him, and only one will have him.

    We saw this film at the excellent Dryden Theatre at George Eastman House in Rochester. It will work well on DVD, because all of the important scenes take place indoors. I think it's definitely worth finding and seeing.
    8kenjha

    Real Drama

    A Romanian man must choose between his wife and his lover. The pacing is very deliberate. Scenes are filmed in long takes and little happens in terms of plot or action. However, the leisurely approach allows the viewer to get to know the characters, who are all very real. The characters and situations are so real that one can empathize with their plight. The acting is excellent all around. Branescu is not able to shine in the unsympathetic role of the man in the love triangle. However, Oprisor as the wife and Popistasu as the lover both turn in wonderfully natural performances. Muntean is a talented writer-director, someone to keep an eye on.
    1awsadnan83

    Acting is good that's it...

    Nothing happens. ..really! Nothing happens.is there even a script?. This movie is totally pretentious. Why should they call this a movie more like a public AD for infidelity. And gratuitous nude scenes. Give me a break. I skipped the scenes so much for how boring it is. Nothing is interesting , you would expect a plot twist something, build up ...just long drawling scenes of peaople staring into each other. Long pauses. I heard so many good opinons about this. This movie should be called Totally overrated. I want my 95 min back. Total and utter nonsense. They should be ashamed.. 10.min scene of someone trying on clothes.
    8hbhasan-bilal

    A Unique Cliché

    Although the movie appears to be a modern day cliché in film making just by reading the plot summary, it is anything but. Yes it's a story about a much used concept of love triangles, yes it's a story about heartbreaks and infidelity, but seldom does one see a movie taking out the time to delicately develop the situational markers, the palpitating tension and the deep-rooted feeling of guilt and remorse. This movie paints an unadulterated picture of love, disloyalty and heartbreak. Where other movies include this concept as a plot enhancement or twist, director Radu Muntean sketches a brilliant exposé on a man's struggle between his love and his guilt amidst the delicate balance of family.
    7SnoopyStyle

    compelling new wave

    In Bucharest, banker Paul Hanganu is happily married to Adriana with kids. Only, he's having an affair with his daughter's young beautiful dentist.

    It's a naturalistic film. There are some compelling scenes. One is especially devastating. It's a compelling Romanian film riding a new wave of cinema coming from that country.

    Más del estilo

    Madre e hijo
    7,3
    Madre e hijo
    Sieranevada
    7,3
    Sieranevada
    Boogie
    7,0
    Boogie
    Ilegitim
    6,7
    Ilegitim
    Entre valles
    6,7
    Entre valles
    Más allá de las colinas
    7,5
    Más allá de las colinas
    Los exámenes
    7,3
    Los exámenes
    Si quiero silbar, silbo
    7,0
    Si quiero silbar, silbo
    Occident
    7,5
    Occident
    Un etaj mai jos
    6,4
    Un etaj mai jos
    El roble
    7,8
    El roble
    Ana, mon amour
    6,7
    Ana, mon amour

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Mirela Oprisor (Adriana) is the wife of Mimi Branescu (Paul) and Maria Popistasu (Raluca) is the wife of Alexandru Baciu (screenplay).
    • Pifias
      When Paul drives his daughter to the dentist, and Adriana calls, he says he is going to Hala Traian, but he was driving the car on Magheru, from University towards Piata Roamana, the opposite way to Hala Traian.
    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2010 (2010)

    Selecciones populares

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    Preguntas frecuentes16

    • How long is Tuesday, After Christmas?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de septiembre de 2012 (España)
    • País de origen
      • Rumanía
    • Sitio oficial
      • Official Facebook
    • Idioma
      • Rumano
    • Títulos en diferentes países
      • Tuesday, After Christmas
    • Localizaciones del rodaje
      • Bucarest, Rumanía
    • Empresas productoras
      • BV McCann-Erickson
      • HBO Romania
      • MEDIA Programme of the European Union
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 27.813 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 6472 US$
      • 29 may 2011
    • Recaudación en todo el mundo
      • 245.833 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 39min(99 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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