Aquella Navidad

It's hard to call this a classic right away, but is it Good? Yes, it's very good.

The director has delivered other projects in live action. This film looks, feels and is written like a good holiday movie performed by capable actors.

The animation is excellent in its realistically rendered environments and caricatured personalities.

The story, or stories, also follow a more mature theme than typical cartoon fare. Parents trying too hard to manage every aspect of the children's lives, an aging single teacher allowing a little too much of her life's disappointments bleed into her teaching, a houseful of kids celebrating Christmas without parents who are unable to get home because of the weather, a shy, nervous twin trying to understand and love her disrespectful and naughty sister, and the main protagonist who ties all of this together: the new kid who's trying to fit in at school, understand his mom's challenges with being a new single parent, and get the nice girl at school to notice him.

It's all charming, funny, sad, redeeming and thoroughly enjoyable.

Highly recommend.

This film had lots of potential with some great voice actors let down by a very poor script and every single kind of 'political correct' statement of inclusion, diversity, and equity rammed into every inch. I am all for adding in the right message but this was just trying too hard and made it feel like 'message' rather than a movie.

My kids enjoyed it well enough but I don't think this a going to be one that we watch every year on repeat like the usual favourites. Netflix and the other streaming channels need to just bring good honest fun like Klaus which is our firm favourite and their best new Christmas movie in recent years.

I'm not gonna lie, I really wanted this to be something truly special as a Christmas movie. The kind that could've been something a real special tradition on Netflix since Klaus. And I was let down by this one. That Christmas had so much potential to be a great movie for the holidays, but it just ended up as completely mid. It had the right tools with great animation and I honestly think that Daniel's side plot should've been the only plot worth focusing because I see the heart coming from it does come to the right place. But it overall had way too many plot holes that they barely had any connection to one another. Like how the kids plan to celebrate Christmas their way, parents getting lost and unable to be home for Christmas, and a naughty twin sister seeking redemption. All that is hard to know what the movie wants to mainly be about. Plus, the comedy is stale and relies on having the tone modernized. If you're planning on watching this for Christmas, then I simply recommend that it's a one-time watch. There are better Christmas movies such as Klaus and Christmas Chronicles. I'm not gonna lie, 2024 has not been a good year for Netflix when it comes to animated films. Sure, we've gotten some good ones such as Ultraman Rising and Orion and the Dark. But for the most part, Netflix has released movies that are either average or just straight up bad. So the best I'll say to Netflix is, well, better luck next year.

I must admit I found "Love Actually" to be far too saccharine-sweet for my taste and don't think of it at all when considering my favourite Christmas movies, but here Richard Curtis has a second crack at the season to be jolly with this movie, based on recent short stories he's written and published. The twist this time is that he's adapted them into an animated feature, directed by Simon Otto and featuring the voices of such prominent actors as Brian Cox, Bill Nighy and Jodie Whittaker, amongst many others.

It's pretty clear that we're back in Curtisland with the familiar use of multiple plot strands, gentle ribald humour, a touch of drama and a big heartwarming finale with a few Easter Eggs, just to mix up my festive seasons, thrown in too, with post-it messages replacing hand-held notice-boards, some more kooky dancing, a happy-ever-after (kiddie) love story and even a cheeky nod to "Love Actually" itself thrown in for good measure.

The plot or plots are simple enough to follow as a bunch of young kids are accidentally stranded at home while their parents are caught out in the wild on a road trip by a huge blizzard. While the mums and dads await rescue in their overturned Volkswagen camper van, the main focus is on the kids they left behind, who happily make hay while the snow falls, adapting Christmas to their own ends.

Bookended by a tribute to more obviously fantasy-filled Christmas fare by including the Christmas Eve mission of a hard-pressed Scots-accented Santa and reindeer, as ever Curtis seeks to cover a lot of bases with various messages of goodwill, family and love and while you can't quite escape the odd incursion of cloying sentimentality and despite the absence of a really memorable set-piece scene or even joke, I was happy to be transported to Wellington-on-Sea and safely returned to reality with a warm glow and smile on my face.

The animation was suitably colourful and inventive, the piece is well-voiced as you'd expect from the cast and there's a good mix of modern and classic Yuletide tunes on the soundtrack too.

All in all, this one makes for a good addition to the canon of entertaining Christmas movies and certainly cheered my wife and I, this approaching Christmas.

A charming, wholesome family movie that could easily become a yearly rewatch in many households. It finds the sweet spot where it is enjoyable for young children and adults. I would strongly recommend this movie to parents who are looking for something to watch with their kids who may still be a little too young for some of the other Christmas classics. The countless positive messages open a door for many important discussions with your kids, and even adults could benefit from some of the reminders this movie offers. It has a similar feel to Arthur Christmas, so if you enjoyed that movie you may like this one too.