El último late night

Late Night with the Devil is a new and unique horror flick. Even having seen 500+ horror films, I can't compare this to anything else. It's not groundbreaking or mind-blowing, but it's different and original.

It's also really good, well-made in most aspects. It hooks you early on, even before any of the horror starts. For a while you're just enjoying a fabricated late night TV talk show. And then when the horror kicks in, oh does it kick. There are a few memorable and jaw-dropping scenes.

My headline is referring to something that drives me crazy. People, including close friends, complain that Hollywood has run out of ideas and only makes sequels, remakes and superhero movies. I respond by showing them all of the original movies released in a year, and how they did not watch any of them. They only go to the theaters a few times a year, and only for the blockbusters. What they're complaining about is their own fault.

If you're a fan of horror and are looking for something far from traditional, Late Night with the Devil is for you. And if you're sick of the perceived lack of original ideas, this is the kind of movie you should be supporting.

(1 viewing, 3/31/2024)

It is 1977, and Johnny Carson reigns supreme over the world of late night television. Looking to usurp his throne is Jack Delroy, host of Night Owls, a programme that has always played second fiddle to Carson in the ratings. Delroy thinks the show he has planned for Halloween night will finally land him the top spot on the Nielsen ratings list. A psychic, a conjurer-turned-sceptic and the sole survivor of a Satan-worshipping cult are to be his guests- though when the broadcast gets underway, his dream show turns into a nightmare.

Written and directed by Colin and Cameron Cairnes, 'Late Night with the Devil' is an original, enjoyable comic-horror packing chills and thrills a-plenty. Taking on the form of a piece of found-footage, the narrative has some genuinely unsettling moments, which are very well-realized; a worm-filled display of conjuring power in the latter half being particularly hard-to-forget. Furthermore, the Cairnes brother's characterisation and satirical take on 70's programming is consistently entertaining, if not exactly profound, and their dialogue is sharp.

However, the whole affair is rather predictable, with the denouement effectively given away in the film's opening minutes. In addition, although much mention is made of the rivalry between Delroy and Johnny Carson, Dick Cavett- whose show Delroy's more closely resembles and who, in reality, was often a close second to Carson ratings wise- never comes up. Neither, in fact, do the numerous others who had late night style shows at the time; which seems like an oversight.

Further, the found-footage gimmick doesn't make much sense, as during the ad-breaks that would have occurred in the broadcast, the film adopts a documentary style- begging the question: why were there two documentary cameramen filming a behind the scenes look at a show that doesn't do particularly well in the ratings?

Despite that, it is a fun film, and a fine looking one to boot. In fact, the only reason that the aforementioned issues with realism matter at all is because the 1970's visual aesthetic is so faithfully recreated. Production designer Otello Stolfo, alongside costume designer Steph Hooke, perfectly capture and reproduce the look and feel of a 70's, Dick Cavett-style talk-show, from the orange and beige dominated colour scheme to the cartoon intertitles- created with the help of AI.

Moreover, director of photography Matthew Temple makes clever use of the traditional three-camera set-up, lending proceedings additional authenticity. Furthermore, Glenn Richards' score is stirring, while Roscoe James Irwin's arrangements with The Night Owls Studio Orchestra are headily atmospheric. Additionally, the special effects and make-up are effectively disquieting and the aforementioned sequence involving worms features some truly stomach-churning practical effects.

David Dastmalchian, starring as Delroy, gives a thoroughly convincing performance as one powered by ambition, willing to risk it all to get ahead. He carries the film squarely on his shoulders, working well with his co-stars, all of whom do fine work. Ian Bliss is particularly good, as the arrogant, James Randiesque sceptic Carmichael Haig, as is Fayssal Bazzi as the psychic Christou, whose abilities might be greater than even he thinks. Although each of the characters are essentially one-note parodies of real people; the cast elevate them nevertheless.

An entertaining comic-horror, Colin and Cameron Cairnes' 'Late Night with the Devil' may not be perfect, but it is an awful lot of fun. The production design and costumes effectively harken back to the 70's, while Glenn Richards' score is stirring. Boasting brilliant practical special effects and make-up, as well as a frighteningly strong performance from star David Dastmalchian, 'Late Night with the Devil' is well worth staying up for.

There's a lot to like about Late Night with the Devil; the first being the absolutely fantastic performance of David Dasmalchian as Jack. He really nails the 1970s late night talk show host vibe perfectly and has a lot of wit and charisma, yet an underlying darkness that you know (or I guess hope) will come into play later on.

I also really loved the aesthetic for most of the film, with the grainy, multi camera look, excellent period costuming and hairstyling, and amazing aesthetic touches that drew me in immediately. The film makes great use of practical effects and while it may look a bit silly, I thought it had a charm that was appropriate for the era.

(Side note: The filmmakers opted to use AI for some of the transition cards in the film and it's caused a bit of a stir. To be honest, I don't think this is an application of the technology worth getting angry over. It's a low budget film, AI use is inevitable, and this was probably the least intrusive way to use it)

I also felt really compelled by the story and the structure of the film, which felt longer and meatier (at least for most of it) than it would seem. It moved at a quick pace and I was never bored.

However, I do think this movie wears its numerous flaws on its sleeve. The entire conceit - that this is an unaired episode - should've been stuck with. The movie confusingly switches between the gorgeous 70s talk show style to a baffling black-and-white handheld camera look, which I found necessary for the story, but ultimately confusing by the end of the film when it switches it up completely. Either this is supposed to be "found footage" or it isn't.

I also felt a lot of the performances were pretty subpar, especially the girl playing Lily (Ingrid Torelli) and the woman playing June (Laura Gordon). Torelli just...didn't have the screen presence necessary for the role and her line delivery was baffling. I couldn't make heads or tails of her character and maybe there was stuff left on the cutting room floor, because her character's "journey" through this film was utterly confusing and disappointing. Gordon just did not deliver her lines well. I just didn't buy her at all.

Then there's the ending...which...I can forgive to an extent for being "interpretable," but I can also totally understand feels incoherent. It's almost like when someone writes and essay and it's already 11 pages long so they rush the conclusion. There's no real satisfactory explanation for a lot of the questions you hope the film would answer, which made me wonder why they introduced some plot elements to begin with (i.e. Jack's backstory with the thinly veiled cult). It's not rocket science as to what happened; it's just not given the emotional weight it needs nor the explosive payoff you'd want.

I think this is a fine and fun movie that I'm happy I saw and I'd probably show other people. One question I have is...why on Earth was this released in March and not Halloween, when the film is set? It's bizarre.

I really enjoyed this.

Sort of found footage, sort of faux documentary, I really loved how this movie was presented.

David Dastmalchian is really very good. And the supporting cast are enjoyable, particularly Ingrid Torelli.

This movie is pretty creepy, and there are tones of exorcist and of VHS 85. There's a kind of Faustian deal at the stories core that I really liked and I found myself smiling quite a lot during the third act.

This movie may not be for everybody. It's obviously not big budget and the effects may not land with everyone but I thought it was a whole lot of creepy, campy fun.

"Late Night with the Devil" takes us back to 1977, where it envisions a fictional fourth commercial broadcast network competing against the reigning king of late-night talk shows, Johnny Carson. The rival host, Jack Delroy (played by David Dastmalchian), is a local Chicago talk show host who gets bumped up to the national level. The film opens with a five-minute prologue that sets up Jack's backstory, including a key biographical fact that hints at the movie's eventual outcome.

During sweeps week-a quarterly event when networks try to boost ratings by airing their most outrageous content-Jack and his producer, Leo (Josh Quong Tart), decide to take their Halloween broadcast up a notch. They invite a psychic named Christou (Fayssal Bazzi) and Carmichael the Conjurer (Ian Bliss) to the show. Things take a dark turn when bestselling parapsychologist Dr. June Ross-Mitchell (Laura Gordon) interviews Lilly (Ingrid Torelli), the sole survivor of a satanic cult's mass suicide.

The film expertly balances absurd dark humor with eerie horror elements, with a perfect mix of 70's tone and atmosphere. Dastmalchian's performance as Jack Delroy is fantastic, and the practical effects add to the overall creepiness.

However, the movie stumbles in its execution. The insistence on being a "found footage" film built around a buried broadcast creates unrealistic expectations for everything that follows. While the gooey practical effects are impressive, the movie doesn't always feel beholden to the visual conventions of circa-1977 American late-night talk shows. Perhaps this departure from realism is intentional, but it can be jarring for viewers expecting a more consistent tone.

And then there's the ending. Unfortunately, it's a complete shift that destroys the atmosphere the rest of the movie worked hard to establish. The terrible CGI undermines the tension, leaving viewers disappointed. It's a shame because "Late Night with the Devil" had the potential to be a really good movie, but that awful ending prevents me from wholeheartedly recommending it.

This might have been a 8-9 but that ending drops it to 6-7.