PUNTUACIÓN EN IMDb
6,8/10
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TU PUNTUACIÓN
Alejandro es un salvadoreño aspirante a diseñador de juguetes que lucha por hacer realidad sus sueños en Nueva York. Acabado el tiempo de su visa, un trabajo con un artista se convierte en s... Leer todoAlejandro es un salvadoreño aspirante a diseñador de juguetes que lucha por hacer realidad sus sueños en Nueva York. Acabado el tiempo de su visa, un trabajo con un artista se convierte en su única esperanza para permanecer en el país.Alejandro es un salvadoreño aspirante a diseñador de juguetes que lucha por hacer realidad sus sueños en Nueva York. Acabado el tiempo de su visa, un trabajo con un artista se convierte en su única esperanza para permanecer en el país.
- Premios
- 2 premios y 16 nominaciones en total
Reseñas destacadas
After losing his job, Alejandro must find a new employer to sponsor his visa. At the same time, he awaits his dream job, designing toys. With limited options, he freelances for a woman who is difficult with everyone and is trying to sell her frozen husband's paintings to fund his continued cryogenesis. Alejandro is willing to do anything to achieve his dream, even working for a "Karen."
This film has different themes, depending on which character you focus on. There are many cringy and frustrating parts, but the overall experience is satisfying. The film takes a unique approach to the complicated immigration system in America. The film also touches on the concept of being difficult or a "Karen," which is intriguing. This is an interesting watch if you are looking for something unique that touches on societal topics.
This film has different themes, depending on which character you focus on. There are many cringy and frustrating parts, but the overall experience is satisfying. The film takes a unique approach to the complicated immigration system in America. The film also touches on the concept of being difficult or a "Karen," which is intriguing. This is an interesting watch if you are looking for something unique that touches on societal topics.
Julio Torres, for his first debut, manages to create one of the weirdest, chaotic, and unapologetically narrative that is really great with it's electrifying atmosphere, writing, direction, and approach. Torres writing delivers one of the most activating, surrealist, intentional cringe-like and hilarious stories with interesting satirical themes of art, immigration, companies, and the world we live inside. With beautiful camerawork, production designs, framing, and structure pacing.
All of the performances are great and Tilda Swinton, my god, she gave one of the absolute best and insane performances of her entire career as she is chaotic, insane, yet, so engaging to observe. Many of the chaotic tones, humor, and characters were hilarious and surreal to observe. It's one strange debut of a movie that I can't think anyone else could ever do. Overall, it's amazing. It's a shame that the marketing of this movie wasn't great cause it deserves more attention!
All of the performances are great and Tilda Swinton, my god, she gave one of the absolute best and insane performances of her entire career as she is chaotic, insane, yet, so engaging to observe. Many of the chaotic tones, humor, and characters were hilarious and surreal to observe. It's one strange debut of a movie that I can't think anyone else could ever do. Overall, it's amazing. It's a shame that the marketing of this movie wasn't great cause it deserves more attention!
I came in expecting a fun, wild, and interesting experience and this movie delivered ten fold. It was one of the best movies that I have seen in theaters in a long time and has one of my all time favorite performances by the ice queen herself, Tilda Swinton. My date and I laughed, we cringed, we were captivated, and at the end we were both crying tears of joy. It was heartfelt, surreal and a rare pleasure for us both. Tilda is both the villain and a sort of hero as well. We were both very impressed with the acting, writing and directing all of which were spearheaded by Julio Torres. I can't recommend this movie enough.
Really enjoyed this movie. It really takes a good look at life and shows how some aspects are so absurd if we really look at them. It had great humor and some really enjoyable moments between the characters. Actors and performances were really great too. There were a few scenes that I felt didn't work all that well and took me out of the story a bit, but overall is was really fun and I'm glad I was able to see it. Just funny and uplifting.. with personal challenges along the way. Visual style was unique and interesting. Did feel like a cable indie TV show sometimes.. but that worked with the style of the movie. I look forward to seeing more work from Julio Torres.
Writer/Director/Star Julio Torres' "Problemista" is a concoction that's equal parts surrealism, magical realism and outright whimsy.
Born in El Salvador, Torres moved to New York City to attend The New School. He was a writer on "Saturday Night Live" from 2016-2019 and Creator/Writer/Star of HBO's "Los Espookys" (2018-2022). Several members of the "Los Espookys" supporting cast appear in this film.
Many elements of "Problemista" are autobiographical. Torres stars as Alejandro, a young man who has recently arrived in New York City from El Salvador. Alejandro aspires to work at Hasbro to create new, odd versions of Barbie and the Cabbage Patch Kids. While trying to secure his work visa, Alejandro is fired from his job at FreezeCorp, where he was overseeing the remains of the freeze-dried, err, cryogenically maintained, artist Bobby. Bobby's widow Elizabeth takes on Alejandro as an unpaid assistant. Elizabeth will sponsor his visa application, so long as Alejandro helps her curate an exhibition of Bobby's paintings. As the ever-present narrator, Isabella Rossellini ("Marcel the Shell with Shoes On") provides the calm, thoughtful exposition that helps the moviegoer navigate this maze of odd events.
Torres uses his platform to point out the insanity of the immigration system he endured. For example, Alejandro is required to submit a $6000 filing fee with his visa application even though it's against the law for him to work in the US without, wait for it, acquiring a visa. Torres uses sand flowing through hourglasses to depict the plight of immigrants enmeshed in this Kafkaesque waiting process. When an hourglass runs out, it - and presumably the visa applicant - simply disappears. Throughout the film, Alejandro shuffles around on tiptoes, presumably terrified of doing anything to upset the delicately balanced craziness of his visa application or the surreal world he inhabits.
There's also some time spent sympathetically depicting what it's like to be a gig worker trying to survive in NYC. Along the way, the New York art community takes a couple of well-deserved broadsides.
In the role of Elizabeth, Tilda Swinton is likely to induce PTSD in any moviegoer who's ever had an unreasonable boss. Elizabeth rails about service in restaurants and about service from Apple. For no apparent reason, she spends a lot of time obsessing about the virtues of Filemaker Pro (it's a real thing), which Elizabeth believes is essential to properly organizing and curating her deceased husband's paintings. Eggs are the subject all of Bobby's paintings. His entire collection includes thirteen works. Elizabeth is labelled "the hydra" because she creates two additional problems every time she addresses an issue. She's a total maniac, but she also believes in Alejandro, in her own demented way, and suggests he should take up for himself a little more.
This is hardly a perfect film. The connections among the various scenes in the film can sometimes be tenuous. At points, Swinton's character feels like fingernails on a blackboard. The surrealism regularly injected into the story will be off-putting for many (include me in that group). Even so, "Problemista" is an ambitious feature film debut for a writer/director well on his way to fully finding his voice.
Born in El Salvador, Torres moved to New York City to attend The New School. He was a writer on "Saturday Night Live" from 2016-2019 and Creator/Writer/Star of HBO's "Los Espookys" (2018-2022). Several members of the "Los Espookys" supporting cast appear in this film.
Many elements of "Problemista" are autobiographical. Torres stars as Alejandro, a young man who has recently arrived in New York City from El Salvador. Alejandro aspires to work at Hasbro to create new, odd versions of Barbie and the Cabbage Patch Kids. While trying to secure his work visa, Alejandro is fired from his job at FreezeCorp, where he was overseeing the remains of the freeze-dried, err, cryogenically maintained, artist Bobby. Bobby's widow Elizabeth takes on Alejandro as an unpaid assistant. Elizabeth will sponsor his visa application, so long as Alejandro helps her curate an exhibition of Bobby's paintings. As the ever-present narrator, Isabella Rossellini ("Marcel the Shell with Shoes On") provides the calm, thoughtful exposition that helps the moviegoer navigate this maze of odd events.
Torres uses his platform to point out the insanity of the immigration system he endured. For example, Alejandro is required to submit a $6000 filing fee with his visa application even though it's against the law for him to work in the US without, wait for it, acquiring a visa. Torres uses sand flowing through hourglasses to depict the plight of immigrants enmeshed in this Kafkaesque waiting process. When an hourglass runs out, it - and presumably the visa applicant - simply disappears. Throughout the film, Alejandro shuffles around on tiptoes, presumably terrified of doing anything to upset the delicately balanced craziness of his visa application or the surreal world he inhabits.
There's also some time spent sympathetically depicting what it's like to be a gig worker trying to survive in NYC. Along the way, the New York art community takes a couple of well-deserved broadsides.
In the role of Elizabeth, Tilda Swinton is likely to induce PTSD in any moviegoer who's ever had an unreasonable boss. Elizabeth rails about service in restaurants and about service from Apple. For no apparent reason, she spends a lot of time obsessing about the virtues of Filemaker Pro (it's a real thing), which Elizabeth believes is essential to properly organizing and curating her deceased husband's paintings. Eggs are the subject all of Bobby's paintings. His entire collection includes thirteen works. Elizabeth is labelled "the hydra" because she creates two additional problems every time she addresses an issue. She's a total maniac, but she also believes in Alejandro, in her own demented way, and suggests he should take up for himself a little more.
This is hardly a perfect film. The connections among the various scenes in the film can sometimes be tenuous. At points, Swinton's character feels like fingernails on a blackboard. The surrealism regularly injected into the story will be off-putting for many (include me in that group). Even so, "Problemista" is an ambitious feature film debut for a writer/director well on his way to fully finding his voice.
¿Sabías que...?
- CuriosidadesWas originally scheduled for release on August 4, 2023, but was then postponed indefinitely in the wake of the 2023 SAG-AFTRA strike.
- Créditos adicionalesA disclaimer appearing at the very end of the credits: "Since the filming of this movie, Bank of America has changed its overdraft policy. It's now $10, up to two times a day. We were legally advised to tell you this."
- Banda sonoraHuele a Fraude
Music by Lia Ouyang Rusli (as OHYUNG)
Lyrics by Julio Torres, Stefa Marin Alarcon, and Lia Ouyang Rusli
Performed by STEFA*
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- How long is Problemista?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Проблемний
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.503.154 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 131.521 US$
- 3 mar 2024
- Recaudación en todo el mundo
- 2.677.522 US$
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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