Faraaz

Firstly a message to my Bangladeshi brethren... can you please calm down about Bangladeshi police speaking Hindi. What exactly were you guys expecting... that they would speak shudh Bangla .. and us people in South India would magically understand it? That's the best you can think of to thrash this film? Jeez! You guys need to grow up.

I can empathize with your anger about the film maker trying to whitewash Faraaz's role. I'm a neutral guy in a corner of south India and hence can buy your argument about lack of evidence about whether Faraaz was truly a hero. But this is where I again want to call our common cultural background from the Indian subcontinent...I think it is highly stupid of us to expect our film industry to be truthful to history when the real torch bearers of history themselves aren't. Many movies of Indian historical incidents that are so totally distorted. Rani Padmavat. That wasn't even a real character. And yet there was a huge controversy in India over it... all because some Bollywood director thought he was given the duty of educating us about history. Take our Bollywood movies with a bag of salt... and keep the perspective that this is only a movie. You guys have enough things to bow your head about how things transpired with the traitors in your country post independence. When you can live with that... this is small fry.

It is a good attempt to make a film about this horrible event. However, as the film producers are making this one for commercial purposes, they have altered many actual incidents and made it suitable to watch and enjoy like a thriller movie. For a Bangladeshi viewer, who knows the actual facts, it is difficult to watch this movie considering the actual event in mind. Therefore, if you told this story as fiction and altered the name and natural places, it could be acceptable for many viewers. To mention the good part, everyone, like the actor, director and sound engineer, did their best. Personally, I couldn't enjoy the movie with biased storytelling and altered factual events.

These are real events and most people who read about what happened in the upscale cafe in Dhaka, Bangladesh know what happened and how the events unfolded.

Naming the movie after Faraaz, the brave, idealistic young man who stood by his friends when terrorists threatened their lives, would perhaps have been a smarter choice if he actually had more of a role in the movie. Most of his scenes have been spent shaking in pain or holding his friends in fear, with little to no actual dialogues , which does make sense in a realistic scenario of what people would do if such a situation arose, but perhaps does not make for very entertaining viewing. The best actor by far, is Aditya Rawal playing the main terrorist Nibras . He is shrewd, darkly funny and very very believable.

So funny. Bangladesh Police is talking in hindi wearing the official uniform of Bangladesh Police. Sarcastic for that specific police force. So lame.

In Bangladesh, another movie maker named Mostafa Sarwar Farooqui directed another movie in same topic that is named as "Shonibar Bikele" or "In the afternoon of a Saturday". But the sensor board did not permit him to publish this movie due to some reasons which is really a matter of sorrow. And they appealed to release the movie before months whereas he is still waiting to release it. But bollywood has made it done by making this unrealistic movie on the topic of anothercountry. This is very funny.

The film tries to explore the Good Muslim-Bad Muslim debate, but falls short of providing substantial content for a meaningful discussion. The characters themselves are reduced to Twitter-like debating without adding any depth to the discourse. After leaving the theatre, one may not feel invested in the lives lost or the terrorists' motivations. The portrayal of a neighboring Muslim country is likely to be controversial. Nevertheless, the film is a tense hostage drama that prompts reflection. However, the ultimate purpose of the film may leave the viewer questioning its relevance. The film's cinematic execution is flawed, as it struggles to find a consistent tone and fails to balance its various elements effectively. It vacillates between being dramatic and subtle, humorous and ironic, resulting in an unconvincing and disjointed viewing experience.