The Quiet Girl

Don't expect revelations, or furious action, or debauchery and violence. This is a slow burner but I sat rapt from the start til the closing credits.

There is so little dialogue, and yet more said than most films despite the paucity of words. Some of the scenes are like art. You want to stop the film and just look at it. It says so much in one shot or one scene, even if nothing is said.

The main star of the film is Catherine Clinch who has never been on screen before. But the entire film uses her as a foundation and she shoulders it perfectly. She only had to move her head, or her eyes, or close her mouth and instantly you knew what she was feeling.

And that's what the film's about, feeling. I believe the story will resonate with every single person who sees it.

It will also leave you desperate to know more, what happened afterwards, the feeling is in the pit of your stomach as the scene fades and the credits roll.

This film will be in time, a classic.

Well written, beautifully directed and sensitively performed, this ends up being a deeply moving film. Director Colm Bairéad keeps his nerve as far as pacing is concerned, and as a result I expect there'll be some who find this too slow-moving for their taste. But stay with it. It's worth it.

I've never been the kind of moviegoer who wonders what happens to the characters after the film has ended, but it's difficult not to speculate in that way after The Quiet Girl's extraordinary final moments.

The movie "The quiet girl" is an exceptional piece of drama. Beautifully adapted from Claire Keegan's book "Foster," writer/director Colm Bairéad makes a heavy, harrowing movie about the influence of a dysfunctional and neglected family in the development of a child.

Cáit (Catherine Clinch) is a little girl who spends most of her time quietly on her parent's farm. She feels the disdain of her family who is going through financial difficulties, she doesn't get along with her sisters and she is bullied at school, which affects her ability to read and write. Her parents then decide to send her away to spend some time with her aunt's family. As soon as Cáit arrives at the new residence, she begins to discover the true feeling of a family environment. That's when director Colm Bairéad shines, through small gestures and details, he manages to convey Cáit's blossoming, the feeling of existing and being loved, and at the same time shows the healing process of her uncles' tragedy.

This is a beautiful movie about discovery, healing and miserable childhood.

It is not so unusual to witness family situations in which parents treat their children as burdens, oblivious to their responsibility for bringing them into the world. Or of the reason why they did it. The discourse on parenting is precisely the film's pivotal element, and it is carried out gracefully. The Quite Girl is not an original film, or particularly entertaining, but it succeeds in offering a perfectly constructed story from beginning to end. It certainly conveys a great love for cinema and its language, this in the attention and subtle use of detail, in the beautiful cinematography and in the image construction. An outstanding piece of work indeed.

Imagine what you'd do, a young child where there's a few, in a rural Irish setting, father likes drinking and betting, mam's another on the way, so they send you far away, to relations you don't know, you have no say, you have to go.

Occasionally you come across a piece of cinema that leaves you stunned, buckled and undone; when performances and story, within a time and a place, just flow so elegantly and refined, against the most inelegant and unrefined backdrops.

If you have a heart, and a soul, an ounce of empathy, and a pathway from a screen straight to them, then prepare to be walloped by this heartfelt offering from the Emerald Isle.