Pu bu

"That said, THE FALLS is no slacker in drumming up its emotional proportions, after the tumultuous first-half, Pin-wen and Jing's stricken existence literally changes for a rosier prospect after the tarp draping outside their apartment is dismantled, its blueish constraint gives way to an open view of a new lease on life. Jing learns to cope with Pin-wen's condition in the latter's shoes, and such empathetic approach is vindicated gratifyingly and surprisingly in the snake-in-the-room accident. As for Pin-wen, she needs to disabuse the illusion that her ex-husband (Lee) will return, reconciles herself to"the falls" in her head and comes clean to people who genuinely care for her, like the supermarket manager Mr. Chen (Chen). Aptly orchestrating the life-affirming progress that stops short of veering into the lane of mawkishness, Chung puts great trust in Chia's performance. Feelingly transforming from a capable single mother to a logy head case, Chia dives plumb into Pin-wen's deterioration without pretense, and felicitously calibrates the dissonant co-existence of emotional sincerity and cognitive distance. The close-ups of her face gradually swelling with belated emotive register are evidence of Chia's meritorious chops. Somehow it feels remiss that Chung doesn't tap into the sonic impact of "the falls" to grace the film with some more pertinent references of psychosis, although Lu Lü-Ming's stirring score is beyond reproach."

-

This movie manages to portray what it means to stop your life for taking care of someone else.

The love you have towards another person can make you change your whole life, this movie portrays it perfectly. The characters are very human, portraying their pain, their desperation and their concern for each other, the story has a very good development that fully explains each situation and the change that is suffered in the face of them. The film shows how life goes on despite your problems and that you must face them and resist in order to get ahead. The performances are phenomenal, they portray every feeling and emotion that the characters have, the character development is good, but the character of the daughter is never fully explained what she feels in the face of the adversities she goes through with her mother, the photography is good and the direction reflects in a human way how we face adversity despite the moments that the world is going through. I think there was a lack of developing the other characters and how the mother felt when she began to return to her normal life.

But it is a very good film, with which I felt identified and that reveals the human side of facing adversity despite the fact that the road to move forward is difficult.

The cinematography here is great, and the actors are good as well. Nice to see some Taiwan culture. The story is quite thin. The movie is too long for what it is. Could have been better with a shorter cut.

Psychosis is the theme of this story. I didn't recall any Taiwan product on this topic before, this is probably the first one. Demonstrating this sickness via the drama and help people understanding more on psychosis but in a very nature and moving way. Chia performance no doubt the top notch but I would say this movie give her a limit on her power of acting. I think if the ending is another way, it will make me rate down a lot. Glad it didn't end badly.

Contrary to what the trailer for THE FALLS and the summary of the film posted on the Netflix site suggest, Chung Mong-hong (PARKING) used the current global health crisis not as the main frame of the action , but more like a trigger, for a rich tale of learning and rebirth unfolding over several months. Clearly, these are the cross-portraits of a fighter at the end of the rope, ripe for a healthy change of life, and a capricious young girl, who learns the hard way to become a responsible and generous adult. Along with an empathetic look at mental illness, the script doesn't spare Taiwanese society, exposing some of its flaws with aplomb. Adopting a slow rhythm, at the risk of generating some lengths, the staging is rigorous, cold at the beginning, then gradually warm, while the two protagonists find a certain balance. These are embodied with great nuance and sensitivity by the formidable Alyssa Chia and Gingle Wang.