Kaapa

Prithvi looks fantastic and making also is decent. But same old story, masala. There are more than 1000 films in the same formula. One person hitting 100 persons etc. If it's tagged as a commercial, then there is nothing entertaining other than one person hitting action. Watch only if you want to. It's not at all a thriller. No comedy. No dance. No story. Not much songs (not required if story was engaging) . Only vettu kuthu presented in a modern and stylish way. Time pass watchable.

Some logics just doesn't add up. Can watch it for prithvi style and mass if ur a fan. If it's based on real story like raktha charithra, then no compliants. Still couple of nice action songs or music should have pumped up.

***Kaapa Malayalam Movie Review***

Kaapa Movie starring Prithviraj Sukumaran Asif Ali Aparna Balamurali Ana Ben, Jagdish in lead role..

Directed by Shaji Kailas

A Gangster Story with a deep Vengeance

Various forms of Gangster films we have seen, kaapa doesn't offer a variety or a unique kind but still Kaapa able to entertain & that is because every character has a powerful impact..

When these characters are performed by talents, then it's always thrilled to watch...

Prithviraj as Kotta Madhu. When it comes to serious genre roles, this man effortlessly performs.

Asif Ali's screen presence comes at certain points of time but during that period he delivers well.

Aparna & Ana Ben , had not been given much screen presence except the last 10 minutes. They should have been exposed more.

Jagdish & Nandu performance was also good.

Although movie directed by Shaji Kailas, at some points we could see his signature film making shots but still this was different from what he done till now.

BGM was fantastic.

Overall a watchable movie.

I think Prithviraj intentionally joins with Shaji Kailas again after Kaduva only because of Dhothi and Fight. He loves to do it with him again. Kaduva was a commercial success flick and thus KAAPA is going on the same path. KAAPA is the cinematic version of G R Indhugopan's novel Shangumukhi. The novelist is also penned for the movie. When Shangumukhi turns to KAAPA does it do nicely? Let's discuss that. The first face that comes into our mind when we hear the title KAAPA is cinematographer cum director Venu. Venu is supposed to direct the film. But due to unknown reasons, Venu quit the project and then Shaji Kailas comes on board. The film completely deviated from the writing pattern that we read in the novel. The appearance of Kotta Madhu was changed even to fit Prithviraj when it comes to the film. KAAPA actually feels like me when a story gets to cut its first and last act shows the middle portion to us and that middle portion seems to be the totality of the movie. So we can say that KAAPA lies in between Shangumukhi. We can't see Kotta Madhu's actual characterization rather we see him fighting with his enemies like a supernatural. Later when Madhu's wife gets into the ground the cinema veils its curtain. So I expect a prequel and a sequel for the movie. Anand and his wife come to Trivandrum for a job, when Anand realizes that His wife, Binu's brother was killed in a gang war thus Binu's name was enlisted in the KAAPA list. He tries to remove her name. On that journey, he knows Binu's brother's enemy is Kotta Madhu and finds more information about him. From then on, we just go along with Kotta Madhu, his past and present endeavors and dilemmas. Typical Shaji Kailas fights were seen at some points in the movie but that doesn't seem to fit into the atmosphere. The emotional backup and depth of the character don't quite convincing. But I feel a disparate travel in the filmography of Shaji Kailas. Shots were beautiful as always in Shaji Kailas's works. Jomon T John's cinematography also looks good. Dawn Vincent's background score was nice but not powerful. Prithviraj corrects his acting through dialogue delivery. His pronunciation of Trivandrum slang was so perfect. Asif Ali, Anna Ben, Aparna Balamurali, Jagadeesh, Dileesh Pothan, Nandu, etc justified their characters. The film will disappoint those who come up with the novel's visual graph and pattern. Those who came without that in their mind, then surely it will entertain you.

First of all, this movie should have been directed by Venu. The material clearly demands a gritty, slow-build approach and not just a series of scenes that lead to some inconsequential set-piece. Shaji Kailas, I must say, has almost given GR Indugopan's screenplay the typical mass treatment, robbing us viewers the chance to connect better with these characters and their milieus. As a result, you get a watchable film with some fantastic shots (by Jomon T John), an occasional glimmer of hope that Kotta Madhu (a stiff Prithviraj) isn't your usual gangster, and a climax that's predictable from the get-go. Among the performances, Jagadeesh and Dileesh Pothan are solid while Asif Ali is alright. In fact, the film falters when the storytelling perspective suddenly shifts from Asif's character to Kotta Madhu. The ladies, Anna Ben and Aparna Balamurali, don't have much to do here.

RATED 6/10 Language: Malayalam Source: Netflix

Watched Kaduva and then decided to give this one a try. This one failed to impress me as the previous one. Lot of scenes are quite unique and presented the gangster rivalry in different people point of view.

This movie is trying to portrait the gangster in half cooked way. It rides in some classic Malayalam cinema way for some scenes and derailed to mass elements in most of other scenes.

Looks like Shaji written the climax and started to develop the story towards that. This is not clicked in right way for the mass masala lovers, like me. Looks like it succeeded in half for both mass and class way.