Summering

Clunky, aimless and extremely try hard in eliciting any emotion. Everything is so obvious and well trodden and treated better in other far superior films of a similar ilk. Themes and situations are picked up, dropped and left unexplored in order to move on to another clichéd situation ad nauseum. Saw this as a Cineworld Unlimited advance screening and I believe it is an example of using the service to get people through the door to see an otherwise inessential and rather vacuous film. Some films I see and they make my love of films grow and I think 'I want to see ALL the films!' Films like this leave me thinking 'Films aren't all that great'

We all know what it's like to face change and challenges. And we always desire the best possible outcome from a predicament. Summering tells a relatable story about young girls finding their way through a challenge, while delivering a distinctive storyline.

Summering focuses on four best friends Dina (Madalen Mills), Lola (Sanai Victoria), Mari (Eden Grace Redfield), and Daisy (Lia Barnett) who are about to start middle school. With that comes plenty of questions and new challenges. On the weekend before school starts, the girls find themselves embarking on a peculiar adventure. These four best friends must work together to find the answer to their mystery and prepare for this new chapter in their lives.

Even though the characters in Summering are facing a fictional and fantasy-like situation, the plot is still somewhat relatable. These four best friends have to explore themselves and find out who they really are as they are growing older. They know that it is best to go on this journey together, but they worry about what obstacles will get in the way. Dina, Lola, Mari and Daisy also all have specific issues present in their life, making their friendships even more crucial. Anybody that is going through significant changes, no matter if they are young or old, can find something applicable to their lives in this story. The plot of Summering does seem a bit incomplete and choppy at certain parts of the film-the main mystery and conflict aren't really resolved which can leave viewers confused after watching. The background music of the film is particularly interesting as it matches the tone of the film and the events taking place in the scenes. Summering has a darker style, and the dark music compliments that-"props" to Drum & Lace for providing this high-quality soundtrack.

The message of Summering is that a lot of times opposites attract. Dina, Lola, Mari, and Daisy need each other to balance themselves out. Each brings something different to the friend group, ultimately bringing them all closer together.

I give Summering 3.5 out of 5 stars and recommend it for ages 12 to 18. This film has minimal mild language and a middle school to high school demographic would enjoy it. By Maica N., KIDS FIRST!

Originally Premiered at the 2022 Sundance Film Festival in the Sundance Kids Selection.

"Summering" focuses on four best friends on the brink of starting middle school realize their lives are about to change forever. On the last weekend of summer, they set out to make the most of it. James Ponsoldt had a promising career with his directing films. Off the Black was a decent debut project, Smashed and The Spectacular Now were amazing and touching, and The End of the Tour was pretty good. But The Circle was a mess of a film and it felt like Ponsoldt threw away his talent in that project. I was hoping Summering would be a much better film.

I really wanted to like this, but unfortunately it really feels sloppy. Summering has good intentions as it's about a coming of age story. Girlhood, friendship and on the verge to encounter the harsh parts of reality. Ponsoldt shows his passion for this project but the story itself feels really all over the place. The main core itself felt like there were many themes and concepts trying to be put together and it makes it a mess since the film doesn't really focus on it's themes as much as it wanted too. It tries to be a mix of comedy, coming of age drama, some spooky elements and such. While some concepts did work out, as an overall story, it feels sloppy and it felt like Ponsoldt had too many ideas in one.

"Summering" does have some pros. The production and set designs does have a nostalgic feel to it. The colorful backgrounds and presentations helps to create a 80s, 90s or early 2000s feel of growing up. The performances from the cast were mediocre. Nobody had a terrible performance and they did their best to play their characters. However the dialogue does drag the performances because the words spoken from the child actors felt like words written by an adult and it makes the film unrealistic. There was certain parts where I thought that the words that were spoken was so unrealistic that no child would ever speak that way.

The characters themselves weren't as interesting to connect with and the film really feels like a tone down version of Stand By Me. It's a shame because Ponsoldt had a promising career but unfortunately he hasn't improved much from his last disaster "The Circle". The soundtrack wasn't great, the pacing could be improved and the execution was bland for the most part.

Ponsoldt wasn't able to create a good film here and it ends up becoming forgettable by the end of the day. It's no doubt there is good intentions in this movie but there is still a lot to improve for the story. Young children may enjoy this film but I would recommend The Sandlot, The Perks of Being a Wallflower, The Way, Way Back or The Kings of Summer for a better coming of age movie.

Rating: D+

IN A NUTSHELL: As their last summer before middle school comes to a close, four best friends face the uncertainties of growing up and embark on their biggest adventure yet. The movie was directed by James Ponsoldt, as well as written by him with help from Benjamin Percy.

I completely agree with the director when he said, "As the parent of three young children, I find myself constantly in this delicate gray space of both needing to protect my children and wanting them to live fearlessly." He explained, "I wanted to make a film in which my daughter could see herself. And her friends. I hoped to dignify the emotional inner lives of young female characters, to explore their imaginations and fears and hopes while they're on the cusp of adolescence." He further shared that he likes to think of this movie as a platonic love story between four friends.

THINGS I LIKED: It's a coming-of-age movie mixed with some humor, gentle insights, and mystery.

The cast of women and girls includes Megan Mullally, Lake Bell, Lia Barnett, Sarah Cooper, Eden Grace Redfield, Sanai Victoria, Madalen Mills, and Ashley Madekwe.

There's a moment when the girls walk past a painting of a tree. The leaves are made out of painted handprints, which slowly fall to the ground. It was intriguing and symbolic, so I wish there had been more whimsical moments like that in the film. I thought it perfectly illustrated that fuzzy line between childhood fantasy and stepping into the reality of adolescence.

The movie was filmed in Utah during Covid and a heat wave.

There's definitely a feeling of nostalgia that moms will be able to relate to, and I appreciated that the mothers' perspectives were subtly added to the story.

Some of the young actresses do an outstanding job. With the help of a two-time, Emmy-winning casting director, Avy Kaufman, they were able to cast girls who had an authentic quality about them.

Director Ponsoldt knew that he and his writing partner would have blind spots when it came to telling a story in which all of the protagonists - and most of the supporting characters - are girls or women. He shared, "We both have strong, amazing women of different ages in our lives, so we made a pact that at every stage we would bring on female collaborators to scrutinize the story and tell us what we were missing, whether it was our producer or our cinematographer or the actors themselves." There's a lovely musical score and final song.

THINGS I DIDN'T LIKE: For a movie about young girls, there wasn't very much screaming! The movie was written and directed by men. Have they been around squealy girls lately?

It's super frustrating to watch the girls make terrible choices.

There are some bad acting moments.

Some viewers will get tired of waiting for something to "happen".

There are some spooky moments that are never explained, other than they represent the girls' fears. The crime, itself, is never resolved. Of course, it's secondary to what it means to the girls, but it still would have been nice to have some closure.

The film vacillates between being a melancholy exploration of childhood as the girls end their summer together and a mysterious horror (PG-rated, of course). It felt honest and easy when the movie focused on the girls, yet somehow forced and contrived when it tried to introduce the ghost-like images.

TIPS FOR PARENTS: Girls spit off a bridge onto the cars below Kids lie to their parents One of the girls gives another one advice by saying, "You already lied. Just lie again." Kids see and handle a dead man Kids spend time in a bar.

The girls have a seance.

THEMES: Childhood Death Friendship Truth Fears Anxiety Hope Sisterhood Mother/daughter relationships.

This movie is just wrong, in so many levels.

I understand that the aim might have been to create something deep and maybe even meaningful, but to me this is an illustration of lack of emotional depth, at no point were the children taking responsibility for the things they did and none of them showed any empathy or emotional depth - it felt like 4 pre-teenage sociopaths roaming around. Is that what friendship looks like to the writer?

How about we show them what empathy and taking responsibility for our actions looks like?

Who is the target audience to this picture, I saw some review saying they watched it with their kids, I hope you were telling them how it works in real world and how to differentiate right from wrong.