La verdadera desventura del capitán Richard Phillips y el secuestro en 2009 por piratas somalíes del MV Maersk Alabama con bandera estadounidense, el primer buque de carga estadounidense en ... Leer todoLa verdadera desventura del capitán Richard Phillips y el secuestro en 2009 por piratas somalíes del MV Maersk Alabama con bandera estadounidense, el primer buque de carga estadounidense en ser secuestrado en doscientos años.La verdadera desventura del capitán Richard Phillips y el secuestro en 2009 por piratas somalíes del MV Maersk Alabama con bandera estadounidense, el primer buque de carga estadounidense en ser secuestrado en doscientos años.
- Nominado para 6 premios Óscar
- 17 premios y 154 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- PifiasCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Citas
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Créditos adicionalesBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- ConexionesFeatured in The Tonight Show with Jay Leno: Episodio #22.48 (2013)
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
- bob the moo
- 23 may 2014
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Detalles
Taquilla
- Presupuesto
- 55.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 107.100.855 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 25.718.314 US$
- 13 oct 2013
- Recaudación en todo el mundo
- 218.791.811 US$
- Duración2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1