Rise of the Raven

I was pleasantly surprised by this series. It starts strong, then slows down a bit, but by episode 4 it sucks you in and you can't stop watching. What I liked most is the strong emotions it stirs up and that all sides are portrayed as likeable, yet imperfect humans. And of course there are the battle scenes, the executions that seem that you are right there with the characters. A couple of times during the series I thought the film was pure genius, but I don't want to give away the plot. Episode 10 is epic, I watched it many times. Don't miss it! I hope for a sequel. At least now I know why church bells toll at noon from Europe to Latin America to all over the Christian world.

Finally, finally, a challenging and satisfying historical series. I was skeptical at first, after so many bad experiences. But this one fits the bill: content, form; you can tell the team put a lot of heart and soul into it. Great! Rise of the Raven can certainly compare to Shogun and Spartacus: War of the Damned. And even if you know a bit more about Eastern European history, the details and context here are truly instructive, and it's not annoying when the director takes unsatisfying historical shortcuts or detours.

The landscapes and locations are well-integrated and cinematically simply fitting and beautiful.

The performances and cast are also well-suited; the Ottomans, despite their antagonism, are not portrayed in a distorted way. The Wallachians fare a bit worse ;-) but I think they're still historically justifiable. The political infighting isn't stereotypical, nor are the relationships; a little less sex and longer social scenes or story building would have been fine, but the surroundings aren't neglected either, and the sex scenes aren't formulaic, but occasionally feature a twist. Hunyadi's character isn't as superior as, say, Spartacus, but despite his human weaknesses, it's still clearly evident from time to time why he leads the country through charisma and integrity, even at the expense of himself or his family.

And unexpectedly for me (because Hungary is what it is), both the female roles are modern and strong (but not generalized), and LGBTQ people aren't neglected either.

It's just a shame that the multilingual approach of the original wasn't replicated in German :-(

I'm looking forward to the sequels, hopefully until the last Hunyadi, who was robbed of his legacy...

From the very first episode, I was captivated by its exquisite opening sequence - the breathtaking scene of Hunyadi riding his warhorse through colossal statues on the plains, synchronized with an epic and grand musical composition, was utterly awe-inspiring!

Most crucially, the pacing is masterfully controlled, with brilliantly crafted dialogue sequences and cinematic-level battle scenes in the finale.

The visuals are incredibly textured, boasting superb audiovisual effects and meticulous attention to detail. Every gaze, prop, and movement serves a purpose - not a single frame is wasted!

This marks my first experience watching Hungarian film/television production. I believe this series stands shoulder-to-shoulder with Game of Thrones, achieving comparable excellence without relying on magic or fantasy elements.

Regrettably, the distributor shows no intention of global release for this series, which may condemn this remarkable work to collect dust in obscurity prematurely.

My comments are solely focused on the television program itself, and I hold no personal stance on any other matters.

It was a pleasure watching this series. Not only the story (since I like this historical age), but the actors are very talented. I would emphasise the main character's (Hunyadi János) professionality, but the character of King Ulászló and Cillei Ulrik is amazing also. It's a pity that King Ulászló died so early. His playing is unforgettable, while he is acting one time the young gentleman knight king and then a heroic emperor. Fantastic!

The landscapes are professional also. I'm looking forward to watching the remaining episodes. Well done for everybody, who took part of filming of this series!

The series stands out both in its story and execution. From an international perspective, it is a true high-budget quality production. It is worth noting that the story is based on a historical fiction novel series, so the plot is not entirely historically accurate, but the series does not aim to be a documentary either. Regardless, the events are mostly historically accurate. At several points in the plot, modern elements also appear, particularly in terms of the series' strong female characters.

A special merit is that the female characters are truly strong, and this is not due to today's cheap, forced narratives in modern western entertainment. Throughout the plot, every important female character undergoes severe traumas, and rising from these, each of their personalities changes in a unique way. Therefore, we can consider this a positive example of "strong female characters."

The plot is also interesting and full of twists. The first three episodes are mainly introductory, but from the fourth episode onwards, the major political events kick off. The story features interesting character developments (e.g., Sultan Murad, Mehmed, Elizabeth of Luxembourg, or Miklós Újlaki) and layered characters (e.g., János Hunyadi or his real rival, Ulrich of Cilli), making it easy to captivate viewers who are attuned to the style of the series.

Since Rise of the Raven features many interesting characters, the main character Hunyadi often takes a backseat, but this does not detract from the quality of the plot; on the contrary, it enriches the narrative with new threads. Because of this, it is strongly felt in the series that it could have accommodated several more seasons. Nevertheless, the 10-episode format also works. The series gets better with each episode, and its conclusion is epic. The visual world is also of high quality, and the frames presented to the viewer often have a painterly quality. The actors are also excellent, and I would particularly highlight Gellért L. Kádár, Vivien Rujder, Mariann Hermányi, Murathan Muslu and Ulascan Kutlu, but the list could go on.

Another great merit of Rise of the Raven is its international style. The characters (more or less) speak in their own native languages, which makes the series' world even more authentic and complex.

Overall, it is an internationally high-quality production that takes place in one of the most important regions and cross-sections of world history, namely Central and Eastern Europe as well as the Balkans, which are often overlooked in the Western entertainment industry. From this perspective alone, the series pays off an important debt. If you love quality historical fiction (or drama) series like Vikings, Rome or The Last Kingdom, I highly recommend it to you.