La maldición del hombre lobo

Impressive directorial debut from music composer, Giacchino, who approaches visual storytelling like the magical music he creates, with every shot (note) synchronized with the character's emotions, all in splendorous black and white giving it a 1940s feel that reminds one of a Jacques Tourneur classic horror film (most notable, Cat People).

Gael García Bernal is perfectly cast as the legendary Marvel unsung hero, Jack Russell. Gael underplays the role with a gentle humility giving it a somewhat realistic empathetic character that is not seen in most Marvel projects. The remaining characters are a joy as they ramp it up in the Marvel mode, creating a conflicting contrast to that of Jack's humbleness, until Jack becomes a wolf! The most enjoyable of all was the interaction with Jack and the monster, an absolute delight.

A visual striking and very entertaining unconvoluted Marvel short film that should have been a feature. Please turn this into a series!

Werewolf by Night was an unexpected addition to the Marvel canon, and a welcome one at that. It was directed by Michael Giacchino, an Oscar winning composer making his directorial debut. He also composes the special's score, and it's some of his best work. Giacchino's love of classic monster movies is evident throughout the film, especially at the beginning. It has 1930s/40s title cards at the beginning, and the music is very reminiscent of the classic horror films. Perhaps the best homage is the use of practical effects rather than CGI, which the monsters movies back then exemplified. There are some downsides. The classic effect does begin to wear off after a while, and then it will feel like you're watching a Marvel movie with a black and white filter. The writing was okay. There's still cringeworthy Marvel humor. But given how cookie cutter Marvel movies have become, something as unique as Werewolf by Night is a more than welcome addition to the MCU canon.

Werewolf by Night is an unexpectedly atypical MCU release. It doesn't feel like the usual MCU genre. It's a lot darker and in the direction of horror. And I'm really happy with how they didn't seem to hold back on the violence. There is actually blood! (looking at you, Morbius, a vampire movie with zero blood)

I love the style, somewhat of a throwback to old monster flicks. Michael Giacchino does a good job with both directing and the musical score. There are some good horror moments and a few great shots.

Overall I really enjoyed this special. I know there is the Marvel fatigue crowd probably groaning over more content, but I don't get fatigue from awesomeness. I would love to see more specials like this.

(2 viewings, 10/15/2022, 7/15/2024)

This was a pretty short movie, i actually thought it would turn out to be a series but apparently it was a one time deal.

Yes man thing was amazing and probably the best character in the whole movie.

I was not aware of this side of the marvel universe with classic monsters, and monster hunters this was fairly new to me.

Its a very well packed hour with lots happening, the hunters are for the most part skilled at what they do.

The only complain with the special effects is the werewolf itself, they could have at least made it look terrifying. Think of 1987 series Werewolf the costume back then was amazing.

But all in all it was a great watch.

Werewolf by Night retains the MCU's trademark humour for better and for worse and would've definitely benefited from a longer run time but it remains a great exercise in genre with a clear love for classic monster movies and has a blast going to more violent ends than usual.

Gael García Bernal brings the heart and clumsy charm to the proceedings whilst Laura Donnelly is the more stoic one with some solid dry wit to balance it out and Harriet Sansom Harris absolutely chews the scenery to great effect.

The use of black and white combined with the added film grain and cigarette burns is really impressive and enhances the experience. It also really helps it standout in an increasingly crowded and overly familiar universe.

Michael Giacchino's direction is amazing, especially for a debut. It's so artistically composed in its striking imagery and skillfully controlled symphonies of violence. Giacchino's score is also excellent, instantly evocative and grandiose in all the right ways.