PUNTUACIÓN EN IMDb
4,4/10
1,9 mil
TU PUNTUACIÓN
Connor, un hombre cuya aburrida vida se transforma en un emocionante mundo de fantasía gracias a la seductora Marilyn.Connor, un hombre cuya aburrida vida se transforma en un emocionante mundo de fantasía gracias a la seductora Marilyn.Connor, un hombre cuya aburrida vida se transforma en un emocionante mundo de fantasía gracias a la seductora Marilyn.
Jeff Bouffard
- Sheriff
- (sin acreditar)
Sheila Consiglia
- Sheriff
- (sin acreditar)
Marilyn Swick
- Connor's workmate
- (sin acreditar)
Reseñas destacadas
Absolutely predictable, not one surprise, or novel idea from start to finish. You could call some of it foreshadowing, I suppose, but that would give the screenwriting far more credit than it deserves. Hard to believe that even one 'named' actor signed up to be part of this movie and the horribly obvious faux-plot that it pretends is worthy of your time, attention and electricity to suffer though. Do yourself a favor, and watch just about anything else you can, and skip this one.
This is probably obvious from the above, but I'd be horribly surprised if this didn't get nominated for multiple razzies. If not, the diner scene, and the "I can sit here all day with my **** down your throat" scene alone should get a writer a good, old-fashioned tarring and feathering.
This is probably obvious from the above, but I'd be horribly surprised if this didn't get nominated for multiple razzies. If not, the diner scene, and the "I can sit here all day with my **** down your throat" scene alone should get a writer a good, old-fashioned tarring and feathering.
No pun intended - Diane Kruger whom I (and I assume many others) had discovered in the movie Troy, has been in quite a lot of movies. I assume she tries to get better scripted stuff than this most of the time. But one has to pay the bills too - also the script may have sounded better than what came out of it - including all the cliches we get served .... you almost know from the get go what is what.
The main male character seems weird - and he has quite the character flaws. Also he changes attitude ... and intellect it seems. So I get the 4 rating ... what saves it a little for me: Hank Azaria ... the guy has fun to say the least! I actually would love to see a spin off with him playing that character! There is a way more interesting movie there ... and him being here and there (character wise) ... well I can take and dig that to a degree. He has the charisma to carry that though ... also be aware, while this is rated R, there is no real nudity in this. If this is one of the reasons you watch.. well thrillers like this one. Still it gets steamy from time to time - just don't lose your mind over it ... although you won't really care in the end ... twists and all that.
The main male character seems weird - and he has quite the character flaws. Also he changes attitude ... and intellect it seems. So I get the 4 rating ... what saves it a little for me: Hank Azaria ... the guy has fun to say the least! I actually would love to see a spin off with him playing that character! There is a way more interesting movie there ... and him being here and there (character wise) ... well I can take and dig that to a degree. He has the charisma to carry that though ... also be aware, while this is rated R, there is no real nudity in this. If this is one of the reasons you watch.. well thrillers like this one. Still it gets steamy from time to time - just don't lose your mind over it ... although you won't really care in the end ... twists and all that.
I'm not about to say that Out of the Blue is a good movie or anything, but I believe the reviews/ratings for it are a bit harsh. It has a myriad of flaws, but "one time watchability" is not one of them and that should matter to someone looking for a film to keep themselves occupied for the night. The acting is average, with the exception of Hank Azaria who is pretty funny in his limited role. The plot follows the usual cliches of a "film noir" and is not particularly novel in any way, but you do want to see what happens in the end and that keeps you engaged the whole time up till the obvious ending and the laughable final twist at the very end which is pretty much an arbitrary add on. The biggest flaw which was mentioned earlier is the LAUGHABLE interlude frames which let the audience know how much time has elapsed. It is soooooo cheesy and totally ruins the flow of the movie. Don't know what the director was thinking with that. Still if you're bored, it's not the worst movie to occupy yourself with if you like noirish films.
The movie is well filmed, well played (even if it is not well-written) but makes no sense and has a plot that is weak to say the least.
There are screen cards telling you the time that passes between each scene as in silent movies. I understand the intention : this is not reality but an interpretation of it by the main character. It does not work because these cards are there every two minutes. They become very annoying and cut the fluidity of the story. It gives the impression taht every scene is a sketch independent from the other scenes, thus creating a story that isn't one. You lose interest pretty fast in my opinion.
The story in tiself is pretty basic. I think the directior who also wrote this movie wanted to look at this genre (the erotic thriller) with a cynical eye. But if that was the case, the movie in general takes itself too seriously for it to be a critique piece of this cheap gimmicky genre.
And well the end is a gimmick made to shock us and reveal the absurdity of this kind of movies. But it is a bit forced and cringy.
Maybe I am reading to much in this, but there are not any black actors or extras on-screen. Is the director saying that these thriller-thingys are often all-white. It made me wonder and it is true that these erotic-thrillers that I saw lately (the Affleck one adapted from Highsmith's novel...and others I don't remember the titles) are all-white cast. They are all pretty bad too.
I think it is time to declare these thrillers dead and begin to make thrillers where the story takes central stage instead of the twists. Deceivng the audience is cool and all-that, but not when it impoverishes the plot and takes the audience for a "babbling bumbling band of baboons".
I will give this 4 for the actors and the director's filming but even if it is a critique it is not a well made one.
There are screen cards telling you the time that passes between each scene as in silent movies. I understand the intention : this is not reality but an interpretation of it by the main character. It does not work because these cards are there every two minutes. They become very annoying and cut the fluidity of the story. It gives the impression taht every scene is a sketch independent from the other scenes, thus creating a story that isn't one. You lose interest pretty fast in my opinion.
The story in tiself is pretty basic. I think the directior who also wrote this movie wanted to look at this genre (the erotic thriller) with a cynical eye. But if that was the case, the movie in general takes itself too seriously for it to be a critique piece of this cheap gimmicky genre.
And well the end is a gimmick made to shock us and reveal the absurdity of this kind of movies. But it is a bit forced and cringy.
Maybe I am reading to much in this, but there are not any black actors or extras on-screen. Is the director saying that these thriller-thingys are often all-white. It made me wonder and it is true that these erotic-thrillers that I saw lately (the Affleck one adapted from Highsmith's novel...and others I don't remember the titles) are all-white cast. They are all pretty bad too.
I think it is time to declare these thrillers dead and begin to make thrillers where the story takes central stage instead of the twists. Deceivng the audience is cool and all-that, but not when it impoverishes the plot and takes the audience for a "babbling bumbling band of baboons".
I will give this 4 for the actors and the director's filming but even if it is a critique it is not a well made one.
I blame Neil LaBute for writing and directing this awful picture which should have been so much better. It probably would've been had an a more talented screenwriter created it. I want to commend the actors, especially Ray Nicholson who gave as good a performance as this limited screenplay allowed. I hope he's not discouraged. It's regrettable that he and the others, including Diane Kruger and Hank Azria, two excellent actors, hitched their professional stars to this terrible project. Hopefully they'll be more selective in what they do going froward.
There is nothing novel about the script. It's far fetched in addition to its numerous other problems. I recommend skipping it, as you'll never retrieve the hour and forty four minutes you'll lose.
There is nothing novel about the script. It's far fetched in addition to its numerous other problems. I recommend skipping it, as you'll never retrieve the hour and forty four minutes you'll lose.
¿Sabías que...?
- CuriosidadesThe film explicitly references "The Postman Always Rings Twice" by James M. Cain several times. Lead actor Ray Nicholson is the son of Jack Nicholson, who starred in El cartero siempre llama dos veces (1981).
- PifiasThe police car says South County Sherrif. South County is just a nickname, the actual county in Rhode Island is Washington County. The movie was filmed in Newport County, Rhode Island.
- ConexionesReferences El cartero siempre llama dos veces (1946)
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- How long is Out of the Blue?Con tecnología de Alexa
Detalles
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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