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Who Killed the KLF?

  • 2021
  • 1h 28min
PUNTUACIÓN EN IMDb
7,2/10
1,2 mil
TU PUNTUACIÓN
Who Killed the KLF? (2021)
"Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonkers"
Reproducir trailer2:03
1 vídeo
2 imágenes
DocumentalMúsica

Añade un argumento en tu idioma"Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonk... Leer todo"Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonkers""Who Killed the KLF?" explores the rise and fall of the KLF in the 1980s and 1990s, touching upon themes that perfectly capture the 21st century zeitgeist. A tale as intriguing as it is bonkers"

  • Dirección
    • Chris Atkins
  • Reparto principal
    • Bill Drummond
    • Jimmy Cauty
    • Richard King
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    1,2 mil
    TU PUNTUACIÓN
    • Dirección
      • Chris Atkins
    • Reparto principal
      • Bill Drummond
      • Jimmy Cauty
      • Richard King
    • 11Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos1

    Official Trailer
    Trailer 2:03
    Official Trailer

    Imágenes1

    Ver cartel

    Reparto principal34

    Editar
    Bill Drummond
    Bill Drummond
    • Self
    • (metraje de archivo)
    Jimmy Cauty
    Jimmy Cauty
    • Self
    • (metraje de archivo)
    • (as Jimi Cauty)
    Richard King
    • Self
    Paula Yates
    Paula Yates
    • Self
    • (metraje de archivo)
    Pete Waterman
    • Self
    • (metraje de archivo)
    John Higgs
    • Self
    James Brown
    James Brown
    • Self
    Alan Moore
    Alan Moore
    • Self
    Kerry Wendell Thornley
    • Self
    • (metraje de archivo)
    • (as Kerry Thornley)
    Janet Street-Porter
    • Self
    • (metraje de archivo)
    Tony Wilson
    • Self
    • (metraje de archivo)
    Carl Cox
    Carl Cox
    • Self
    The KLF
    The KLF
    • Themselves
    • (metraje de archivo)
    Peter Thompson
    • Self
    Nick Coler
    • Self
    Claire Fletcher
    • Self
    Peter Wilding
    • Self
    Tammy Wynette
    Tammy Wynette
    • Self
    • (metraje de archivo)
    • Dirección
      • Chris Atkins
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios11

    7,21.1K
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    Reseñas destacadas

    4duncan-160

    Messy, pretentious, unconvincing.

    I don't believe a word of the 'put together from previously unheard tapes' claims and am hugely suspicious of the provenance of this film, some of the participants claims, and some of the footage. It feels like an attempt to retrofit legendary status to a band and art movement that never really fortified its message, I suspect by the band themselves...but perhaps that's the point.

    Having spent four years at art school in the eighties and danced through the nineties in my twenties I don't recall The KLF as much more than a curious novelty act who also happened to have a couple of decent tunes, and certainly not 'the hottest band on the planet with the music world in their hands' as this film claims. The horns, the wheelchairs the money burning etc always seemed an eye-rolling-inducing cry for attention to me, but like all art, good or bad, that's a bit subjective I suppose. I certainly don't remember them being the legends that this film claims them to be, but perhaps that's the point too.

    The world definitely needed the KLF and their kind of pop-situationist nihilism should always have a place in the world but they were definitely of their time and this film is too meta to draw any reassuring, or even insightful, conclusions. Perhaps that's the point too.

    So I can't help feeling cheated and slightly insulted by this film. They were good, but they weren't THAT good; after all these years, and in a more self-referential and cynical world, I think it would have been more interesting to get something a little more witty and perceptive from Drummond and Cauty rather than an exercise in trying (and failing IMO) to galvanise the myth, and the 'legend', especially when they seem to be saying ultimately, through a haze of regret (whether real or unreal), that their modus operandi was without purpose or any real meaning. The idea of sowing chaos, for instance, is a lot more interesting when viewed though the prism of today's world, but this is never explored.

    A missed opportunity, but maybe that was the whole point. Either way, I hope the re-released back catalogue gives them a bit of a pension; just try not to 'burn it' this time.
    5torrascotia

    Not bad but a missed opportunity.

    I was keen to see this in the cinema but it didnt really appear anywhere that I was able to attend so it was a surprise when this arrived online. Its been a while since I last thought about it I had to check this was the new documentary and not just a re-release of the burning of the cash film.

    These style of docs seem to be made from offcuts of recorded dialogue and archival footage, which on the basis means they can be made by anyone at anytime about anybody, with little input from the bands. As such its basically a montage with some structure while emotive music plays in the background with the odd scene of actors pretending to be the band in unusual places.

    The pros are that we get some new information about the band, which is pretty much it.

    The cons are greater in number. For a start the documentary is apparently suggesting the KLF were the first to use samples, in 1987, as if hip hop didn't exist. Hip hop was almost entirely samples based music with a few drum machines. Those that were not like stetsasonic were rare. When the band actually state they were trying to make a hip hop record.

    There is some background info on their philosophy but like almost every topic its very surface level, the interview footage doesnt go into any great depth its mainly soundbytes.

    And while that is the main issue, lack of depth the other is it entirely fails to provide an explanation for anything, in particular the burning of the million pounds. This appears to be a deliberate act of self harm on the part of the group and they obviously have never recovered from it. The telling statement that one of them was prone to thoughts of self harming was their idea of chopping off their hand to throw on the audience which is documented in this title. There is no psychological analysis of the pair which is exactly what this documentary lacked and probably what both of the guys needed to come to terms and gain insight into some of their self destructive actions. To simply put it down to art is lazy as well as an avoidance of accountability.

    In terms of burning the cash however, cash is burned on a daily basis when it reaches its end of usefulness, which kind of undermines their act of burning their money. It would have been burned anyway.

    The ending brings this all home as it basically ends without resolving anything, it seemed to end 15 mins too early.

    I am sure this is a better doc to be made about the KLF however this one will have to do for fans for now.

    Apparently the KLF are quite happy with this doc, most likely because it doesnt actually answer anything......which suits their agenda quite well.
    3mic67-136-405068

    Cringe inducing nonsense.

    I dont get it. I was there at the time and I think the KLF only meant something to the indie music press because at the time the indie music press just didnt get the rave scene. They could latch onto the KLF, but on the acid house/rave scene KLF were a bit of a joke. We all remember them as the wacky guys that burnt a million quid, well thats a bit embarrassing now isnt it? This documentary is just hyped up nonsense. A sort of 80's/90's Spinal Tap, but not funny.
    1nirvairsr

    Boring

    I don't understand the point of this documentary, it brings nothing new and is just boring. Your better off reading on wiki about the band and your find in 5 mins of reading. Why we're your time watching this for 1hr 40 mins you'll never get back.
    6haniltonscott

    Not bad

    Well can I just say that to the people who are complaining about the documentary not being good enough and not what they expected from the klf well to be fair they didn't want this documentary aired at all and started legal proceedings against the producers who actually made this documentary which I believe had something to with James corden's production company so yes there was alot of things in it that maybe didn't make much sense and wasn't what alot of people expected from this pair of guys who were behind it but as I said before it wasn't them who actually wanted it aired and would almost certainly have done it differently so maybe take that into account.

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    Música

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    • Curiosidades
      According to director Chris Atkins, The KLF was initially against the film but eventually approved it after seeing it - but pointed out two minor inaccuracies: Cauty had a complaint about one of the prop synths used in the reenactment scenes, while Drummond indicated that he was the production designer of the Illuminatus! stage play, not the stage manager as the film says.
    • Pifias
      In one reenactment a Roland MC-202 is used to trigger samples. The MC-202 does not have that capability.
    • Conexiones
      Edited into 23 Seconds to Eternity (2023)
    • Banda sonora
      Spit It Out
      (Original + Acoustic)

      Written by Sam Doyle, Rupert Jarvis, Felix White, Orlando Weeks, Hugo White

      Performed by The Maccabees

      Courtesy of Polydor UK Ltd

      Under licence from Universal Music Operations Ltd

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    • How long is Who Killed the KLF??Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de abril de 2022 (Suecia)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Vem dödade the KLF?
    • Empresas productoras
      • Fulwell 73
      • Neon Films
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 28min(88 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.78 : 1

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