Corre o muere

If it wasn't for J. K. Simmons, this film wouldn't have been made. But thanks to nepotism (the director is Simmons' real life wife), we can now enjoy this fine product and lament almost two hours of our lives we won't get back.

At times competently shot, YOU CAN'T RUN FOREVER is a nice borefest of a "thriller" that manages to let you down quite quickly. Starting off mildly intriguing, it loses its grip fast, never to pick it up again. The characters are stupid, infuriatingly so at times, the drama forced and the execution lackluster. In fact, writing and directing go pretty much hand in hand.

And the title seems quite fitting once you see (now elderly) J. K. Simmons running through the woods, as he certainly can't run forever. Oh my.

If you value your time, skip this one. It's nothing but a pretty incompetently told, uninteresting story made by a not-so-talented director who happens to be married to J. J. Jameson's only worthy incarnation.

I'm not a professional. I didn't go to movie school. I didn't get a degree in script writing. But I can tell this movie is absolutely terrible, and it amazes me that it managed to get made in the first place. How... HOW? If you gave me this script to read I would tell you 100 things wrong with it ... and that's from me, someone with absolutely zero experience in movie making, so how do these so called professionals manage to mess it up so badly. How can they not see how bad it is on paper, how bad the story is, how bad the obvious plot holes are? How how HOW? What a waste of time, money snd effott.

Like others I was lured by the fact J K Simmons is one of the main characters and then I started watching and the nice Irish chap from downton Abbey was also in it, great, good start. Then the good turned into bad pretty quickly. Cue the obnoxious moody teenager that can't act. Empathy for the teenager doesn't even begin. She wanders through the woods acting like she is on acid. She listens to music on her phone and doesn't even think about the battery, surprise ! It gets low. She is not bothered about making any noise even though she knows there is a man with a gun wanting to kill her not far behind. At night she not only talks loudly but also turns on her flashlight. To top it off her sisters friends go out in the dark with 4 flashlights looking for her, knowing there's a man with a gun shooting people and not one of them is carrying a gun. The story is basic and the acting is bad. Simmons says 'why do I waste my time' in one scene and I had to agree with him, it's pretty dire.

Why is J. K. Simmons, a respected and renowned actor, in this pile of cr@p movie? Does he owe back taxes or something? I wondered as I watched this. It turns out it's because his wife wrote and directed the movie. It was nice to at least make sense of that. The acting is horrible, and it's evident almost immediately. To be fair, I really can't tell if it's the fault of the actors or the rigid and horrible dialogue but its likely both. Top it off with comically miscasted police officers who looking like they are in middle school and have the acting chops to match and the end result is a movie that will have you cringing the whole way through.

You Can't Run Forever" embarks on a cinematic journey that is as ambitious as it is flawed. The film, directed by Michelle Schumacher, attempts to weave a tale of suspense and survival, yet falls short in execution. The film's saving grace lies in the performance of J. K. Simmons, whose portrayal of the antagonist is both magnetic and menacing. His ability to pivot from an average suburban neighbor to a lunatic with a malevolent smile is commendable. The opening sequence sets a promising stage, with Simmons' character, Wade, displaying a chillingly casual approach to violence that could have been the cornerstone of a gripping thriller. This suffers from a lack of tension and a flat direction that leaves much to be desired. The narrative struggles with tonal inconsistencies, failing to maintain the suspense necessary for a thriller of this nature. The film's pacing is erratic, and the character development is insufficient, rendering the storyline predictable and uninspired. The supporting cast, while competent, is given little material to work with, resulting in performances that feel disconnected from the film's core. The script, co-written by Schumacher and Carolyn Carpenter, misses opportunities to delve deeper into the characters' psyches, opting instead for surface-level interactions that undermine the potential intensity of the plot.

In conclusion, This is a film that had the potential to be a compelling thriller but is ultimately let down by its execution. While it may offer a glimpse of J. K. Simmons' undeniable talent, the rest of the film fails to match his prowess, leading to a viewing experience that is, regrettably, forgettable.