PUNTUACIÓN EN IMDb
5,6/10
6,7 mil
TU PUNTUACIÓN
Una pareja neoyorquina se lanza salvajemente a la paternidad gracias a una nueva herramienta desarrollada por un gigante tecnológico, Pegazus.Una pareja neoyorquina se lanza salvajemente a la paternidad gracias a una nueva herramienta desarrollada por un gigante tecnológico, Pegazus.Una pareja neoyorquina se lanza salvajemente a la paternidad gracias a una nueva herramienta desarrollada por un gigante tecnológico, Pegazus.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 1 nominación en total
David Beelen
- Folio Executive #6
- (as Nilson David)
Reseñas destacadas
"The Pod Genetation" is a sci fi movie that critisizes the evolution of AI and how that can overtake even nature.
The story has a smooth start and it is obvious from the begining that something is off. The big eyes of the AI assistants, the wierd Pod company, the creepy 'psychologist', even the office environment along with the AI home assistant who was trying to be helpful but ended up dictating her owners' lives, everything lean in to a more horror genre, which the movie never lived up to. Rather, the story took a turn towards the more optimistic side, opting for a message where the human relationships and nature prevails. And, honestly, that was a nice touch.
However, the story did get stuffy towards the ending and there were some boring scenes as well. In addition, the humour was subtle and, sometimes, difficult to detect.
Finally, the performances were enjoyable.
The story has a smooth start and it is obvious from the begining that something is off. The big eyes of the AI assistants, the wierd Pod company, the creepy 'psychologist', even the office environment along with the AI home assistant who was trying to be helpful but ended up dictating her owners' lives, everything lean in to a more horror genre, which the movie never lived up to. Rather, the story took a turn towards the more optimistic side, opting for a message where the human relationships and nature prevails. And, honestly, that was a nice touch.
However, the story did get stuffy towards the ending and there were some boring scenes as well. In addition, the humour was subtle and, sometimes, difficult to detect.
Finally, the performances were enjoyable.
Like others said, this film very much feels like an extended Black Mirror episode, but without a twist or something edgy to make it memorable.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
Start's off strong and intriguing with dark undertones..... around halfway through the film however, it just suddenly turns silly. The behaviour of the two leads becomes juvenile and slapstick and it goes from alluding to being more of a thriller into a light hearted comedy. It also slows pace massively and the second half is just padded out with nothing really interesting happening and just more of a romance story.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
This concept was really interesting...for the first 15 minutes. Sadly, they decided to go the super safe, PC route and have a social commentary on things like how a man carries the baby pod. The dialogue is akin to a bad podcast that questions the validity of child rearing vs pod rearing.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
I can't remember the last time I watched a movie with as little conflict or drama as 'The Pod Generation'. Did they just think that their concept was so original and interesting that they didn't even need to add a hook of any sort to the script? It's really bizarre to watch. There is nothing at stake in the film. Nothing to look forward to or anticipate or even think about. The film just plods along for 100 minutes of nothingness.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
¿Sabías que...?
- CuriosidadesAt about the 1:25:44 mark, Rachel is walking through the baby store dream and you can clearly see the three dragon tattoo on Emilia Clarke's right wrist from her Game of Thrones role.
- PifiasArround minute 22, when Rachel is consulting the fees sheet, the 3rd and 4th lines from last, in the boy column, show $5,500 but the real number should be $550.
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- How long is The Pod Generation?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 31.569 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.949 US$
- 13 ago 2023
- Recaudación en todo el mundo
- 58.309 US$
- Duración
- 1h 50min(110 min)
- Color
- Relación de aspecto
- 2.35 : 1
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