León por un día

The headline names made me watch this one, and though it started out with a reasonably interesting premise, It became clear that the poor script and weak plot were not going to do anything remotely passable for anything entertaining.

It doesn't really go anywhere, and nothing much is done with the off-beat concept that's brandished in the beginning.

The story is very weak and I'm only surprised more wasn't done to wrest if from the vestiges of what can barely be considered mediocrity. By this I mean, there is nothing interesting about what happens nor does the story attempt to engage in anything which could be considered remotely interesting.

The script is "Meh" Here we have people engaged in what I often call 'Hollywood talk' where they speak to each other in sentences and style that we only ever see in movies, but doesn't amount to a hill of beans or bare any resemblance to verbal exchanges in real life.

The unfortunate consequences of the poor story and script mean there is nothing substantial to latch on to here, and despite the direction and performances being first rate (for the most part) they can't instil any excitement into what unfolds on screen.

This is one of those movies I would categorize as - A bunch of stuff happens then the movie ends - but nothing therein makes it an enjoyable entertainment piece.

It's not terrible, but its more something I'd have on in the background while training in my home gym or cooking in the kitchen. Definitely not something to sit down on the sofa and indulge in with a tub of popcorn and good company.

I think 3/10 is a fair score, maybe 4/10 at a push.

The good: solid direction, great acting performances and a lovely, quirky story, with likeable characters and true to life dialiogue. I would have setttled for less!

I love these kind of quirky gangster comedies. It's been awhile since I have seen a good one and I thoroughly enjoyed it from start till finish.

It's not a Quentin Tarantino wannabe, but it has got the same reverance for the characters as is the case in all of the Tarantino movies (or in any great gangster movie for that matter). Because in every great gangster movie (comedy or dramatic) one needs true to life characters, whom I can sympathize with.

And the characters in this movie are to die for! However "gangsta" the characters all might seem to be on the outside, they all have a gentle, loving heart (hilarious, but true) and they all would f8*k up boiling an egg if it comes to being a real gangsta.

The story: Scott Caan plays a total f8*k up moron "gangster", who messes up the only hit job he has to execute.

Now he is on the run for his crime boss who wants to kill him, providing for some absurd and very witty situations, involving a man on a horse, a fake marriage, a son in jail whom he wants to rescue and a few fist fights...

Recommended for those fans of this comedy gangster genre, who love offbeat characters and quirky dialogues.

Jackie Powers (Scott Caan) is pushed into a hit on Walter Boggs (J. K. Simmons). He misses badly and kills the cook instead. He takes waitress Lola Brisky (Marianne Rendón) who is the only witness. His son is stuck in jail.

Scott Caan is trying his hand at writing. It's a bit of hit-and-miss. This one is trying to be a sly crime drama. The studio declares this to be an homage to Tarantino and the Coen brothers. That may indeed be the target, but it falls short. The dialogue and the flow need more work. It's a little rough. I do like these actors, even Frank Grillo, but they do struggle with the script.

This movie is really refreshing, with a weird humour, turning up from weird situations with weird characters who aren't really what they want to appear.

With the result that what they intent to do never really ends up as planned.

These kind of movies are pretty rare, succeeding to walk on a razor blade on the edge of ridicule, you never know what you should take seriously and what to just laugh about.

Some scenes have great word battles, between Frank Grillo and J. K. Simmons, Scott Caan and George Carroll, the way they talk is hilarious, they want to be clever and cool, and they end up dumb and emotional, these contrasts make the main characters turn out to be somehow likeable despite the fact they are all losers and pretenders.

And then there is Marianne Rendón, who works as a barmaid, when her mother has become very rich by marrying 4 rich men who happen to die quickly. The mother thinks her daughter is a looser too, because she dreamed to be an actress and went to Costa Rica to learn acting. Really ? You get the kind of auto-derision in which the script swims ?

It turns out that in real life, Marianne is a great actress, and she showed it twice, and at the end of the movie in a most emotional way that made even the other actors in the scene stop her from continuing her show. She made me feel sorry and laugh at the same time.

Though it could have been a little better, I would say longer, yes the good time I spend with this movie felt a bit short, short and intense.

This felt like a cross between a high-school drama class production, and a vanity project for writer and lead actor Scott Caan to have his shirt unbuttoned or off wearing only underwear as much as possible. The writing, and especially the dialogue, was borderline infantile, and I'd say at least 80% of it was nonsense filler. There were only a few hits at humor, but it was mostly misses. The story did have some heart to it, but it was down-played and overshadowed by a lot of nonsense. Even Caan naming his character Jackie Powers was borderline cringe. Grillo's and Simmons' talents were underutilized and they both deserve to be in better films. Although they were the draw to this film, Marianne Rendon as Lola shined the most, and stole every scene. She was the only reason I even finished the film, because her character and performance were outstanding, and the reason I'm being generous with my 6/10. Swab's directing was decent given the flaccid script he had to work with, but with a more experienced screenwriter, this film could've been great.