Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.
- Premios
- 5 premios y 38 nominaciones en total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
Reseñas destacadas
I had really low expectations when it started because because it begins exactly the same as "Weekenders" did which really wasn't a great movie, different genres though. Over half an hour in I still wasn't sure where exactly the movie was heading, but when things turn dark the thrill starts, old school horror-esque.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
The good thing about the film: the setting. It's just wonderfully creepy when there's a huge vault under a "normal" house, which is then discovered by the protagonists.
But what doesn't work at all is the plot, because almost none of the protagonists' behaviour makes sense. They consistently make decisions that no normal person in their right mind would make. And so the plot is not driven by authentic behaviour of the characters, but only because the script wants it to be. And you can see this in the movie almost all the time.
If you always tell yourself while watching: I would never do that, what he or she has done now, then that is evidence of bad writing and ultimately of a bad film.
But what doesn't work at all is the plot, because almost none of the protagonists' behaviour makes sense. They consistently make decisions that no normal person in their right mind would make. And so the plot is not driven by authentic behaviour of the characters, but only because the script wants it to be. And you can see this in the movie almost all the time.
If you always tell yourself while watching: I would never do that, what he or she has done now, then that is evidence of bad writing and ultimately of a bad film.
No, they are not mutually exclusive.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
I went in totally blind, with no expectations whatsoever as I only heard of this movie the day I decided to watch it. I think that's the best way to enjoy it.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
¿Sabías que...?
- CuriosidadesThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- PifiasOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Créditos adicionalesSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
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- How long is Barbarian?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Bárbaro
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 40.842.944 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.543.948 US$
- 11 sept 2022
- Recaudación en todo el mundo
- 45.352.337 US$
- Duración
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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