Blue Giant

It's more than 'five-star-movie'. It is one of a kind and best music animation ever. The passion and emotion of this movie makes my heart beat. It is the first time that such an emotion has been felt since Slam Dunk. Japanese animation seems to be upgrading its value by expanding its scope to the art world. If you look at the original work, you can know the past of the main character, Dai, so please refer to it. In particular, the fact that Hiromi of the Grammy Award-winning jazz list participated in both music director and piano performance makes my heart race. I am serious about jazz enough to make up a quarter of the movie with music alone.

I usually don't write review. But after watching this film, I want to talk about it. For some people, this movie maybe good, average, or bad. I don't know that. But for me it's life changing. This film talks about passion in a art form, blending of incredible music, and lovable characters is most catchy thing about this film. I am also musician but I do not play jazz. Movie was soo beautifull too watch. In each frame there is something to talk about. Animators really put their sweats in it. Anyone who was passionate about anything in their life, must watch this film at once in their lifetime. Also loved the way they show, when our jass is gone into another world while playing music, they just jammed and feels the wind of emotions. It makes us as a audience more attentive. Reactions of the listeners also makes us attentive to the performance. Hope these types of films made more.

Giving this an 8/10 rating

Animation based on manga from Japan about a college student who forms a three piece jazz band and wants nothing less to be number one, and this film is simply brilliant.

You don't have to like jazz, but the music is super, I'll be looking for the soundtrack to this. The colour use is very important in this film, as music and mood are one and the same, each character is dealt with care and fun and we do care about them as the writing is right on and the look works, intense music numbers come, smooth nightclubs and in general, nothing really wrong at all.

Director Yuzuru Tachikawa has done a really great job along with writers NUMBER 8 and Shin'ichi Ishizuka. I am familiar with the manga somewhat, but you don't need to be. It's a real joy of a film.

It was one of the anime that I really expected because it had the main theme of jazz. But it made me very disappointed in the meat. Ordinary storytelling has only superficial jazziness to the story. Anime about piano in the forest, although it's not jazz, it's more jazz than this one. What I'm trying to say is that it's alive, it's jazzy, this story has it in a sparse and dull way.

I'm reminded of a scene in this story where the main pianist is taught that his playing is shallow. Play within the frame Playing in a safe zone. I sat and laughed in my head as to whether they were cursing the script or not because the screenplay is ordinary and trying to be a safe zone like other anime.

I was disappointed with the choice of jazz as the theme of the story, but the narrative uses a young boy who is passionate. There's nothing wrong with that, but there's nothing new about the script. It's like choosing a child as the main character of an anime. Other stories are very dull in the anime world. I can only assume that they don't want to change at all? Because young men sell more than middle-aged people?

The era of anime in Japan has been considered to be in the dark ages for a long time. Many people did not dare to take the risk of doing anything new or artistic. Everyone made commercial anime. Because it sells more than anime that has a complex script and has different and outstanding art.

Ultimately, Blue Giant is just an average anime in terms of script. The visuals are almost good, but their 3D animation is terrible. The jazz music is great but it doesn't help the anime's script. 7/10.

This is a film to see for the music.

The film is scored by the amazing jazz pianist and composer Hiromi Uehara, and every musical sequence is wonderful. The animation is also striking, from hyper-realistic depictions of Tokyo to imaginative representations of the musicians' inner worlds as they explore the space of chords and sequences of jazz improvisation.

On the other hand, the story is trite and predictable, and the characters are absurdly histrionic (as is typical in conventional animé). It also seems more a bit inappropriate that there's only one significant female character in a film so dependent on the musical ability of a woman performer and composer.