Wifelike

Released earlier in the year, Wifelike is not the typical human/robot type film. It does contain interesting ideas but overall, it seems like it tries being more clever than it should be. And taking itself a little more serious.

Elena Kampouris is the clear standout here where from her opening appearance, we get a sense as to how this may unfold.

The film is definitely engaging and not boring with its constant turns and several twists but it's climax isn't great. The end twist is quite predictable where there were a lot of clues along the way.

Otherwise Wifelike is solid but don't expect another Ex Machina.

This movie and its premise had a lot of potential, however the story is somewhat lackluster and unimpressive. Some of the acting and parts of the plot are also quite questionable.

However there are also some good parts. The actress playing Meredith is actually pretty good at interpreting an android and very likeable. Actually I liked her as an android a lot more than when she was playing the real person. Go figure.

I also enjoyed seeing a lot of beautiful half-dressed women in one place, which is mostly a big no-no in nowadays' movies.

Another thing I liked was the soundtrack, it has some good futuristic tunes and sound effects.

Overall, I'd say this movie is enjoyable/watchable if you have like 2 hours to kill.

It's a bit disappointing because it could have been great, but it's only halfway decent.

Wifelike is a company which creates robots sold to men to be obedient sexy wives. William Bradwell (Jonathan Rhys Meyers) is purchasing Meredith (Elena Kampouris) to replace his late wife. He works for the company. Ironically, she was an advocate against the company.

This has the potential of an interesting sci-fi movie, but it struggles to get away from the 90's late night cable softcore porn feel. Kampouris plays an awkwardly submissive robot. There are some issues with the premise construction. It seems crazy to have a dream mode for robots. It makes no sense. I don't mind the twist in the movie, but it could be done better. I have a better twist. Meredith could be the real person under some sort of mind control. Maybe implant a chip in her brain and come at the premise from that direction. The movie is trying to deal with sentience of robots and it's a mixed bag. I want the idea to be done well. This is a second-rate attempt.

With Shannon Whirry and Shannon Tweed at career peaks, softcore porn movies were the rage in the '90s, via VHS and Cinemax popularity. Hardcore porn, especially via internet distribution ended that era, but here's a throwback, made by indie filmmakers headed by James Bird whose pretentious "fantasy/surrealism" style comes off as precious and as artificial as his AI characters.

It was distressing to see British actor John Rhys Meyers descend so quickly into the career tailspin of a Malcolm McDowell (who he physically resembles) -moving from A pictures to grade Z level. His breathy line readings are extremely poor, and his overall sleepwalking performance made him seem like an AI himself. Why Bird decided on such a misogynist premise (no husband replacement studs for sale here) mystified me. And the casting was a bust, with lovely heroine Elena so closely resembling Twiggy of the Sixties, rather than going for a voluptuous softporn actress. Even the glamorous settings look like current porn, hardcore that is, where the expicit lovemaking is often photographed in fabulous mansions by directors like Jules Jordan or Kayden Kross.

I recall Paramount Home Video releasing plenty of drek in this vein way back when, but for current Paramount Pictures to indulge is disappointing. The sci-fi potential of the story is completely wasted. Obviously, it takes a big budget to do a "Blade Runner", but the aspirations here are embarrassing.

It borrows lots from previous sci-fi classics, The Matrix, Bladerunner, and Stepford Wives, etc.

The basic plot is good, direction is sound enough, some of the acting is a bit wooden, but, cut it some slack because, after all, it's a low budget movie.

Don't expect so much and this ok, not a classic, but watchable.