A Lot Like Christmas

It's "Clay" (Christopher Russell) who arrives in a small town just as the animated snow is falling onto such an obvious studio set - so now we know what we are in for. He's there to help set up a new superstore that's going to be just what the townsfolk need for jobs and prosperity. Meantime, the "Roberts" farm is facing a tough time. "Scott" (Matt Visser) keeps telling sis "Jessica" (Maggie Lawson) that they are on the brink of bankruptcy! The last thing they need is the new shop, especially one run by his old pal "Xavier" (Ian Collins). Scene set? Well now we have to create the gently convoluted scene in which she and "Clay" meet, then there's the bit when the start to fall for each other before the bit about him about his owning up to why he's there. Will she forgive him? Can they have a truce as the all important Christmas market will be crucial for her family and his job, yada yada... The denouement? Well come on now! I didn't hate this, and for the festive season it's your typical cheesy drama with some very light humour (mostly contained at the very start) and just the hint of a frustrated bromance between "Scott" and "Xavier" that's disappointingly undercooked. Nope, there's no way you will ever recall watching this, but it's harmless fodder to shove on in the background whilst you wrap, or stuff, or snooze through December.

I am a fan of Maggie Lawson and her energy and upbeat personality. I was very pleased to see that Clay didn't march in oozing with arrogance and privilege. The character needs to be confident, almost to the point of overconfidence, but Russell didn't overdo it. Clay is actually a pretty nice guy and there is no mean and antagonistic confrontation with Jessica like so many rom/coms seem to think are necessary.

Unless the story has a special sentimental draw, I want upbeat in my Christmas movies. Tension is necessary, but this movie spends a great deal of screen time showing how small businesses and small towns are being ruined by big corporate ones. It's a fact of life. It's not an unusual story angle especially in Christmas movies, but there was too much of it in this case.

This movie diverts from the formula by having Clay's secret revealed around the half way point. This makes it possible to take an unusual tack through the rest of the movie, but unfortunately it was annoying. "It's not personal, it's business" immediately disqualifies Clay as any kind of romantic interest given Jessica's circumstances. Perhaps the appropriate response to him is "It's not business, it's my entire life". Clay has no clue. The ruined the rest of the movie for me and despite it was the only way to end this type of movie, I couldn't believe what happened.

Christopher Russell plays against his usual type as a big city corporate big wig. He usually plays rugged back to nature types. He has come to Maggie Lawson's small town to open a big box store, which threatens to put the local Mom and Pops out of business. Most especially Maggie's Christmas Tree lot. They meet and are immediately attracted to each other without knowing whom the other is. Disaster looms.

Christopher Russell is excellent in this: funny and sincere. Maggie was OK, although her character comes across as trying too hard with the hot new man in town. But really, who can blame her? He is gorgeous and nice. If not handled well however, this enthusiasm can come across as desperation. Unfortunately the story was dull with nothing on the horizon that could remotely be of interest. When she learns his true identity, she turns on him and will do anything to beat him at his own game. She commences to cut off her nose to spite her face. Christopher remains good-hearted and easygoing, which makes her antics all the more unattractive. When her little brother explains to this genius that she has bankrupted the business with all of her expenses outstripping their sales, it finally comes the inevitable sad end. Did she just blame Christopher for her own stupidity?

But wait! Thanks to her sudden inspiration of turning her farm into an event venue, the farm is miraculously saved. Like the next day. When very clueless (but still lovable) Christopher learns that the corporation he works for is based on lies, he decides the small town life is more his speed, and the romance is saved as well.

At the first sight, it deserves a lot of critics. Not only for predactibility or for huge unrealism but for waste of good parts, especially the explanations of Scott to his sister about the need to sell the farm and the good image of the clash between paseism and pragmatic present.

But the film is saved, in some measure, off course, by same , so familiar "firefighters"- Frances Flanagan,Dolores Drake and Christopher Rusell , the last in same armor of the kind guy from big city with precise mission but , in same measure, with so many virtues, making him new version of Prince Charming ( his look helps in significant measure ).

So, what you expect, step by step. And nothing more else.

He is adorable but she ruins it. I finally had to stop watching it over half way through. Casting makes a huge difference and Maggie Lawson was terrible in this part!