PUNTUACIÓN EN IMDb
6,5/10
135 mil
TU PUNTUACIÓN
J. Edgar Hoover, poderoso jefe del FBI durante casi cincuenta años, repasa su vida profesional y personal.J. Edgar Hoover, poderoso jefe del FBI durante casi cincuenta años, repasa su vida profesional y personal.J. Edgar Hoover, poderoso jefe del FBI durante casi cincuenta años, repasa su vida profesional y personal.
- Premios
- 5 premios y 17 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAccording to Armie Hammer, Leonardo DiCaprio and he proposed to producer and director Clint Eastwood to depict the sexual relationship between the characters as graphic, but he refused, arguing the screenplay didn't call for it.
- PifiasNeither Hoover nor Agent Melvin Purvis killed John Dillinger. Dillinger was actually gunned down by agents Clarence Hurt, Charles Winstead, and Herman Hollis. Most historical accounts give Winstead credit for delivering the fatal shot to the back of Dillinger's head. Ironically, given the film's depiction of Hoover as constantly claiming credit for the deed, Winstead received a personal letter of commendation from Hoover for it.
- Citas
J. Edgar Hoover: Do I kill everything that I love?
- ConexionesFeatured in Ebert Presents: At the Movies: Episodio #2.16 (2011)
Reseña destacada
Just got back from a screening in Vancouver~ Thanks to Clint Eastwood, it was almost free (only one dollar per ticket) I will try to keep my review spoiler-free~
Personally, I thought it was a great film. Not exceptional in anyway, but still great. The tone reminds me a bit of Changeling. Makes sense since the stories are from the same period. I have to say, with Eastwood, Leonardo DiCaprio and Dustin Lance Black all on board, I was kind of expecting something a bit more than this.
I thought the weakest link was the script. It was interesting, but flawed. Also, the story was not very intriguing. Having watched Milk (also written by Black) and really liked how the story unfolded, I was expecting a great story about how J. Edgar Hoover rose to power and how he gradually transformed into the monster he became in the end. But instead, the story was told by shifting back and forth in time countless times, which at some point made me feel emotionally detached from the story and the characters. The bad bad makeup (I guess we can all agree on that~) was also very distracting. The elderly characters looked like wax figures to me.
That said, I really LOVED Eastwood's score. It was moving and really fit the mood of the film. His direction and camera-work were masterful as always. Leo was very convincing as J. Edgar, although I keep on seeing bits and pieces of Howard Hughes in his performance. Judi Dench and Naomi Watts were both great, however the same thing can not be said about Armie Hammer. I thought he was much better in The Social Network. There were a few good moments between him and Leo, but his performance as the elderly Clyde Tolson was darn right awful. I blame the horrible makeup.
As for the Oscars, this film will get a few nominations, but I doubt that it would become a strong contender. Though Leo's performance was not without its flaws, I thought it was more than enough to secure his leading actor nomination. Nods for best art direction, best cinematography and best score are also quite possible.
This film had the potential to become a masterpiece, but fell short of my expectations mainly due to the uneven script. While far from being one of his best, it is nevertheless a welcome addition to Eastwood's portfolio.
8/10
Personally, I thought it was a great film. Not exceptional in anyway, but still great. The tone reminds me a bit of Changeling. Makes sense since the stories are from the same period. I have to say, with Eastwood, Leonardo DiCaprio and Dustin Lance Black all on board, I was kind of expecting something a bit more than this.
I thought the weakest link was the script. It was interesting, but flawed. Also, the story was not very intriguing. Having watched Milk (also written by Black) and really liked how the story unfolded, I was expecting a great story about how J. Edgar Hoover rose to power and how he gradually transformed into the monster he became in the end. But instead, the story was told by shifting back and forth in time countless times, which at some point made me feel emotionally detached from the story and the characters. The bad bad makeup (I guess we can all agree on that~) was also very distracting. The elderly characters looked like wax figures to me.
That said, I really LOVED Eastwood's score. It was moving and really fit the mood of the film. His direction and camera-work were masterful as always. Leo was very convincing as J. Edgar, although I keep on seeing bits and pieces of Howard Hughes in his performance. Judi Dench and Naomi Watts were both great, however the same thing can not be said about Armie Hammer. I thought he was much better in The Social Network. There were a few good moments between him and Leo, but his performance as the elderly Clyde Tolson was darn right awful. I blame the horrible makeup.
As for the Oscars, this film will get a few nominations, but I doubt that it would become a strong contender. Though Leo's performance was not without its flaws, I thought it was more than enough to secure his leading actor nomination. Nods for best art direction, best cinematography and best score are also quite possible.
This film had the potential to become a masterpiece, but fell short of my expectations mainly due to the uneven script. While far from being one of his best, it is nevertheless a welcome addition to Eastwood's portfolio.
8/10
- qq107
- 5 nov 2011
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Hoover
- Localizaciones del rodaje
- Warrenton, Virginia, Estados Unidos(Fauquier County courthouse exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.306.030 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.217.324 US$
- 13 nov 2011
- Recaudación en todo el mundo
- 84.920.539 US$
- Duración2 horas 17 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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