Mother, May I?

Mother, May I? Posits a couple who seem to psychologically tormented each other in efforts to "heal" from their dysfunctional parents and upbringing. This is played out as the male inherits his mother's house. Issues of abandonment, and abuse are explored as the "healing" is attempted.

The film takes an odd twist when the female starts acting like the late mother. This element begins a questioning of is this a supernatural possession instead of a twisted psychological game? Unfortunately, this plot point becomes lost as the interpersonal dynamics between the two main characters continues on their dysfunctional paths. Never mind what the conclusion is as it doesn't matter.

Acting is good even if the main characters are obnoxious and annoying. Production is good for a decent looking film. The overall point though is a trifling yawn.

This is another one of those movies that has nothing seriously wrong with it beyond being a 100-minute movie with about 20 minutes of script, tops. Kyle Gellner is a very good actor who singlehandedly achieves some moments of real interest; Chris Mulkey is always a welcome presence, although wasted in a nondescript role. I wasn't familiar with the female lead, and she's decent enough. But the film makes her "possessed" by the male lead's dead mother (or is she really....???) too fast, too soon, and as written/played that character is a trite Mommy Dearest stereotype of haughty, controlling divahood.

There's no real plot, just a premise, and not enough psychological or directorial complexity to make the central ambiguity (is this a supernatural situation, or is the girlfriend just role-playing as part of her "therapy"?) at all interesting once we've grasped it. This is also one of those movies where you wait and wait, hoping that something will finally "happen"...and then it just ends. Pffft. Your time has been wasted, and that of the cast, though this very thin material is handled competently enough.

But should it have been handled at all? Not without extensive rewrites first. This director needs a screenwriting collaborator next time out. He's not a talented enough stylist to make something substantial out of almost nothing.

If you're looking to fashion a double feature, you could definitely pair this film with Run Rabbit Run.

Though, this film is neither as creepy, or well done as that film is.

One thing is for sure...they definitely share some thematic similarities.

With the wife taking on the characteristics of her husband's dead mother here; where the daughter takes on characteristics of her dead sister there.

And both focusing on the psychological toll it takes on the main characters- when they are forced to face a cognitive dissonance breakdown, when their understanding of the world falls apart.

The difference here being that we are looking at the effect it has on both parties, here.

With the mystery at the center of this film being much more confounding.

As two broken people use a shared traumatic experience to heal their underlying mental wounds.

While not a bad film, it doesn't quite live up to the mastery of Run Rabbit Run.

Which you can't help but compare it to (if you've recently watched both, like I have).

To be fair though, this one does have an air of darkly comedic undertones to it.

Despite it's sincerity.

Whereas Run Rabbit Run is a more pure psychological thriller.

Both films are great though!

So make a double feature out of it.

5.5 out of 10.

Mother, May I, or paraphrasing, Mother, Should I give this a go?

I think so yes, first of all, for our new male lead horror actor, Kyle Gallner, emphasis on male. A lot of new scream queens lately, which of course is a good thing, seeing people embracing this genre and becoming a symbol of it. But we do lack on the male part, we still rely heavily on Tony Todd, Lance Henrikssen, Robert Englund and so on.

But honestly if you remove Mr. Kyle from the equation, I have to say, Mother, May I is overall a little bland. I won't call it generic, it just doesn't offer as much as it promises, yet it does manage to hit some soft spots, just without a real echo to them.

So for a die hard horror fan, yes, for a one time view, this movie should be on your list, with the clarification that it is a psychological war here, with a little bit of mystery, but no horror, or tension or scares.

If this is what you're looking for, you might actually be pleasantly surprised, I hope. A movie in the type of Goodnight Mommy, The Lodge, or It Comes At Night.

Definitely no The Ritual sadly.

So all in all, another piece of the horror puzzle has been found, take it or leave it.

Cheers!

I wouldn't classify this as a horror. This movie is more of a psych drama. Although it's a very decent film, it could of easily been way more intense and interesting had a few more elements added.

I found the setting too "nice" A missed opportunity to convey a n added depth to the story.

Some real good acting takes place, the camera work, lighting (which I could of used a lot more play with light and shadow, but it was, at least, present) sound and editing were competently done.

It had a few eerie moments,it had a few warm and fuzzy moments, it had some uncomfortable moments, but none of it was what I would call surprising or edge of your seat.

The story was above average but the last ten minutes, a few things didn't add up, for me.

Better than a lot, but achingly soooo close to what could of been excellent.

Would still recommend.