La sociedad de la nieve

The real life story of The Uruguayan rugby team and friends, who's plane crashed into a glacier over The Andes.

It's been many years since I watched Alive, a harrowing, but interesting film. I must admit I was staggered by just how good this film was. Upsetting, thought provoking, at times hard to watch, but one I couldn't turn away from.

It is very sensitively handled, the story is told in a very human way, they don't focus on the bleaker side of the story too much, so we're not forced to watch the more unsavoury parts, instead they focus more on the human spirit, the fight for survival.

I was worried that it would feel over long at 2.5 hours, but at no point did it dip, it went by very quickly.

It's very nicely produced, it looks so good, my advice, watch in its original form, with the subtitles, it's so much better.

Impressive.

9/10.

Since the tsunami shocker THE IMPOSSIBLE with Naomi WATTS and Tom HOLLAND, it has been known that the Spanish director Juan Antonio BAYONA has a very good hand for disaster films. He stages the respective catastrophes in a powerful and visually overwhelming way, approaching those affected by an unexpected event with great tact and sensitivity.

Based on the novel LA SOCIEDAD DE LA NIEVE by Pablo VIERCI, BAYONA tells the well-known story of a rugby team from Montevideo in Uruguay that crashes in the Andes on a flight to Chile. What follows is a long ordeal lasting several months, which the few survivors only survive because they cross one last taboo...

This addresses the questions that none of us want to imagine: What would we do to stay alive in a hopeless situation? The author Pablo VIERCI probably went to school in Montevideo with some of those affected, but was not himself on Flight 571 in October 1972. Nevertheless, the plot seems very believable and also includes the perspective of those who didn't make it.

BAYONA has created a very excellent film that uses beautiful images to tell of the horror of the deepest abyss that people can fall into. The technically outstanding film was awarded two EUROPEAN FILM AWARDS for visual effects and make-up. It also received a GOLDEN GLOBE nomination for Best Foreign Language Film. Completely right!

With films like THE PLATFORM, BELOW ZERO and most recently NOWHERE, the global streaming service NETFLIX has proven that it has an excellent hand for Spanish-language cinema. THE SOCIETY OF THE SNOW will most certainly continue this success story.

I am 61 years old and I remember well the events told in "La sociedad de la nieve". The film does not hide or underestimate what 50 years ago shocked the whole world, but - as the title suggests - it frames it in a broader context: what eventually humanity is. We are not the strongest race, nor the fastest, nor - for some time now - the most intelligent on our planet. But, as a group, we are incredibly resilient. Man is weak, but humanity is impossible to defeat. A message of great hope at a time when we are facing terrible challenges ahead of us. Not to be missed.

Amazing soundtrack by Michail Giacchino. After having watched the movie, listen to "Found" which beautifully captures the message of the whole movie with minimal use of instruments and notes.

I've always loved the 1993 version (Alive) and seen it lots of times so I was always looking forward to seeing this. I thought it was pretty good... that is until the last 30 minutes - wow! So much emotion and completes the whole story that was missing from the 1993 version.

By no means am I saying this is a poor film, in fact the production was great and so much time and effort went into this going from the write ups prior to its release. Having relations involved from the true story also makes it more emotional.

If you find it long at almost 2hrs 30min just hold out to the last 30 minutes.

There's a film about the Uruguayan rugby team crash landing in the Andes in the 70s. Alive. It's very good. Do we need another film telling the story? Well for starters this is all in Spanish, which makes it feel more authentic and there's more build up and back story. We get to know the players a little bit more, but still it doesn't wait too long to board the plane. They're off to play a match in Santiago. Taking off from Uruguay, the weather is good, the colours are vibrant. It looks beautiful. Everyone's happy. Excited. Smiling. Adventure awaits. Just not the one expected. They're kids on a plane. Jovial, having fun, until they're not. Do not watch this if you're due to fly soon. It is absolutely terrifying. The crash sequence is viseral. Chaotic. Flesh and metal twisted together. Blood. Bone. Panic. It's honestly a blessing to be killed rather than survive. Some do though of course and set out on an unimaginable hell. The night hits, the temperatures drop, how on earth do you comprehend the pain and anguish they endure. We can't of course, but Society of the Snow does help to give us a sense, at least visually even if we can't truly understand the hellish madness. Numa (Enzo Vogrincic) is our guide. He narrates. Giving us some inner insight, seeing how his team mates are reacting, the ones with hope, the ones already without, but to be honest this is such a stark story, it's impossible not to be pulled in by every deepening twist. They try to organise. Care for the wounded. Respect the dead. Conserve food. Wait for rescue. For all the horror, it's beautifully shot. The widescreen ratio accentuating the snowy mountain vista. Airplanes tease them in the distance, mere dots in the sky as the engine noise cascades around the mountain peaks. They're inventive it must be said. Nothing wasted, stripping what's left of the plane to make things as comfortable as possible. It is not comfortable. How long can you go without food? How long can you survive. If you don't know this story then I won't spoil it, but they go to some extremes, wrestle with moral questions than test their faith and humanity. It digs deeper than Alive. That film is not an easy watch, but the depths here are cavernous as fractions appear and splits occur. Marcelo (Diego Vegezzi) retains hope, talks of its importance as they others lose it. His faith part of his identity, but can that alone sustain you in such conditions. Adolfo (Esteban Kukuriczka) and Roberto (Matías Recalt) are more willing to embrace practical horrors. You can feel the cold. Sense the anguish. With each ray of hope extinguished, they hit new lows. It's utterly brutal. Yet this is not a woe is me story of defeat. Quite the opposite. It's the story of people who refuse to give up. Go to unfathomable lengths to keep going. You'll watch most of this with your teeth clenched. It doesn't deviate from the Alive timeline, why would it, but with a longer duration, uses the opportunity to flesh things out, so to speak. Both are great films, this one though, I think is amazing. It feels more rounded, more personal. Helped by the incredible end scenes that will have you smiling through the tears.