El exorcismo de Eastfield

The film's premise makes you think you're getting into a typical studio horror film, however, Godless: The Eastfield Exorcism is surprisingly well-directed and written, following the based on a true premise of an Australian exorcism. Director Nick Kozakis showcases plenty of traditional visual and storytelling talent but isn't afraid to get Into the grit and nuance of moments, and the film benefits greatly from that approach. Its often uncompromising approach takes what might be a more standard spooky affair and turns it into one you won't soon forget. Complete with the punchiest sound design imaginable, some strong lead performances, and inventive camera work, Godless makes for quite an intense picture.

#OVERLOOK23 This isn't an Exorcism movie...Not really.

All the trappings are there; a poor young female afflicted, cult like religious members, demonic imagery and of-course the exorcist themself. However, the film follows a narrative different from what we have come to expect from a studio style horror.

It's expectingly dark, brooding and horrific; But in director Nick Kozakis's hands, he has taken what might seem like a familiar tale and made it nuanced and gripping. It's more akin to a gritty drama from someone like fellow Australian Justin Kurzel (Nitram) - Proving itself more drama than a b-grade horror (like the title may suggest)

Aided by an impressive performance by actress Georgia Eyers who manages to convey so much with her eyes even when she's not talking. Cinematographer Carl Allison pulls off beguiling imagery; his use of shadow, light and dark does so much to convey a sense of foreboding and tension.

This is the most beautiful Exorcism movie you've ever seen-even if it's not really an 'exorcism movie' at all.

Ughh this movie is so sad and frustrating. This isn't the GREATEST movie, but worth hanging in there as there are some shocking moments. Definitely not a horror, but it is horrifying. The end is absolutely appalling and when you find out the event leading up to her crisis (of faith? Mental crisis?) it makes it all the more heartbreaking. How did Lara end up with this loser? I need a prequel to find out how she settled for this douchebag zealot - total downgrade.

All of these characters belong in jail. It makes it even more disturbing that very similar events really happened and more than once.

One of the best exorcism movies in my opinion because it has an immersive plot that actually invokes the viewers emotions and the movie is not just there for the jump scares. It was very well done and I liked the psychological horror in it too.

A film that gets the job done of creating emotionally enriched characters and a compelling themes. There are quality performances all around from a diverse cast, ranging from Eyers to Ewing, while deeply studying the manipulation of relationships with wonderful tension. I was absolutely blown away by how heavy this movie was. It sucks the breath right out of you, and never really let's you get it back.

"Godless: The Eastfield Exorcism," a 2023 Australian film, takes viewers on a tense journey through the blurred lines between mental health and possession. The movie follows the gripping tale of a troubled young couple, Lara and Ron, as they grapple with the possibility of an exorcism to cure her disturbing behavior. With impactful scenes depicting Ron's desperation and the involvement of an unsanctioned exorcist named Daniel, the film delves into the darker aspects of faith and the human psyche.

The movie draws inspiration from the real-life case of Joan Vollmer, shedding light on the chilling events that unfolded over a four-day period, culminating in tragedy. The performances of the cast, including Georgia Eyers as Lara and Dan Ewing as Ron, effectively convey the emotional turmoil and internal struggle of the characters.

While "Godless: The Eastfield Exorcism" explores thought-provoking themes of religious fervor, mental health, and the consequences of blind faith, it falls short in certain aspects. The filmmakers have opted for a psychological approach rather than relying on traditional horror tropes like spinning heads and excessive gore. However, this approach may leave some viewers longing for more suspenseful and visually striking moments.

Directed by Nick Kozakis and penned by Alexander Angliss-Wilson and Sarah Baker, the film's strength lies in its willingness to tackle complex themes surrounding demonic possession and religious beliefs. While it may not satisfy those seeking traditional horror thrills, its thought-provoking narrative offers a unique perspective on the clash between the human mind and the supernatural.