Añade un argumento en tu idiomaDhairyadhar, a loyal soldier, and Bhamini, a princess, navigate a love triangle as Bhamini evaluates Dhairyadhar's character while her admirer, Chandravilas, schemes to influence her.Dhairyadhar, a loyal soldier, and Bhamini, a princess, navigate a love triangle as Bhamini evaluates Dhairyadhar's character while her admirer, Chandravilas, schemes to influence her.Dhairyadhar, a loyal soldier, and Bhamini, a princess, navigate a love triangle as Bhamini evaluates Dhairyadhar's character while her admirer, Chandravilas, schemes to influence her.
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A musical Fairytale that breaks all the old biases. It almost feels like a story of today. The story is set in Sangrampur, a fantasy kingdom. The locations are very beautiful, the costume play is unparalleled, some scenes are aesthetically so pleasing that they almost feel like coming out of a painting of Raja Ravi Verma. The movie has 14 songs, sung by 18 singers. The songs are not mere attachments, they are an important part of the narrative, they take the story ahead, so for the first time I heard each and every word of the lyrics and realized the lyrics were so meaningful. You want drama, it has drama, you want action it has the best action, you want romance, then it is definitely one of the most romantic movies you will watch this year, you want music, it has the best music for the soul, you want dialogues, it has the dialogues that will stay with you forever, you want grandeur, it has it all! The background music, cinematography, VFX, editing, designing everything is top notch.
Subodh Bhave as a director is a true magician, he raises the bar of expectations of the audience every time he directs. Katyar Kaljat Ghusli, his directorial debut was indeed a masterpiece, after which Sangeet Manapman yet again surprises us with his exceptional performance as a director and actor both! The candle lighting scene of Zarina and Sadashiv was aesthetically astounding, and the diya lighting another diya scene in Sangeet Manapman was phenomenal! This is a kind of a movie that you will regret watching on OTT. It is a must watch in the theatre kind of a movie!!
Happy Watching, Siddhi Bhosale.
Subodh Bhave as a director is a true magician, he raises the bar of expectations of the audience every time he directs. Katyar Kaljat Ghusli, his directorial debut was indeed a masterpiece, after which Sangeet Manapman yet again surprises us with his exceptional performance as a director and actor both! The candle lighting scene of Zarina and Sadashiv was aesthetically astounding, and the diya lighting another diya scene in Sangeet Manapman was phenomenal! This is a kind of a movie that you will regret watching on OTT. It is a must watch in the theatre kind of a movie!!
Happy Watching, Siddhi Bhosale.
Watching Sangeet Manapman felt like reliving the golden era of Marathi musical theatre. Through this film, Subodh Bhave has not only brought a classic play to the big screen but also beautifully captured the emotions and rich cultural heritage behind it.
For those who appreciate Marathi musical dramas, this film is nothing short of a celebration. The background score, cinematography, and dedicated performances by the cast elevate the film to a whole new level. The authenticity in storytelling and the powerful performances make it a truly immersive experience.
Subodh Bhave's direction is impeccable. He has not just presented the story but has infused life into it. Every scene maintains the theatrical essence while immersing the audience in a different era.
10/10 Rating!
This film is an unforgettable experience. I give it 10/10 and wholeheartedly congratulate Subodh Bhave and his entire team. Anyone who cherishes Marathi musical theatre must watch this masterpiece!
For those who appreciate Marathi musical dramas, this film is nothing short of a celebration. The background score, cinematography, and dedicated performances by the cast elevate the film to a whole new level. The authenticity in storytelling and the powerful performances make it a truly immersive experience.
Subodh Bhave's direction is impeccable. He has not just presented the story but has infused life into it. Every scene maintains the theatrical essence while immersing the audience in a different era.
10/10 Rating!
This film is an unforgettable experience. I give it 10/10 and wholeheartedly congratulate Subodh Bhave and his entire team. Anyone who cherishes Marathi musical theatre must watch this masterpiece!
Today is a Sunday holiday...
As soon as the time was empty, we said that we should do some work, so we decided to go to see a movie....
Relaxation is always on as every weekend.... Then decided to watch a Marathi movie...
Currently, the recently released film Sangeet Manapaman is the first...
It was a very heavy, cool experience for 3 hours...
Story, acting, sets everything is quality...
The film is based on a Marathi novel as well as a play...
This movie brings an unforgettable experience...
Can be watched with family...
I think we should watch this movie just like we watch Hindi, English, Dakshina movies and get it on our heads...
It is a musical and a retro movie...
Watch this movie, this art...
Take your time and enjoy this movie...
Subodh Bhave remembers Vaidehi Parashurami.. .
I am giving this movie 10 out of 10...
As soon as the time was empty, we said that we should do some work, so we decided to go to see a movie....
Relaxation is always on as every weekend.... Then decided to watch a Marathi movie...
Currently, the recently released film Sangeet Manapaman is the first...
It was a very heavy, cool experience for 3 hours...
Story, acting, sets everything is quality...
The film is based on a Marathi novel as well as a play...
This movie brings an unforgettable experience...
Can be watched with family...
I think we should watch this movie just like we watch Hindi, English, Dakshina movies and get it on our heads...
It is a musical and a retro movie...
Watch this movie, this art...
Take your time and enjoy this movie...
Subodh Bhave remembers Vaidehi Parashurami.. .
I am giving this movie 10 out of 10...
A Masterpiece Musical Drama... subodh always awesome... with Nostalgical songs... the story plot great...best cinematography... all the actors are remarkable performance... sumit always fantastic... very well done all the singers... engaging storyline... superb dialoug... awesome costumes design... set designs recommendable... don't miss this fantastic experience... and see our marathi culture is very bright and beautiful... must show our youth generation this musical drama acted very appealing and remarkable... must enjoy this... worth it cinema start this new year... subodh congratulations for this great movie and all the best for many more to come like this one...lots of love.
Sangeet Manapmaan, the iconic Marathi natak - a classic that's stood the test of time and will likely outlive us all. Remaking it into a film for the modern audience was always going to be ambitious, but here we are. The result? Well, let's just say it's a mixed bag.
The first half of the film is an absolute treat. It's like stepping into a time machine but with better lighting and sound. The actors? Marvellous! Each one has embraced their role with gusto, and they rightly deserve a standing ovation. It's the kind of effort that would make even the original playwright crack a smile.
But then comes the second half, and this is where things start to feel a tad, shall we say, creative. The filmmakers have taken liberties with the plot-so much so that at one point, it felt like watching Bahubali. The graphics and animations are fine, could have been done better maybe.
The climax, however, is drawn-out, loses the momentum and feels slow. Still, if you're judging the film solely on the performances, it's a solid watch. The actors shine bright, and the music-oh, the music! Hats off to Shankar-Ehsaan-Loy for their beautiful renditions, and the singers deserve a round of applause too.
Now, if you were to ask your parents or fans of the original play, they might have mixed emotions about the adaptation. But such is the challenge of reimagining a classic - it's a bit like trying to modernise Shakespeare. Bold, but you'll always have someone pointing out that the original was better.
All in all, it's worth a watch - just don't expect it to dethrone the original in your family's living room debates.
The first half of the film is an absolute treat. It's like stepping into a time machine but with better lighting and sound. The actors? Marvellous! Each one has embraced their role with gusto, and they rightly deserve a standing ovation. It's the kind of effort that would make even the original playwright crack a smile.
But then comes the second half, and this is where things start to feel a tad, shall we say, creative. The filmmakers have taken liberties with the plot-so much so that at one point, it felt like watching Bahubali. The graphics and animations are fine, could have been done better maybe.
The climax, however, is drawn-out, loses the momentum and feels slow. Still, if you're judging the film solely on the performances, it's a solid watch. The actors shine bright, and the music-oh, the music! Hats off to Shankar-Ehsaan-Loy for their beautiful renditions, and the singers deserve a round of applause too.
Now, if you were to ask your parents or fans of the original play, they might have mixed emotions about the adaptation. But such is the challenge of reimagining a classic - it's a bit like trying to modernise Shakespeare. Bold, but you'll always have someone pointing out that the original was better.
All in all, it's worth a watch - just don't expect it to dethrone the original in your family's living room debates.
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