Descendientes

Slavery was one of the most important, and most disgraceful, parts of US history. Most of the focus on it emphasizes the plantations, the whipping of the enslaved African-Americans, and the Underground Railroad. A lesser known part is the slave trade itself. Outlawed in 1808, it continued in secret. The last ship to bring kidnapped Africans to the United States was the Clotilda, which docked in Mobile, Alabama, before getting sunk to hide its violation of the ban on slave-trading.

Margaret Brown's "Descendant" focuses on this, as well as the descendants of the enslaved people on the Alabama coast. It's a fascinating look at the aftermath of slavery, and how the descendants of the slaveowners are the biggest landholders in the area. Not to mention the chemical refineries dumping all sorts of toxins.

This is not a documentary that you'll forget anytime soon. I recommend it.

I've never heard of this - I've got no real expectations, but it doesn't exactly sound like a giggle.

It tells the story of the Clotilda/Clotilde (the spelling seems uncertain), a slave ship organised for a bet by a white landowner after slavery had been abolished. This brought 110 Africans to Alabama - and was then burned and sunk leaving no evidence it ever existed, except for a load of people who'd been threatened with lynching if they ever spoke about it. But they told their children, and their children's children, and - well, you get the idea! And now their 6x great-grandchildren are telling us their stories.

Unfortunately, because the ship was burned and sank, there's absolutely no physical evidence that any of this happened - so part of the film focusses on efforts to find the wreck, but when you look at a map of the Mobile river you can't help but feel their chances are somewhat limited (no spoilers as to whether they found it though!). And they also interview quite a few people that have no interest in finding it - as one lady puts it "how do I put this? I just don't care". But might she change her mind?

The film also considers other elements of the history of the community - it makes an interesting point that a lot of the surrounding land is used for heavy industry which has resulted in various health issues - and the land is owned by the descendants of the landowner that originally brought the slaves over, so history (once again) shows its nasty habit of repeating itself. And then talk turns to reparations...

What are reparations supposed to provide? Justice? Punishment? Closure? Whilst crimes can't be inherited by descendant, assets and hardship certainly can, so what value should be placed on them? If reparations are made, who do they go to? And given that the landowner's descendants have absolutely no interest in engaging in any dialogue, how could they even be possible?

The film certainly poses some interesting questions although it probably won't surprise you hear that it doesn't answer them - that's probably asking a bit too much from a 109 minute Netflix documentary. The film does manage to end on a positive note though - various people have hope for the future, whatever it might hold.

However, I also have to report that the interesting questions don't fill up a huge amount of those 109 minutes either - it's all very worthy, but unfortunately it's not exactly thrilling. It's most a lot of people just talking about stuff that means something to them but not a lot to anyone else or reading from a book. There's also a lot of repeated use of the same historical footage - it feels unfortunately like filler.

I feel a bit mean being nasty about what it obviously an important film for a lot of people - I know it never hurts for me to be educated in this stuff, but I'm afraid that just didn't really do it for me. It's diverting in places with some nice countryside (balanced by some very ugly urban scenes), but it's no more than that, I'm afraid. If, after that glowing recommendation, you still fancy watching it then it's on Netflix but there's much more interesting stuff on there.

Contrary to widely held belief, just because the US slave trade was outlawed in 1808, that didn't end attempts to continue to import African slaves thereafter. It wasn't until 1860, when the last slave ship, the Clotilde, entered American waters with a hold full of slaves that the practice finally came to an end. And, to conceal this crime, which was punishable by death, the perpetrators scuttled the ship by burning it upon arrival. The location of the wreckage long remained a mystery until a diving team found it in shallow water just north of Mobile, AL in 2018-19. But the discovery was more than just an archaeological curiosity; it was also significant to the descendants of the Clotilde slaves, many of whom settled in a nearby community called Africatown when they achieved freedom after the Civil War in 1865. Those living today now have actual proof of their African lineage, as well as evidence of the crime that was committed against their ancestors. Director Margaret Brown's fourth feature outing explores this story from multiple angles in terms of its historic and personal importance, as well as from all of the fallout that stemmed from their ancestors' experience that has carried through to this day. Given the myriad threads presented in this documentary, the focus admittedly could have been a little tighter in spots, particularly in terms of how the narrative's many dots connect. But, that aside, the film effectively chronicles a little-known story that represents a significant benchmark in African-American history and a potential turning point in terms of how the American public at large views the question of this appalling institution and its after-effects, some of which have lingered but have gone virtually unaddressed and, arguably, even unrecognized all these years. This is a fine film that should be part of every grade school history class and a welcome addition to African-American History Month viewing.

The polluting factories and the highway that destroyed the Downtown area of Africatown are just other facts that help validate what the descendants are saying. Historians use oral histories as part of their research - this is a common practice. A lot of people don't want you to see this documentary. They are afraid of how it will make them look. They are afraid that it will explain someone's situation. This is one of the reasons I watched the documentary. It explains so much about the Bible Belt south. If you care about American history at all, you will find this documentary rewarding. Watch it and decide for yourself.

I found this to be a fascinating documentary, that held my attention throughout.

That said, it left me with some unanswered questions, in part because of its format, which focused on interviews with people who lived in Africatown, near where the Clotilda, evidently the last slave ship to arrive in the United States, landed.

I can completely understand why the director and producer would want to give these people a chance to express their views and feelings. They had been ignored for so long.

And I know that documentaries can only be so long before viewers start to turn out and off.

But I would have liked more background about a variety of issues. Do we know anything about the Clotilda's route to the States? Do we know where in Africa it left from? Have any of the descendants taken DNA tests that would help with this?

What was life like for the descendants of the original slaves between the time of Emancipation and today?

And on and on.

None of that is a criticism of the movie, which I enjoyed very much. But because the story it told is so interesting, it left me wanting to know so much more.