PUNTUACIÓN EN IMDb
6,5/10
62 mil
TU PUNTUACIÓN
George (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiem... Leer todoGeorge (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiempo.George (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiempo.
- Premios
- 1 premio y 2 nominaciones en total
Sophie Lane Curtis
- Chastity
- (as Sophie Curtis)
Joseph Ernest
- Student
- (sin acreditar)
Reseñas destacadas
This movie is beyond pointless. It is privileged teenage delusions presented as something substantial and relatable. I do not want to talk about the technical aspects of the movie as they are not important compared to the pointlessness of the story and characters. It is soo pointless that I would have liked to stop this review three sentences ago if it were not for the minimal length requirement. The writer of the movie must be a privileged no-lifer to think that this story and these characters would mean anything to people with real problems in life.
Yeah buddy, you are so cool that you do not know what cosine is, we get it.
Yeah buddy, you are so cool that you do not know what cosine is, we get it.
This independent picture first titled "Homework" then changed to "The Art of Getting By" wasn't nothing great, yet it's story brings back memories of the times when most remember that being their high school days. When we struggled for social acceptance, worried about making good grades and getting into college. And most of all finding the right first love that you were mad about! And this film covers all of those themes.
Set in New York City at a prep high school you have an odd and lonely out of place boy George(Freddie Highmore) who's searching for social acceptance while he slacks and struggles with his grades. Also his mother Vivian(Rita Wilson) is having problems of her own with George's stepfather and money woes are painful. It's upon meeting a girl that George has loved from a distance that gives him hope. Enter Sally(good performance from Emma Roberts)a southern girl who's moved north with her sexy and extroverted mother Charlotte(Elizabeth Reaser). And as typical the ups and downs of meeting, partying, and hanging out come and go and the typical hormones rage also. In the end George learns both a discovery of art and love. Overall nothing great it's somewhat predictable still it's theme and message is memorable and true this film is an all right watch.
Set in New York City at a prep high school you have an odd and lonely out of place boy George(Freddie Highmore) who's searching for social acceptance while he slacks and struggles with his grades. Also his mother Vivian(Rita Wilson) is having problems of her own with George's stepfather and money woes are painful. It's upon meeting a girl that George has loved from a distance that gives him hope. Enter Sally(good performance from Emma Roberts)a southern girl who's moved north with her sexy and extroverted mother Charlotte(Elizabeth Reaser). And as typical the ups and downs of meeting, partying, and hanging out come and go and the typical hormones rage also. In the end George learns both a discovery of art and love. Overall nothing great it's somewhat predictable still it's theme and message is memorable and true this film is an all right watch.
So I happened to notice quite a great deal of people hold negative opinions on this movie. That's why I wanted to share my 2 cents.
Basically, the movie was what I expected it to be. Meaning: no blockbuster, no real Hollywood production, no mind-blowing action. A movie with a slice of life, just like 500 Days of Summer (come to think of it, it gets close to it in some ways, even if perhaps a little less mature). If you're looking for these exact characteristics, you may be better of looking for a different movie.
So what to expect from it? First of all: it does not aim towards shocking you. It delivers a message, apparent from the introduction we get at the start of the movie. Starting a movie with a quote is bold, yet it's also original and different. It sets the tone perfectly. So George is this high-school guy who has a different hobby, drawing. He gets so worked up in it that when he does, he loses sight of all his surroundings (anyone who's creative will relate, as do I). On top of this he holds a pessimistic view on life, basically saying 'we're all going to die anyway so what's the point'? Now I know a lot of people will consider this to be 'emo' or whatever, but it's not. Honestly. I plead guilty: I myself often think in this manner. In fact, I can relate so much to George that by the end of the movie, I sat with my mouth open, totally freaked out and overwhelmed, still am. He's the different one, the outcast, the guy nobody knows and everyone ignores. Yet people tend to forget that being quiet doesn't equal being an uninteresting person. On the contrary: this movie likes to show us the other side of the coin. So my conclusion would be that if you often feel misunderstood, or have lost motivation for life in general, this movie would definitely be the way to go, as it requires a certain mindset I believe...
What is so interesting about the movie, is that we see a great deal of changes in George's life from the moment he meets Sally. It triggers different actions and revelations in his life that are irreversible, as is often the case with love in real life too. It basically shows us that loved ones can change one's life for the better, even in a not always positive way. Love surpasses most joys of life, as it surpasses most of its burdens.
There were times when I was slightly annoyed. I was aware there were times where I would tell myself 'just do it/just say it!'. There are many awkward silences in the movie, which are automatically transferred to the watcher's feelings. I wanted to jump into the movie, help G. out, because life can be difficult, more so when you're an introvert. And even more so when love's involved. (personal rant ahead) The world of today is all about extroverts, people who are eloquent and sociable, certainly not something George can boast about.
The amount of growth George shows while struggling with his problems really makes the movie. You see him get out of his shell, while not losing his edge. It's not your typical American movie with happy ending, all's well that ends well. Again, just like life is a lot of the time.
I'd advise anyone to have a look. This movie has been a hidden gem for me and it perfectly fits my taste for movies. Be prepared for some thinking and awkwardness from time to time and when that's OK with you, you'll love it. If this is not what appeals to you, then it will probably not be your cup of tea. If you are an artist and have lost motivation and/or inspiration, you should feel compelled to absorb what this movie has to offer.
If you do enjoy this movie, don't forget to take a look at: '500 days of Summer' and 'It's kind of a funny story', which both are pretty close in terms of atmosphere to this one.
Basically, the movie was what I expected it to be. Meaning: no blockbuster, no real Hollywood production, no mind-blowing action. A movie with a slice of life, just like 500 Days of Summer (come to think of it, it gets close to it in some ways, even if perhaps a little less mature). If you're looking for these exact characteristics, you may be better of looking for a different movie.
So what to expect from it? First of all: it does not aim towards shocking you. It delivers a message, apparent from the introduction we get at the start of the movie. Starting a movie with a quote is bold, yet it's also original and different. It sets the tone perfectly. So George is this high-school guy who has a different hobby, drawing. He gets so worked up in it that when he does, he loses sight of all his surroundings (anyone who's creative will relate, as do I). On top of this he holds a pessimistic view on life, basically saying 'we're all going to die anyway so what's the point'? Now I know a lot of people will consider this to be 'emo' or whatever, but it's not. Honestly. I plead guilty: I myself often think in this manner. In fact, I can relate so much to George that by the end of the movie, I sat with my mouth open, totally freaked out and overwhelmed, still am. He's the different one, the outcast, the guy nobody knows and everyone ignores. Yet people tend to forget that being quiet doesn't equal being an uninteresting person. On the contrary: this movie likes to show us the other side of the coin. So my conclusion would be that if you often feel misunderstood, or have lost motivation for life in general, this movie would definitely be the way to go, as it requires a certain mindset I believe...
What is so interesting about the movie, is that we see a great deal of changes in George's life from the moment he meets Sally. It triggers different actions and revelations in his life that are irreversible, as is often the case with love in real life too. It basically shows us that loved ones can change one's life for the better, even in a not always positive way. Love surpasses most joys of life, as it surpasses most of its burdens.
There were times when I was slightly annoyed. I was aware there were times where I would tell myself 'just do it/just say it!'. There are many awkward silences in the movie, which are automatically transferred to the watcher's feelings. I wanted to jump into the movie, help G. out, because life can be difficult, more so when you're an introvert. And even more so when love's involved. (personal rant ahead) The world of today is all about extroverts, people who are eloquent and sociable, certainly not something George can boast about.
The amount of growth George shows while struggling with his problems really makes the movie. You see him get out of his shell, while not losing his edge. It's not your typical American movie with happy ending, all's well that ends well. Again, just like life is a lot of the time.
I'd advise anyone to have a look. This movie has been a hidden gem for me and it perfectly fits my taste for movies. Be prepared for some thinking and awkwardness from time to time and when that's OK with you, you'll love it. If this is not what appeals to you, then it will probably not be your cup of tea. If you are an artist and have lost motivation and/or inspiration, you should feel compelled to absorb what this movie has to offer.
If you do enjoy this movie, don't forget to take a look at: '500 days of Summer' and 'It's kind of a funny story', which both are pretty close in terms of atmosphere to this one.
This was one of those understated-on-purpose films which I normally adore: except I didn't. There has to be some type of excellence in these little indies which invite a second look -- great acting, original concepts, exceptional dialog, beautiful art direction, etc. -- but in this case, none of the above applies. The Art of Getting By lives up to its name by just scraping by on its formulaic mediocrity in every category.
Freddy Highmore and Emma Roberts play high school students in the city, from different from different social classes even though they both go to an expensive private school. George (Highmore) also happens to be a loner/misfit who has a bad case of that teen angst we all can recognize: everything's pointless, why bother doing homework, we're all going to die anyway, yadda yadda. He's got all his justifications figured out, and then one day he develops a hard crush on Sally (Roberts), and suddenly sees that there may be a point to things after all. But of course there are personal problems and home life to drive a wedge between their budding maybe/sorta romance, including George's inability to express his feelings in any way except through his art. So the stereotype of the misunderstood loner/misfit is carried through quite predictably, exactly as we have all seen it in two dozen other films about teenagers.
Highmore and Roberts are good-looking and competent actors, judging by what I've seen of their work elsewhere. Here, however, they fizzle. There is simply no chemistry between their characters. Roberts may be able to get by on her stunning good looks, but lip-twisting and -twitching do not a convincing actress make; she merely sleepwalks through her lines. We the audience are never shown what it is about her (other than striking eyes) which attracts George. George does have a few moments of good dialog which could have been gold in the hands of a motivated actor, but the constant wooden expressions on his face undermine them; he is blank even when tears are running down his cheeks. How the heck are we supposed to care about his personal crisis? I will say in its favor that TAOGB does have some standout minor characters; the adults in George's life which, for the most part, are well-acted. I especially liked his art teacher's over-the-top intensity. George's mom is also wonderfully cast for the role of a tired woman just trying to hold her family together. And what's up with Alicia Silverstone as a frumpy schoolmarm?!?..but it works, oddly enough.
So in short, TAOGB wasn't a disaster, but I just can't see anybody citing it for outstanding, well, *anything* in the years to come.
Freddy Highmore and Emma Roberts play high school students in the city, from different from different social classes even though they both go to an expensive private school. George (Highmore) also happens to be a loner/misfit who has a bad case of that teen angst we all can recognize: everything's pointless, why bother doing homework, we're all going to die anyway, yadda yadda. He's got all his justifications figured out, and then one day he develops a hard crush on Sally (Roberts), and suddenly sees that there may be a point to things after all. But of course there are personal problems and home life to drive a wedge between their budding maybe/sorta romance, including George's inability to express his feelings in any way except through his art. So the stereotype of the misunderstood loner/misfit is carried through quite predictably, exactly as we have all seen it in two dozen other films about teenagers.
Highmore and Roberts are good-looking and competent actors, judging by what I've seen of their work elsewhere. Here, however, they fizzle. There is simply no chemistry between their characters. Roberts may be able to get by on her stunning good looks, but lip-twisting and -twitching do not a convincing actress make; she merely sleepwalks through her lines. We the audience are never shown what it is about her (other than striking eyes) which attracts George. George does have a few moments of good dialog which could have been gold in the hands of a motivated actor, but the constant wooden expressions on his face undermine them; he is blank even when tears are running down his cheeks. How the heck are we supposed to care about his personal crisis? I will say in its favor that TAOGB does have some standout minor characters; the adults in George's life which, for the most part, are well-acted. I especially liked his art teacher's over-the-top intensity. George's mom is also wonderfully cast for the role of a tired woman just trying to hold her family together. And what's up with Alicia Silverstone as a frumpy schoolmarm?!?..but it works, oddly enough.
So in short, TAOGB wasn't a disaster, but I just can't see anybody citing it for outstanding, well, *anything* in the years to come.
Most movies you only really watch once, unless its like American Beauty or Superbad, where it takes a fair few watches to get old. Without a doubt this movie is great, the character 'George' is one of those characters in a film who's name you search afterwards to find other movies with they've featured in, as he plays the role of a; confused, troubled, intelligent, different teenager who most could relate to at that age. If you want a movie that makes you think afterwards and can relate to, then I'd say watch it. It's great for a night in, but I'd say the downfalls is the fact that yet again like most of these types of films is predictable, but other than that I'd say the acting is great and its enjoyable to say the least.
¿Sabías que...?
- CuriosidadesIn the first scene, the camera passes by Tom's Restaurant, the same restaurant featured in Seinfeld (1989), aka Monk's.
- Citas
George Zinavoy: I read a quote once when I was a kid "We live alone, We die alone. Everything else is just an illusion." it used to keep me up at night.
- Versiones alternativasThe UK release was cut, this film was originally seen for advice in an unfinished version. The BBFC advised the distributor the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by reducing the number of uses of strong language. When the finished version of the film was submitted for classification, the number of uses of strong language had been reduced from five to one. Accordingly, the film was classified 12A.
- ConexionesFeatured in Ebert Presents: At the Movies: Episodio #1.22 (2011)
- Banda sonoraWe Will Become Silhouettes
Written by Benjamin Gibbard, James Tamborello aka The Postal Service
Performed by The Shins
Courtesy of Sub Pop Records
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- How long is The Art of Getting By?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.430.241 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 679.160 US$
- 19 jun 2011
- Recaudación en todo el mundo
- 1.892.130 US$
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