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El arte de pasar de todo

Título original: The Art of Getting By
  • 2011
  • 7
  • 1h 23min
PUNTUACIÓN EN IMDb
6,5/10
62 mil
TU PUNTUACIÓN
Freddie Highmore and Emma Roberts in El arte de pasar de todo (2011)
George (Highmore), a lonely and fatalistic teen who's made it all the way to his senior year without ever having done his schoolwork, is befriended by Sally (Roberts), a popular but complicated girl who recognizes in him a kindred spirit.
Reproducir trailer2:22
11 vídeos
99+ imágenes
ComediaComedia románticaDramaFamiliaHistorias de iniciación y madurezRomance

George (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiem... Leer todoGeorge (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiempo.George (Freddie Highmore), un adolescente inteligente pero solitario y escéptico, cambia de actitud cuando entabla amistad con Sally (Emma Roberts), una joven que le gustaba desde hacía tiempo.

  • Dirección
    • Gavin Wiesen
  • Guión
    • Gavin Wiesen
  • Reparto principal
    • Freddie Highmore
    • Emma Roberts
    • Michael Angarano
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    62 mil
    TU PUNTUACIÓN
    • Dirección
      • Gavin Wiesen
    • Guión
      • Gavin Wiesen
    • Reparto principal
      • Freddie Highmore
      • Emma Roberts
      • Michael Angarano
    • 101Reseñas de usuarios
    • 116Reseñas de críticos
    • 36Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 2 nominaciones en total

    Vídeos11

    The Art of Getting By
    Trailer 2:22
    The Art of Getting By
    The Art Of Getting By: A Year's Worth Of Homework
    Clip 0:58
    The Art Of Getting By: A Year's Worth Of Homework
    The Art Of Getting By: A Year's Worth Of Homework
    Clip 0:58
    The Art Of Getting By: A Year's Worth Of Homework
    The Art Of Getting By: You And George Should Be Together, Sally
    Clip 0:57
    The Art Of Getting By: You And George Should Be Together, Sally
    The Art Of Getting By: With The Good Ones It's Not Right
    Clip 0:49
    The Art Of Getting By: With The Good Ones It's Not Right
    The Art Of Getting By: Which Novel
    Clip 1:08
    The Art Of Getting By: Which Novel
    The Art Of Getting By: He's Amazing
    Clip 0:35
    The Art Of Getting By: He's Amazing

    Imágenes157

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    + 151
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    Reparto principal24

    Editar
    Freddie Highmore
    Freddie Highmore
    • George Zinavoy
    Emma Roberts
    Emma Roberts
    • Sally Howe
    Michael Angarano
    Michael Angarano
    • Dustin
    Sasha Spielberg
    Sasha Spielberg
    • Zoe Rubenstein
    Marcus Carl Franklin
    Marcus Carl Franklin
    • Will Sharpe
    Ann Dowd
    Ann Dowd
    • Mrs. Grimes
    Maya Ri Sanchez
    • Cynthia
    Blair Underwood
    Blair Underwood
    • Principal Martinson
    Ann Harada
    Ann Harada
    • Mrs. Dougherty
    Rita Wilson
    Rita Wilson
    • Vivian Sargent
    Jarlath Conroy
    • Harris McElroy
    Elizabeth Reaser
    Elizabeth Reaser
    • Charlotte Howe
    Andrew Levitas
    Andrew Levitas
    • Javier
    Sam Robards
    Sam Robards
    • Jack Sargent
    Alicia Silverstone
    Alicia Silverstone
    • Ms. Herman
    Dan Leonard
    Dan Leonard
    • Nick
    Sophie Lane Curtis
    Sophie Lane Curtis
    • Chastity
    • (as Sophie Curtis)
    Joseph Ernest
    • Student
    • (sin acreditar)
    • Dirección
      • Gavin Wiesen
    • Guión
      • Gavin Wiesen
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios101

    6,561.8K
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    10

    Reseñas destacadas

    arjantin78

    how do they leave reviews shorter than 600 chars?

    This movie is beyond pointless. It is privileged teenage delusions presented as something substantial and relatable. I do not want to talk about the technical aspects of the movie as they are not important compared to the pointlessness of the story and characters. It is soo pointless that I would have liked to stop this review three sentences ago if it were not for the minimal length requirement. The writer of the movie must be a privileged no-lifer to think that this story and these characters would mean anything to people with real problems in life.

    Yeah buddy, you are so cool that you do not know what cosine is, we get it.
    7blanbrn

    Brings back memories of your high school days.

    This independent picture first titled "Homework" then changed to "The Art of Getting By" wasn't nothing great, yet it's story brings back memories of the times when most remember that being their high school days. When we struggled for social acceptance, worried about making good grades and getting into college. And most of all finding the right first love that you were mad about! And this film covers all of those themes.

    Set in New York City at a prep high school you have an odd and lonely out of place boy George(Freddie Highmore) who's searching for social acceptance while he slacks and struggles with his grades. Also his mother Vivian(Rita Wilson) is having problems of her own with George's stepfather and money woes are painful. It's upon meeting a girl that George has loved from a distance that gives him hope. Enter Sally(good performance from Emma Roberts)a southern girl who's moved north with her sexy and extroverted mother Charlotte(Elizabeth Reaser). And as typical the ups and downs of meeting, partying, and hanging out come and go and the typical hormones rage also. In the end George learns both a discovery of art and love. Overall nothing great it's somewhat predictable still it's theme and message is memorable and true this film is an all right watch.
    10louis_sound

    Hidden gem

    So I happened to notice quite a great deal of people hold negative opinions on this movie. That's why I wanted to share my 2 cents.

    Basically, the movie was what I expected it to be. Meaning: no blockbuster, no real Hollywood production, no mind-blowing action. A movie with a slice of life, just like 500 Days of Summer (come to think of it, it gets close to it in some ways, even if perhaps a little less mature). If you're looking for these exact characteristics, you may be better of looking for a different movie.

    So what to expect from it? First of all: it does not aim towards shocking you. It delivers a message, apparent from the introduction we get at the start of the movie. Starting a movie with a quote is bold, yet it's also original and different. It sets the tone perfectly. So George is this high-school guy who has a different hobby, drawing. He gets so worked up in it that when he does, he loses sight of all his surroundings (anyone who's creative will relate, as do I). On top of this he holds a pessimistic view on life, basically saying 'we're all going to die anyway so what's the point'? Now I know a lot of people will consider this to be 'emo' or whatever, but it's not. Honestly. I plead guilty: I myself often think in this manner. In fact, I can relate so much to George that by the end of the movie, I sat with my mouth open, totally freaked out and overwhelmed, still am. He's the different one, the outcast, the guy nobody knows and everyone ignores. Yet people tend to forget that being quiet doesn't equal being an uninteresting person. On the contrary: this movie likes to show us the other side of the coin. So my conclusion would be that if you often feel misunderstood, or have lost motivation for life in general, this movie would definitely be the way to go, as it requires a certain mindset I believe...

    What is so interesting about the movie, is that we see a great deal of changes in George's life from the moment he meets Sally. It triggers different actions and revelations in his life that are irreversible, as is often the case with love in real life too. It basically shows us that loved ones can change one's life for the better, even in a not always positive way. Love surpasses most joys of life, as it surpasses most of its burdens.

    There were times when I was slightly annoyed. I was aware there were times where I would tell myself 'just do it/just say it!'. There are many awkward silences in the movie, which are automatically transferred to the watcher's feelings. I wanted to jump into the movie, help G. out, because life can be difficult, more so when you're an introvert. And even more so when love's involved. (personal rant ahead) The world of today is all about extroverts, people who are eloquent and sociable, certainly not something George can boast about.

    The amount of growth George shows while struggling with his problems really makes the movie. You see him get out of his shell, while not losing his edge. It's not your typical American movie with happy ending, all's well that ends well. Again, just like life is a lot of the time.

    I'd advise anyone to have a look. This movie has been a hidden gem for me and it perfectly fits my taste for movies. Be prepared for some thinking and awkwardness from time to time and when that's OK with you, you'll love it. If this is not what appeals to you, then it will probably not be your cup of tea. If you are an artist and have lost motivation and/or inspiration, you should feel compelled to absorb what this movie has to offer.

    If you do enjoy this movie, don't forget to take a look at: '500 days of Summer' and 'It's kind of a funny story', which both are pretty close in terms of atmosphere to this one.
    5ryansassy1

    Exactly average in every way, another teen "romance".

    This was one of those understated-on-purpose films which I normally adore: except I didn't. There has to be some type of excellence in these little indies which invite a second look -- great acting, original concepts, exceptional dialog, beautiful art direction, etc. -- but in this case, none of the above applies. The Art of Getting By lives up to its name by just scraping by on its formulaic mediocrity in every category.

    Freddy Highmore and Emma Roberts play high school students in the city, from different from different social classes even though they both go to an expensive private school. George (Highmore) also happens to be a loner/misfit who has a bad case of that teen angst we all can recognize: everything's pointless, why bother doing homework, we're all going to die anyway, yadda yadda. He's got all his justifications figured out, and then one day he develops a hard crush on Sally (Roberts), and suddenly sees that there may be a point to things after all. But of course there are personal problems and home life to drive a wedge between their budding maybe/sorta romance, including George's inability to express his feelings in any way except through his art. So the stereotype of the misunderstood loner/misfit is carried through quite predictably, exactly as we have all seen it in two dozen other films about teenagers.

    Highmore and Roberts are good-looking and competent actors, judging by what I've seen of their work elsewhere. Here, however, they fizzle. There is simply no chemistry between their characters. Roberts may be able to get by on her stunning good looks, but lip-twisting and -twitching do not a convincing actress make; she merely sleepwalks through her lines. We the audience are never shown what it is about her (other than striking eyes) which attracts George. George does have a few moments of good dialog which could have been gold in the hands of a motivated actor, but the constant wooden expressions on his face undermine them; he is blank even when tears are running down his cheeks. How the heck are we supposed to care about his personal crisis? I will say in its favor that TAOGB does have some standout minor characters; the adults in George's life which, for the most part, are well-acted. I especially liked his art teacher's over-the-top intensity. George's mom is also wonderfully cast for the role of a tired woman just trying to hold her family together. And what's up with Alicia Silverstone as a frumpy schoolmarm?!?..but it works, oddly enough.

    So in short, TAOGB wasn't a disaster, but I just can't see anybody citing it for outstanding, well, *anything* in the years to come.
    7antchinn

    Great to watch once

    Most movies you only really watch once, unless its like American Beauty or Superbad, where it takes a fair few watches to get old. Without a doubt this movie is great, the character 'George' is one of those characters in a film who's name you search afterwards to find other movies with they've featured in, as he plays the role of a; confused, troubled, intelligent, different teenager who most could relate to at that age. If you want a movie that makes you think afterwards and can relate to, then I'd say watch it. It's great for a night in, but I'd say the downfalls is the fact that yet again like most of these types of films is predictable, but other than that I'd say the acting is great and its enjoyable to say the least.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In the first scene, the camera passes by Tom's Restaurant, the same restaurant featured in Seinfeld (1989), aka Monk's.
    • Citas

      George Zinavoy: I read a quote once when I was a kid "We live alone, We die alone. Everything else is just an illusion." it used to keep me up at night.

    • Versiones alternativas
      The UK release was cut, this film was originally seen for advice in an unfinished version. The BBFC advised the distributor the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by reducing the number of uses of strong language. When the finished version of the film was submitted for classification, the number of uses of strong language had been reduced from five to one. Accordingly, the film was classified 12A.
    • Conexiones
      Featured in Ebert Presents: At the Movies: Episodio #1.22 (2011)
    • Banda sonora
      We Will Become Silhouettes
      Written by Benjamin Gibbard, James Tamborello aka The Postal Service

      Performed by The Shins

      Courtesy of Sub Pop Records

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    Preguntas frecuentes

    • How long is The Art of Getting By?Con tecnología de Alexa
    • What songs are featured in the film?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de septiembre de 2011 (España)
    • Países de origen
      • Estados Unidos
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Homework
    • Localizaciones del rodaje
      • Nueva York, Estados Unidos
    • Empresas productoras
      • Goldcrest Pictures
      • Mint Pictures
      • Island Bound Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 1.430.241 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 679.160 US$
      • 19 jun 2011
    • Recaudación en todo el mundo
      • 1.892.130 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 23 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 2.35 : 1

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