El último pistolero, Roland Deschain, está atrapado en una eterna batalla con Walter O'Dim, también conocido como el Hombre de Negro, y dispuesto a evitar que este derribe la Torre Oscura qu... Leer todoEl último pistolero, Roland Deschain, está atrapado en una eterna batalla con Walter O'Dim, también conocido como el Hombre de Negro, y dispuesto a evitar que este derribe la Torre Oscura que mantiene unido al universo. Con el destino del mundo en juego, el bien y el mal chocarán... Leer todoEl último pistolero, Roland Deschain, está atrapado en una eterna batalla con Walter O'Dim, también conocido como el Hombre de Negro, y dispuesto a evitar que este derribe la Torre Oscura que mantiene unido al universo. Con el destino del mundo en juego, el bien y el mal chocarán en la batalla final, ya que solo Roland puede defender la Torre del Hombre de Negro.
- Director/a
- Guionistas
- Estrellas
- Premios
- 4 nominaciones en total
- Dr. Hotchkiss
- (as José Zuñiga)
Resumen
Reseñas destacadas
Poor writing and directing. Missed opportunity.
First of all I would like to mention the aspects of the movie which were pretty good: -The scenery: The wastelands of Roland's world were beautiful. -The special effects/fight scenes: I was actually surprised how good the action scenes in this movie were. The special effect guys did a very good job. The fight scenes with Roland shooting bullets in slow-motion and Walter O'Dim's scenes were extremely fun to watch. -The actors: In my opinion the actors did a pretty good job. They did their best with the horrible script the writers handed to them.
And now the negative aspects: -Awful writing: I have no idea how can four (!!!) writers create a stupid dialog and story like this. It's not even the book's fault, because as I know the story is completely different than the one of the books'. -The constant switching between the two worlds, the involvement of the "asian medium lady" and her village, the repetitive usage of the Warriors' praying were so unimportant that it makes me mad. Not to mention the ending...as if it was made for 6 years olds. -Sloppy directing: The director was nominated for BAFTA Award, so I am pretty sure he just did not give a damn about making the movie at least mediocre with the absence of a proper script. The cuts in this movie (when there's no fight) are very annoying, and I am pretty sure I could have cut it to be more watchable than Nikolaj Arcel did (and I have not directed anything yet).
Summary: The books had a perfect material to create an excellent movie series, but someone decided to create an upset, a ruined cinematography from it. I am pretty sure it is the fault of the negligence of the people behind this movie (writers;director). If a Sergio Leone directed this movie with the given universe, it would have become a classic. Now it's a movie nobody will remember after a couple of months (if yes, then it would be due to their hatred for the production crew).
"Have a great apocalypse"
PROS: We have some great casting -- Mathew McConaughey is creepy and effective as The Man in Black and Idris Elba is perfect as the slightly washed-up Gunslinger (capital G as there is a knightly connotation). The pacing is pleasantly fast; the director expects the audience to piece together some of the background story instead of having it entirely spoon-fed to them. I liked this approach; it exercised my brain a bit.
CONS: The underlying plot structure is quite standard, and this makes some developments rather predictable. Also, it's rather convenient that everyone in the universe speaks English.
IN SUM: It's fun and a bit different. I like the mixing of tech from different worlds. I give this seven (7) stars for escapist entertainment.
But what if you haven't read the books?
It could have, and should have, been so much more...
"The Dark Tower" had a good story, albeit somewhat shallow in comparison to what I have heard about the novels from friends who read them.
They had a good cast, whom did indeed put on great acting performances in bringing out their characters on the screen.
One of the major things that kept "The Dark Tower" afloat for me was some really nice CGI and special effects throughout the entire movie.
Wonderful connection to "IT" (Pennywise) and good tie-in with The Shine ability from "The Shining", if you are familiar with those from other works of Stephen King.
All in all, then "The Dark Tower" was a tad above mediocre end result that could have been so much more. It just felt shallow and superficial, and it was definitely like they were in a rush to get through it. Which was a real shame, because it was painstakingly obvious throughout the entire movie, and it definitely served as an anchor holding it back.
Generic action sequences, oversimplification of an epic story and shoddy effects are just some of the problems....
Jake Chambers is a young boy who suffers from horrific nightmares. In those nightmares, he sees The Man in Black, who kidnaps children and uses a device to suck their minds right out of their head. All in an effort to destroy the Dark Tower. The Dark Tower is the centre of the universe, protecting all worlds from the evil that lies beyond, out in the darkness. Roland, the last of the Gunslingers, soldiers sworn to protect the tower, is on a mission to kill The Man in Black. When Jake discovers a portal that leads to their world, he jumps in and finds Roland. Together they must stop The Man in Black, or their world and all worlds, will end.
I couldn't help but think to myself, that people would never want to see a film that was loosely inspired by The Lord of the Rings. They would much rather see that literary masterpiece adapted to the big screen. Imagine Peter Jackson used the same characters and made a different story, but still slapped the title on it? So I can't help but wonder why they thought it would be a good idea to loosely adapt The Dark Tower and not do a straight adaption from the books. I kind of get the idea they were going for, in regards to how the book series ends, but they missed the mark and by a wide margin.
I'm sure fans of the series would pick up numerous nods to the books here and there, but that is not enough. Graffiti on the wall of Hailing The Crimson King will get a knowing nod from people, but that's it. I'm sure they would rather see the actual story from the books on the screen. Arcel and writer Goldsman, oversimplify an epic story into a 90 some odd minute shoot em up. Sure, it looks cool when Elba reloads his guns, but I want something more than that. It doesn't help that the film essentially has two and a half action sequences, which might look neat to those who haven't seen a film like John Wick.
Elba does his best with the clunky dialogue, but he can't save it. McConaughey chews up the scenery, as expected. His character is "worse than the devil". He can kill people by simply telling them to stop breathing. He does this numerous times. He can catch bullets, incinerate people, basically force anyone to do anything. Mucho powerful. But here's the expository dialogue part "Roland, you've always been immune to my magic, haven't you?" So there you have it, he can't hurt our hero in the "stop breathing" category. He can still use the force to hurl objects at him and watching McConaughey move his hands around to control items like broken glass or rocks is unintentionally comical.
Bad special effects plague this film. There is a sequence at night where a demon, which apparently breaks through the barrier, attacks Roland and Jake. It's hard to make out what it looks like, or what the heck is going on. But in the end does it matter? Who know the Gunslinger will eventually put it out of its misery. I snickered at seeing how bad they rendered humans falling around or getting hit by cars. It only happens a few times in one particular sequences, but it's something that still hasn't been perfected and probably never will.
The entire film feels clunky, unexplained or unexplored. I never got a sense of Roland's world. There are abandoned structures all over and they have no idea what they were used for, but we clearly know they are carnival rides, as does Jake. How does anyone who never read the books have a clue as to what this means. Arcel seems uninterested in exploring that side of the story and instead streamlines it from point A to point B. This isn't a story to do that, especially if the goal is to branch it off into a series. I suspect this will be the only film they make.
With generic action sequences, oversimplification of an epic story, shoddy effects and some questionable performances (Jake's friend is the biggest offender), The Dark Tower is a big missed opportunity. Here is a series that could have been several films, sweeping multiple genres and taking viewers on a ride they probably wouldn't of forgotten. Instead we get this film that I already have forgotten. Ho-hum, despite a big budget, we have yet another King adaption failure.
Stephen King Movie Adaptations, Ranked
Stephen King Movie Adaptations, Ranked
¿Sabías que...?
- CuriosidadesThe Dark Tower is a series of eight books which span an entire connected universe which links several other books and stories by Stephen King, including Bag of Bones, The Talisman, Black House, The Stand, Everything's Eventual, From a Buick 8, Hearts in Atlantis, Insomnia, The Eyes of the Dragon, and 'Salem's Lot, with minor references to IT, The Mist, and The Shining.
- PifiasIn the end sequence a second bullet is fired to alter the trajectory of the first bullet mid-flight. In reality the same caliber bullets are shot at approximately the same muzzle velocity and it would be impossible for the 2nd bullet to catch up with the first.
- Citas
Roland Deschain: I do not aim with my hand. He who aims with his hand has forgotten the face of his father. I aim with my eye. I do not shoot with my hand. He who shoots with his hand has forgotten the face of his father. I shoot with my mind. I do not kill with my gun. He who kills with his gun has forgotten the face of his father. I kill with my heart.
- Créditos adicionalesRight at the very end of the credits, you hear the ominous whistle.
- Banda sonoraHow Little We Know
Written by Hoagy Carmichael and Johnny Mercer
Performed by The Nick Perito Orchestra (as Nick Perito Orchestra)
Courtesy of Muzak Archives LLC
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Detalles
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 50.701.325 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.153.698 US$
- 6 ago 2017
- Recaudación en todo el mundo
- 113.231.078 US$
- Duración
- 1h 35min(95 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1






