La maravillosa historia de Henry Sugar
Título original: The Wonderful Story of Henry Sugar
Henry Sugar es capaz de ver a través de los objetos y predecir el futuro con la ayuda de un libro que ha robado.Henry Sugar es capaz de ver a través de los objetos y predecir el futuro con la ayuda de un libro que ha robado.Henry Sugar es capaz de ver a través de los objetos y predecir el futuro con la ayuda de un libro que ha robado.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 1 premio y 2 nominaciones en total
Christopher J. Long
- Casino Guest
- (as Christopher Long)
Reseñas destacadas
'The Wonderful Story Of Henry Sugar (2023)' is one of four short film adaptations of lesser-known Roald Dahl stories to be directed by Wes Anderson, who has perhaps finally achieved unabashed twee overload with what can only be described as four near-lethal injections of the purest concentrate of his trademark style, and dumped unceremoniously on Netflix. This piece tells the story of a rich man who one day finds the key to becoming even richer: an account of a man who is able to see without using his eyes and the method needed to achieve this. It's pretty much a word-for-word translation of the source material, with narration that runs constantly and bounces from character to character (who often tell us, the audience, about what they're doing while they're doing it). It's all third person, too, so even Henry Sugar refers to himself as such. This is because the whole thing is actually being read by Dahl himself, who appears intermittently to frame the story as a true account of something he himself was once told. As the tale is spoken to us, the sets deconstruct themselves around the actors in a complex dance that's quite a sight to behold. The whole thing feels like an incredibly complicated stage play, complete with prop-wielding stage hands and just off-screen costume swaps, which is definitely a unique approach to take. The pacing is so fast that the flick often leaves you breathless, primarily because every single character is talking like they're absolutely desperate to get out of there but can't leave until they've finished their part. At the same time, though, it ultimately feels a bit too long for its own good. After all, there's only so much verbal bombardment a person can take, as entertaining as that bombardment may be. Ultimately, this is a refreshingly distinct and expertly crafted short film that kind of represents too much of a good thing. It's enjoyable, but overwhelming.
I am not familliar with any previous works or repuation of the creators whatsover, I just watched this short movie out of curiosity since it was on Netflix.
So this seemed to be a sort of first person narrative where the characters speak the story themselves? Think of it when a person reads a book out loud at home, but in this case they are reading to us the viewers.
The story of this piece focused on various qualities of generosity and depthful feelings. It was interesting to see the characters describe their feelings while not showing any type of emotions. Due to the nature of this film, I wasn't sure what to think, the concept is good but I found it perplexing.
My only issue is the pacing, I am unsure if this was on purpose or not. This flim piece moved way too fast, to where even I had trouble keeping up or understanding what was going on. Perhaps this is how the film was designed to be or I needed a deeper level of understanding?
So this seemed to be a sort of first person narrative where the characters speak the story themselves? Think of it when a person reads a book out loud at home, but in this case they are reading to us the viewers.
The story of this piece focused on various qualities of generosity and depthful feelings. It was interesting to see the characters describe their feelings while not showing any type of emotions. Due to the nature of this film, I wasn't sure what to think, the concept is good but I found it perplexing.
My only issue is the pacing, I am unsure if this was on purpose or not. This flim piece moved way too fast, to where even I had trouble keeping up or understanding what was going on. Perhaps this is how the film was designed to be or I needed a deeper level of understanding?
If Wes Anderson decided to pen a bedtime story, it might just look like "The Wonderful Story of Henry Sugar." This 38-minute marvel weaves a tapestry of mystery and whimsy that leaves you both tickled and intrigued.
This isn't a full-blown comedy, but it certainly doesn't shy away from its share of wry humor. The script sprinkles witty quips and playful moments throughout the tale, giving the audience some delightful chuckles. It's a nod to Anderson's signature style - a dash of quirkiness that keeps you grinning.
Benedict, in his first foray into Anderson's cinematic world, shines as Henry Sugar. His portrayal adds depth to this peculiar character, and he's complemented by a stellar supporting cast who bring their own unique flair to the story.
"The Wonderful Story of Henry Sugar" exudes a distinct theatrical vibe. The set design and the way the scenes are presented feel like a live theater performance. It's a refreshing departure from the conventional cinematic experience, adding a layer of whimsical charm.
This film doesn't aim to tug at your heartstrings or deliver profound messages; it's here to entertain. It's a bedtime story for the child in all of us, a light-hearted adventure that captivates without overwhelming.
In true Wes Anderson fashion, "The Wonderful Story of Henry Sugar" dances to its own whimsical tune, making it a delightful short film that transports you to a world where the ordinary becomes extraordinary.
This isn't a full-blown comedy, but it certainly doesn't shy away from its share of wry humor. The script sprinkles witty quips and playful moments throughout the tale, giving the audience some delightful chuckles. It's a nod to Anderson's signature style - a dash of quirkiness that keeps you grinning.
Benedict, in his first foray into Anderson's cinematic world, shines as Henry Sugar. His portrayal adds depth to this peculiar character, and he's complemented by a stellar supporting cast who bring their own unique flair to the story.
"The Wonderful Story of Henry Sugar" exudes a distinct theatrical vibe. The set design and the way the scenes are presented feel like a live theater performance. It's a refreshing departure from the conventional cinematic experience, adding a layer of whimsical charm.
This film doesn't aim to tug at your heartstrings or deliver profound messages; it's here to entertain. It's a bedtime story for the child in all of us, a light-hearted adventure that captivates without overwhelming.
In true Wes Anderson fashion, "The Wonderful Story of Henry Sugar" dances to its own whimsical tune, making it a delightful short film that transports you to a world where the ordinary becomes extraordinary.
I have not read The Wonderful Story of Henry Sugar by Roald Dahl, so I was unsure what to expect from this short film, but I was pleasantly surprised. The plot follows Henry Sugar when he finds a book about man who could see with his eyes closed, and from there, Henry Sugar attempts to learn how to do the same. The art style and direction of the film is unlike anything I have watched before thanks to Wes Anderson's directing. Benedict Cumberbatch is fantastic as Henry Sugar, and I quite liked the supporting cast as well. The Wonderful Story of Henry Sugar is worth watching, and you will not regret spending the time on this book to film adaptation.
'The Wonderful Story of Henry Sugar' is the first of four shorts by Wes Anderson. This production is the perfect visualization of a book. The transitions are peculiar and they contributed greatly to make the story flow smoothly. The editing was absolutely phenomenal with a few cuts placed in the right moments. The 1.33:1 aspect ratio immersed me even more in the story. All the trademarks of the director are there: the perfect symmetry of the sets, the actor placed exactly in the right spot and the fairy mood. The plot is engaging and exotic. I like the development and I was genuinely curious to see how everything was going to wrap up. This is how you tell a trivial story in an original and fresh way. The cast is composed of many great actors: with a team such as Benedict Cumberbatch, Ralph Fiennes and Ben Kingsley you know that simply you cannot go wrong. All of them have a very pleasant and clean British accent, which for me is an added value. My final mark is 7.5 stars out of 10.
¿Sabías que...?
- CuriosidadesIn a 2023 interview with Deadline, Wes Anderson spoke about how Ralph Fiennes got into the character of Roald Dahl: "In our house, we have a recording of Dahl reading Fantastic Mr. Fox. He did record himself doing quite a few of [his books]. There's also a reasonable amount of documentary stuff about Dahl. In fact, when we started filming Henry Sugar, Ralph was on set, in the little space that's a recreation of Dahl's workspace, and I could hear him talking to himself. I said, 'Tell me what you're saying.' It turned out that he'd been observing Dahl from the archival stuff I'd sent him, and he knew Dahl's little rituals. He was acting them out on his own, just in preparation. And I was like, 'Start over, start over! We'll film this!' And so, the movie begins with Ralph completely improvising. Every take was a bit different, because it's Ralph just sort of channeling Dahl getting ready to write. Ralph is so interesting and authentic."
- PifiasStarting around 22:00 as the cuts go back and forth between front angle cuts and side angle cuts; the orientation of how Roald Dahl is holding the cigarette changes.
- Citas
Imdad Khan: Audiences loved it, but no one ever ever believed it to be genuine. Still don't. Even doctors, such as yourself, who blindfold me in the most expert fashion, refuse to believe anyone can see without his eyes. They forget there are other ways of sending an image to the brain.
Dr. Chatterjee: What other ways?
Imdad Khan: Quite honestly, I do not know.
- ConexionesEdited into La maravillosa historia de Henry Sugar (2024)
- Banda sonoraCosi Fan Tutte, K. 588, Act I Scene 2: No. 10, Terlettino Soave Sia il Vento (Dorabella, Don Alfonso, Fiordiligi)
Written by Wolfgang Amadeus Mozart
Arrangement by Jonathon Rathbone
Performed by The Swingles
Courtesy of Erato/Warner Classics, Warner Music UK Ltd
By arrangement with Warner Music Group Film & TV Licensing
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- The Wonderful Story of Henry Sugar
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- Duración40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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