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Snowpiercer (Rompenieves)

Título original: Snowpiercer
  • 2013
  • 16
  • 2h 6min
PUNTUACIÓN EN IMDb
7,1/10
415 mil
TU PUNTUACIÓN
POPULARIDAD
904
8
Ed Harris, John Hurt, Jamie Bell, Chris Evans, Song Kang-ho, Octavia Spencer, and Tilda Swinton in Snowpiercer (Rompenieves) (2013)
In a future where a failed global-warming experiment kills off all life on the planet except for a lucky few that boarded the Snowpiercer, a train that travels around the globe, where a class system evolves.
Reproducir trailer2:10
15 vídeos
99+ imágenes
Ciencia ficción distópicaThriller de conspiracionesAcciónCiencia ficciónThriller

Ambientado en un futuro en que un experimento sobre el cambio climático ha acabado con toda la vida en el planeta, con la excepción de unos pocos afortunados a bordo del tren Snowpiercer, en... Leer todoAmbientado en un futuro en que un experimento sobre el cambio climático ha acabado con toda la vida en el planeta, con la excepción de unos pocos afortunados a bordo del tren Snowpiercer, en el que un sistema de clases emerge.Ambientado en un futuro en que un experimento sobre el cambio climático ha acabado con toda la vida en el planeta, con la excepción de unos pocos afortunados a bordo del tren Snowpiercer, en el que un sistema de clases emerge.

  • Director/a
    • Bong Joon Ho
  • Guionistas
    • Jacques Lob
    • Benjamin Legrand
    • Jean-Marc Rochette
  • Estrellas
    • Chris Evans
    • Jamie Bell
    • Tilda Swinton
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,1/10
    415 mil
    TU PUNTUACIÓN
    POPULARIDAD
    904
    8
    • Director/a
      • Bong Joon Ho
    • Guionistas
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Estrellas
      • Chris Evans
      • Jamie Bell
      • Tilda Swinton
    • 1.1KReseñas de usuarios
    • 492Reseñas de críticos
    • 84Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 36 premios y 109 nominaciones en total

    Vídeos15

    Official Trailer
    Trailer 2:10
    Official Trailer
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    International Trailer
    Trailer 1:02
    International Trailer
    What to Watch If You Love "Snowpiercer"
    Clip 3:07
    What to Watch If You Love "Snowpiercer"
    Bong Joon Ho Makes Oscars History
    Clip 3:24
    Bong Joon Ho Makes Oscars History
    Bong Joon-Ho – Making the Film You Want
    Clip 1:44
    Bong Joon-Ho – Making the Film You Want

    Imágenes935

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    + 929
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    Reparto Principal47

    Editar
    Chris Evans
    Chris Evans
    • Curtis
    Jamie Bell
    Jamie Bell
    • Edgar
    Tilda Swinton
    Tilda Swinton
    • Mason
    Song Kang-ho
    Song Kang-ho
    • Namgoong Minsoo
    Ed Harris
    Ed Harris
    • Wilford
    John Hurt
    John Hurt
    • Gilliam
    Octavia Spencer
    Octavia Spencer
    • Tanya
    Ewen Bremner
    Ewen Bremner
    • Andrew
    Ko Ah-sung
    Ko Ah-sung
    • Yona
    Alison Pill
    Alison Pill
    • Teacher
    Luca Pasqualino
    Luca Pasqualino
    • Grey
    • (as Luke Pasqualino)
    Vlad Ivanov
    Vlad Ivanov
    • Franco the Elder
    Adnan Haskovic
    Adnan Haskovic
    • Franco the Younger
    Emma Levie
    • Claude
    Steve Park
    Steve Park
    • Fuyu
    • (as Stephen Park)
    Clark Middleton
    Clark Middleton
    • Painter
    Marcanthonee Reis
    Marcanthonee Reis
    • Tim
    • (as Marcanthonee Jon Reis)
    Paul Lazar
    Paul Lazar
    • Paul
    • Director/a
      • Bong Joon Ho
    • Guionistas
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios1.1K

    7,1414.5K
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    Resumen

    Reviewers say 'Snowpiercer' is a visually stunning, thought-provoking film tackling class struggle and social inequality in a post-apocalyptic setting. Praised for its unique premise, intense action, and strong performances by Chris Evans and Tilda Swinton, it captivates audiences. However, some critics note plot inconsistencies and surreal elements requiring suspension of disbelief. Others find the social commentary heavy-handed or the pacing and ending problematic. Despite these issues, 'Snowpiercer' is celebrated for its ambitious concept and compelling narrative.
    Generado por IA a partir del texto de las opiniones de los usuarios

    Reseñas destacadas

    6kuarinofu

    Wastes too much time on pointless action instead of developing its ideas

    Snowpiercer could've been a great film (and it is probably a good story), but it turned out to be a 2hr long collection of weird scenes, pointless action, overacting and slo-mo.

    The ideas are there. And...well, at least 2 characters are in the film. Can't really say about other 5 people who we know nothing about even in the end. It looks like a lot was lost in the adaptation for the screen. I mean, some characters are distinctive enough to be memorable, and they are probably important for the story, but since we have no time for them they just mostly die and we can't care cause we don't know anything about them. It's like they wanted to show all the important characters from the reference material but they had no time for them anyway.

    This could've worked on a purely thematical level if they would go a little more symbolic on this.

    Buff the run time a little, make it somewhat more boring, remove the pointless action (leave only the starting one to reference revolution and violence). Make each of the cars count (some of them were significant, like the education part, the aquarium had important dialogue and stuff but the sauna one was just a waste of time). Dwell more on interesting dialogue (which is there), develop the characters, make us care.

    Instead a miscast Chris Evans embarks on a journey that never really affects him, tells his life story in an expository monologue and ends up taking stupid decisions that lead to horrible consequences. No interesting twists, nothing. The Korean guy barely even talks, the girl is supposed to represent a younger generation but she has nothing to do in this film.

    I think the above mentioned is the only way this film could've worked. Going grounded and realistic with this can never work, there's just too many plot holes to take.

    For all the great production design and value, this film ends up being a waste of 2 hours of your time.
    9iamtheslickguy

    I Didn't Think I'd Like it

    I don't like movies as art. I like movies that have rules and internal logic, and the premise of this movie is idiotic from both a scientific and common sense angle. It really works though. Like it really works. If you can just suspend disbelief and accept that a train can run forever and sustain some sort of biodome indefinitely then this movie is a masterpiece.

    I see reviews where people basically complain about how the premise impossible, or that the themes are cliche, and I'm totally with you guys there. Both of those things are true, so if you need realism then you probably won't like this movie. But if you can just accept the premise as it is then this movie is something really special. One of the better movies I've watched in a really long time
    7shiguangmimi

    the unsustainability of system

    The opening scene was psychedelic and the ending was insane. It was a great black humorous movie. The resonance of the kindergarten song burst into flames, satirizing the instant sensation. The rule of the old class needs the maintenance of cockroach protein. The change of the new class begins with the awakening of cannibals. If it were you, how would you choose?
    8Vartiainen

    Dark social science fiction

    Snowpiercer was a surprise to me. I thought it would be just another "social commentary" dystopian film trying to ride the coattails of The Hunger Games craze. Instead what I ended up getting was one of the best post-apocalyptic films I've ever seen. A smooth roller coaster of action and quiet, dark dialogue.

    And don't get me wrong, it is another "social commentary" dystopian film, and yes, perhaps it's riding The Hunger Games craze just a little bit. But, when that riding ends up producing a film of this quality, is it a bad thing? And it's not like The Hunger Games invented the idea of alternative future where the poor are trying to usurp the rich people that are controlling them from their towers of ivory. These are both just variations of Orwell's 1984, which draws heavily from the age old tale of the underdog, David versus Goliath.

    It's the execution of an idea that makes or breaks a film and here that execution is nigh flawless. Everything from the design of the train to the A-list cast of actors to the storyline that keeps up the relentless pace, but still has time to reflect on the motives, histories and moods of the characters.

    Snowpiercer is simplistic art. It doesn't try to win you over with limitless of details, high explosives or flashiness. Rather it takes a central idea and fills it with as much quality as possible. Highly recommended for all fans of science fiction out there.
    6ptrzanetti

    Cold and derailing

    This film reminded me of many lost occasions in cinema where script themes were extremely compelling but poorly executed (think about In Time). The smart idea behind the movie (which comes from the graphic novel La Transperceniege) representing capitalism as a self fuelling train riding across a desert world where no alternative could survive is mostly shadowed by bold action sequences and cliches. This trend reaches the climax in the last 30/40 minutes, as the ending shows us the trite scene of the "final encounter with the villain" along with very predictable events. The characters are hollow, rigid and stereotypical as their dialogues are. Differently from his masterpiece Parasite, neither personal nor societal introspection is here elaborated. Unfortunately, Mr Joon-Ho had a visionary novel that he decided to transpose in an average Hollywood style action movie.

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    Intereses relacionados

    Clive Owen and Clare-Hope Ashitey in Hijos de los hombres (2006)
    Ciencia ficción distópica
    Gene Hackman in La conversación (1974)
    Thriller de conspiraciones
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    Acción
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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Director Bong Joon Ho often clashed with producer Harvey Weinstein, who frequently interfered in order to demand "his" version of the film. Among the many requests, the producer insisted on having the fish scene removed in favor of more action. Bong, who considered it his favorite shot in the film, was adamant to keep it in. He told the producer that he wanted to keep the shot for a personal reason, as a tribute to his late father, who was a fisherman. Upon hearing this, Weinstein said that family is very important to him, so he granted Bong to keep the shot. In an interview, the director said "It was a fucking lie. My father was not a fisherman."
    • Pifias
      Wilford congratulates Curtis for being the first human being to walk the whole length of the train; however, Claude, Wilford's assistant, is seen at the tail of the train, as well as the front. Though Claude does not travel very far into the tail section and while she has been in every car, Curtis has been to the very back of the train, making him the only person to traverse its entire length. The children taken by Claude, however, were the first people to travel along the entire length of the train.
    • Citas

      Mason: Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn't wear a shoe on your head. A shoe doesn't belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe.

    • Créditos adicionales
      Snow is seen falling during the end credits.
    • Conexiones
      Featured in Snowpiercer: Transperceneige, From the Blank Page to the Black Screen: A Documentary by Jésus Castro- (2014)
    • Banda sonora
      Strange Brew
      Written by Eric Clapton (as Eric Patrick Clapton), Gail Collins, and Felix Pappalardi (as Felix A. Pappalardi)

      Performed by Cream

      Courtesy of Polydor Ltd.

      Under License from Universal Music Enterprises

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    Preguntas frecuentes18

    • How long is Snowpiercer?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de agosto de 2013 (Corea del Sur)
    • Países de origen
      • Corea del Sur
      • República Checa
    • Sitio oficial
      • Official site
    • Idiomas
      • Inglés
      • Coreano
      • Francés
      • Japonés
      • Checo
      • Alemán
    • Títulos en diferentes países
      • Trencaneu
    • Localizaciones del rodaje
      • Hintertux, Tirol, Austria(mountain)
    • Empresas productoras
      • SnowPiercer
      • Moho Film
      • Opus Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 39.200.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 4.563.650 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 171.187 US$
      • 29 jun 2014
    • Recaudación en todo el mundo
      • 86.758.912 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 2h 6min(126 min)
    • Color
      • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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