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TU PUNTUACIÓN
Añade un argumento en tu idiomaA world of blurred morality, inhabited by conflicted characters on both sides of the law.A world of blurred morality, inhabited by conflicted characters on both sides of the law.A world of blurred morality, inhabited by conflicted characters on both sides of the law.
- Ganó 1 premio BAFTA
- 4 premios y 6 nominaciones en total
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Reseñas destacadas
Twisty British Police Drama
Chiwetel was brilliant! He's never lightweight! This is a mixture of Mamet and David Simon (Homicide: Life On The Street) with an American '70's movie vibe (I'm thinking PARALAX VIEW) thrown in. It's all about how the supposed law & order top brass are more corrupt than their criminal counterparts. I liked the cynical view that emerged which seems to indicate that there's really no place for a moral or compassionate person in the cutthroat world of modern life. All those that prevail ultimately have sold out their moral codes in favor of greed and corruption. Kind of downbeat but beautifully executed. Stephen Rea is one of the most chilling villains to come along in a long time. Christopher Eccelston's character was the most sympathetic and his arc is heartbreaking. Of course this is heightened reality but that's the point.
10bilko-1
Edge Of Darkness, State Of Play, Tinker Tailor and now this
Edge Of Darkness and State Of Play have already been mentioned, but come episode two and we have an obvious reference to Tinker Tailor. This show is not overshadowed in such illustrious company. It is a deep, dark labyrinthine plot carried by a superb cast, each member on top of their game. The dense text will not be to everybody's taste, but for those who enjoy the likes of Bleasdale, Pinter and Potter this will probably be the first great television masterpiece of the 21st century. It is hard to pick out one performance that outshines the rest. Chiwetel Ejiofor is truly sympathetic as the cop who has to battle with memory loss to discover whether or not he is corrupt. Leslie Sharp battles to retain her fast fading memory as she descends into the Hell that is Althseimers, whilst her husband played by Christopher Ecclestone, juggles an Hogarthian cast of crooks until he can make his last deal. Rafe Spall gives a magnificent over-the-top performance as the deranged nephew of Mr. Big and then in comes Stehopen Rae as the villainous Alec Guiness style dark brother of GEORGE smiley. Absolutely wonderful!
10gerhard7
Brilliant on so many levels
I'm so sick of predictable story-lines and being spoon fed on junk cop related television series with mightier than thou characters that are un-humanly flawless, clever, beautiful and blah blah blah. So at long last, here is a TV series that demands a certain level of intelligence from it's viewers. It's cinematicly glorious with non stereo typical characters. An unpredictable storyline that twist and turns with tension and intrigue throughout. Sublime characters well acted by superb cast. I LOVE it!!! Cannot wait for a week to pass to see the next installment. I've watched 4 episodes so far and it just keeps getting better. This is BBC program making at it's very best. A gem, cannot fault it.
Difficult At Times But Daring
This series lost viewers from a strong start (for a BBC2 series) and got mixed reviews. You cannot win can you? All the signposted, glib, lazy, pandering excess of cop/thrillers blocking up the schedules, not just from the turgid ITV1 either, which many reviewers rightly are fed up with. Blick dares to dare at least.
'The Shadow Line' was not easy comfort viewing, that was the point of it, surely?
It compares very well to the missed opportunity of 'Luther', though in that case perhaps having one of the stars of 'The Wire' raised impossible expectations, even so, what a load of overblown, overheated, all sound and fury signifying nothing 'Luther' is - I gave up on it after series 1.
The Shadow Line had some of the very best, most tense, often shocking set pieces of anything on UK television for many a long time, these were not isolated either. This I think is where many draw comparisons with classics like 'Edge Of Darkness', The Shadow Line does not match up to that one - what does? Still, the comparison with 'Between The Lines' of 20 years ago, as some critics have cited, despite the very different series formats, is a fair one.
Overall, a good effort, worthwhile, a series that will be looked back on rather more fondly that the more negative reviewers think.
'The Shadow Line' was not easy comfort viewing, that was the point of it, surely?
It compares very well to the missed opportunity of 'Luther', though in that case perhaps having one of the stars of 'The Wire' raised impossible expectations, even so, what a load of overblown, overheated, all sound and fury signifying nothing 'Luther' is - I gave up on it after series 1.
The Shadow Line had some of the very best, most tense, often shocking set pieces of anything on UK television for many a long time, these were not isolated either. This I think is where many draw comparisons with classics like 'Edge Of Darkness', The Shadow Line does not match up to that one - what does? Still, the comparison with 'Between The Lines' of 20 years ago, as some critics have cited, despite the very different series formats, is a fair one.
Overall, a good effort, worthwhile, a series that will be looked back on rather more fondly that the more negative reviewers think.
I reserve the right to revise this upwards.
Just caught up with the first episode of The Shadow Line.
1. Any series that nicks a title off Joseph Conrad is at least ASPIRING to greatness.
2. Chiwetel Ejiofor's a BAMF. With immaculate vowels. Match that with Christopher "Lots of planets have a North" Ecclestone and it's made of win from the start 3. This series is almost into Edge Of Darkness goodness already. No. Not the Mel Gibson version.
In all honesty, this is what the BBC was made to do; original drama that wouldn't have been made by any other channel in the UK. Perhaps it's all going to implode into crapness, but so far I really don't see how it can. OK, posting reviews when I'm shedded's probably a bad idea, but this, so far, is immaculate.
1. Any series that nicks a title off Joseph Conrad is at least ASPIRING to greatness.
2. Chiwetel Ejiofor's a BAMF. With immaculate vowels. Match that with Christopher "Lots of planets have a North" Ecclestone and it's made of win from the start 3. This series is almost into Edge Of Darkness goodness already. No. Not the Mel Gibson version.
In all honesty, this is what the BBC was made to do; original drama that wouldn't have been made by any other channel in the UK. Perhaps it's all going to implode into crapness, but so far I really don't see how it can. OK, posting reviews when I'm shedded's probably a bad idea, but this, so far, is immaculate.
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- ConexionesFeatured in Breakfast: Episodio fechado 5 mayo 2011 (2011)
- Banda sonoraPause
(main theme)
Written and performed by Emily Barker
Produced by Martin Phipps
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