McCall descubre que sus amigos están bajo el control de la mafia italiana y tiene que convertirse en el protector.McCall descubre que sus amigos están bajo el control de la mafia italiana y tiene que convertirse en el protector.McCall descubre que sus amigos están bajo el control de la mafia italiana y tiene que convertirse en el protector.
- Dirección
- Guión
- Reparto principal
- Premios
- 6 nominaciones en total
Sonia Ammar
- Chiara Bonucci
- (as Sonia Ben Ammar)
Reseñas destacadas
The Equalizer 3 rounds out this unexpected trilogy with another satisfying action thriller that continues the journey of a man who understands violence, trying to finally put that behind him, placing him out of his element to show quite literally how far he goes for people. The ending hinders it a little because it feels anticlimactic but it still works.
On a quest to finally find and maintain happiness, Denzel Washington is as flawless as ever. This time around he gets to be happy and show McCall actually enjoying life for once and as this is the final instalment there's obviously some introspection and self reflection as well.
The villains are really weak, it's not a massive distraction as they remain easy to hate and don't take up too much time but as the marketing implied that this would be McCall meeting his equal is kinda laughable considering how little they feel like a genuine threat to him.
The subplot involving Dakota Fanning initially threatens to derail the film but thankfully it ties back into the main narrative effectively and any scene she shares with Washington is great because it's both a Man on Fire reunion and her rapport with Washington is so good.
Antione Fuqua's direction impresses yet again, the violence has never been faster or more brutal and the stark colour palette allows this one to stand out in contrast to its predecessors. The music by Marcelo Zarvos is better than it's ever been, so distinct and noticeably industrial.
On a quest to finally find and maintain happiness, Denzel Washington is as flawless as ever. This time around he gets to be happy and show McCall actually enjoying life for once and as this is the final instalment there's obviously some introspection and self reflection as well.
The villains are really weak, it's not a massive distraction as they remain easy to hate and don't take up too much time but as the marketing implied that this would be McCall meeting his equal is kinda laughable considering how little they feel like a genuine threat to him.
The subplot involving Dakota Fanning initially threatens to derail the film but thankfully it ties back into the main narrative effectively and any scene she shares with Washington is great because it's both a Man on Fire reunion and her rapport with Washington is so good.
Antione Fuqua's direction impresses yet again, the violence has never been faster or more brutal and the stark colour palette allows this one to stand out in contrast to its predecessors. The music by Marcelo Zarvos is better than it's ever been, so distinct and noticeably industrial.
This is a decent and satisfying end to a trilogy. Remember the good ol' days, back in the day, when movies stopped at 3? No Fast X, Saw X, Indiana Jones cracking a whip at 85.
Things feel more complete at three.
The way things should be.
A beginning, a middle and an end.
And not some old man doing ridiculous things way beyond his age or physical capability.
Denzel is one of the greats.
And he deserves credit for never taking a role too far.
He's as much a presence on the screen here as he ever has been.
His age and wisdom is his real strength.
Oh, there will be punches thrown. Bones broken and many cries of agony.
But at least it comes from the villains on screen and not those in the audience.
Coastal Italy is gorgeous.
Denzel is a living legend.
You've seen the other two films in this series.
Wrap it up nicely with this installment.
Ciao.
Things feel more complete at three.
The way things should be.
A beginning, a middle and an end.
And not some old man doing ridiculous things way beyond his age or physical capability.
Denzel is one of the greats.
And he deserves credit for never taking a role too far.
He's as much a presence on the screen here as he ever has been.
His age and wisdom is his real strength.
Oh, there will be punches thrown. Bones broken and many cries of agony.
But at least it comes from the villains on screen and not those in the audience.
Coastal Italy is gorgeous.
Denzel is a living legend.
You've seen the other two films in this series.
Wrap it up nicely with this installment.
Ciao.
In 2014, director Antoine Fuqua released The Equalizer, a film based on the television series of the same name that aired from 1985 to 1989. Where actor Edward Woodward played the role of Robert McCall in the series, none other than Denzel Washington was chosen for this film, who of course already had a whole arsenal of this kind of action films to his name in the past. What is funny is that in this third part of The Equalizer he is reunited with Dakota Fanning. The two already starred together in the 2004 film Man on Fire, but Fanning was only a ten-year-old girl there. In this film, she plays a CIA agent who tracks down McCall after an anonymous phone call to her agency leads her to a very large drug discovery on a wine farm. After a very strong first part, a fairly mediocre second part of The Equalizer followed in 2018. Now, five years later, you hold your breath a bit whether this third part is going to be worth it, of course. Well, that sounds quite negative compared to the second part, but it was just where the first part excelled, the second part had simply become more of a standard action print. Certainly not a bad film, but just less than its predecessor.
In this film, the story moves to Italy, Sicily to be precise. McCall ends up badly injured in Sicily, where he is rescued by the local agent Gio Bonucci, who takes him to the local doctor Enzo Arisio. McCall comes to and befriends the locals. The village is only ravaged by the mafia and of course McCall won't let that happen just like that. The film takes a long time to explain everything. It all starts on the wine farm, where McCall is on the trail of serious criminals and also murders them. The action scenes leave little to the imagination and are sometimes just rancidly portrayed. After that, the film slows down considerably and takes a good look at McCall's recovery and how he befriends the local population. When he leaves an anonymous tip to CIA agent Emma Collins, it is of course a simple calculation that she will quickly track McCall. Meanwhile, McCall watches with sorrow how the local population is put under heavy pressure by the mafia. Of course you immediately understand that they shouldn't have messed with McCall.
Most of the film seems like a long advertising film for Italy and it may evoke the holiday feeling in many viewers. The images are absolutely beautiful and eye-catching, something that enhances the atmosphere of the film. Still, a point of criticism can be made with the bad guys from the story, because we can't really say that they really express a lot of threat so that McCall faces a real challenge. But also the character of CIA agent Emma Collins has no added value in the film. You will therefore often wonder why she has so much screen time in the film. Not that it's really annoying or anything, but it doesn't really add value. Perhaps because this is the only film of the three that is under two hours, this storyline may have been intended as filler to keep the film from being too short. It now feels a bit like a wander in the story where the writers didn't really know where they wanted to go. The ending is what you can really expect from it and is of course accompanied by a lot of violence, but this so-called final chapter does not become as good as the first part.
The Equalizer 3 may not be as good as the very strong first part, but it certainly beats the disappointing second part in every way. Denzel Washington returns for the third and, according to the subtitle, the last time as the ice-cold and tough retired commando who carried out so-called 'black operations' for the government. This time the story moves to the beautiful Sicily in Italy, where Robert McCall gets into trouble with the mafia this time. The role of Dakota Fanning is very superfluous and really adds nothing to the film at all, the mafia members don't really radiate a lot of threat, so as a viewer you know that McCall will not be faced with his toughest job. Still, the action is nice in the film and it also has a pleasant running time that has been kept under two hours. Whether this really will be the final piece in the Equalizer series is of course still the question, but it is clear that this is very pleasant viewing and simply an excellent action film.
In this film, the story moves to Italy, Sicily to be precise. McCall ends up badly injured in Sicily, where he is rescued by the local agent Gio Bonucci, who takes him to the local doctor Enzo Arisio. McCall comes to and befriends the locals. The village is only ravaged by the mafia and of course McCall won't let that happen just like that. The film takes a long time to explain everything. It all starts on the wine farm, where McCall is on the trail of serious criminals and also murders them. The action scenes leave little to the imagination and are sometimes just rancidly portrayed. After that, the film slows down considerably and takes a good look at McCall's recovery and how he befriends the local population. When he leaves an anonymous tip to CIA agent Emma Collins, it is of course a simple calculation that she will quickly track McCall. Meanwhile, McCall watches with sorrow how the local population is put under heavy pressure by the mafia. Of course you immediately understand that they shouldn't have messed with McCall.
Most of the film seems like a long advertising film for Italy and it may evoke the holiday feeling in many viewers. The images are absolutely beautiful and eye-catching, something that enhances the atmosphere of the film. Still, a point of criticism can be made with the bad guys from the story, because we can't really say that they really express a lot of threat so that McCall faces a real challenge. But also the character of CIA agent Emma Collins has no added value in the film. You will therefore often wonder why she has so much screen time in the film. Not that it's really annoying or anything, but it doesn't really add value. Perhaps because this is the only film of the three that is under two hours, this storyline may have been intended as filler to keep the film from being too short. It now feels a bit like a wander in the story where the writers didn't really know where they wanted to go. The ending is what you can really expect from it and is of course accompanied by a lot of violence, but this so-called final chapter does not become as good as the first part.
The Equalizer 3 may not be as good as the very strong first part, but it certainly beats the disappointing second part in every way. Denzel Washington returns for the third and, according to the subtitle, the last time as the ice-cold and tough retired commando who carried out so-called 'black operations' for the government. This time the story moves to the beautiful Sicily in Italy, where Robert McCall gets into trouble with the mafia this time. The role of Dakota Fanning is very superfluous and really adds nothing to the film at all, the mafia members don't really radiate a lot of threat, so as a viewer you know that McCall will not be faced with his toughest job. Still, the action is nice in the film and it also has a pleasant running time that has been kept under two hours. Whether this really will be the final piece in the Equalizer series is of course still the question, but it is clear that this is very pleasant viewing and simply an excellent action film.
My expectations for this one were moderate, I enjoyed the first, I wasn't blown away by the second, this third and final movie is actually really good.
It's a pretty good storyline, with Robert of course central to events and fighting for justice. He takes on Italian gang bosses, and of course there are multiple fight and action sequences, but in this film, he felt mortal, in the second I felt they made him into some sort of superhero, you felt he was indestructible, I didn't get that here.
The action sequences are great, and it is very, very well produced, but the true winner here is The Italian scenery, it looks sublime, and arguably enhances the movie.
Washington, outstanding once again, he really does nail it. This film has prompted me to get a hold of the original Edward Woodward series, that's up next.
Entertaining.
7/10.
It's a pretty good storyline, with Robert of course central to events and fighting for justice. He takes on Italian gang bosses, and of course there are multiple fight and action sequences, but in this film, he felt mortal, in the second I felt they made him into some sort of superhero, you felt he was indestructible, I didn't get that here.
The action sequences are great, and it is very, very well produced, but the true winner here is The Italian scenery, it looks sublime, and arguably enhances the movie.
Washington, outstanding once again, he really does nail it. This film has prompted me to get a hold of the original Edward Woodward series, that's up next.
Entertaining.
7/10.
I never obsessed over The Equalizer films, I always thought they were decent action movies but I really liked the first one, it was great. I always preferred the john wick franchise over it.
This one was not necessarily bad, it was alright but it feels off for some reason and it felt kinda boring, a lot of elements were missing from the previous ones such as the iconic scanning and going into Robert's head and the time counting.
This one also felt long as it didn't feel like a three act film but a film with just one long act that takes the span of 2 hours.
The story was kinda decent and the fight scenes were still great but I wanted to see more, the only thing that held this film apart was the scenes with Denzel, I legit didn't care about the side characters and other stuff.
I still recommend watching it though.
This one was not necessarily bad, it was alright but it feels off for some reason and it felt kinda boring, a lot of elements were missing from the previous ones such as the iconic scanning and going into Robert's head and the time counting.
This one also felt long as it didn't feel like a three act film but a film with just one long act that takes the span of 2 hours.
The story was kinda decent and the fight scenes were still great but I wanted to see more, the only thing that held this film apart was the scenes with Denzel, I legit didn't care about the side characters and other stuff.
I still recommend watching it though.
¿Sabías que...?
- CuriosidadesThe international posters and US IMAX poster have various variations of the phrase 'The Final Chapter' as the tagline. However Antoine Fuqua in an interview while promoting the film has said a prequel and a sequel could happen if Denzel was still interested.
- PifiasThe film is set in the fictional coastal town of Altamonte, and not Altomonte a real, mountain village not situated at the coast. The filming location was Atrani, on the Amalfi coast.
- Citas
Robert McCall: Is that a Timex?
Marco Quaranta: No, it's a B...
Robert McCall: [grabs Marco's arm] That's the median nerve that I'm compressing. On a scale one to ten, that's two. That's three. You don't want me to go to four. I go to four, you shit yourself. You don't want that. I don't want that! They don't want that! Tell your compadres that they can leave. Tell them to beat it!
- Créditos adicionales"Ripley" was also filmed in Atrani (film name: Altamonte). In this miniseries Dakota Fanning was also participating.
- ConexionesFeatured in eTalk Daily: Episodio fechado 28 agosto 2023 (2023)
- Banda sonoraLove, Disorderly (The Equalizer 3 Remix)
Written by Thomas Azier and Obi Blanche
Produced and Performed by Thomas Azier
Thomas Azier appears courtesy of Hylas Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El justiciero: Capítulo final
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 70.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 92.373.751 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 34.604.229 US$
- 3 sept 2023
- Recaudación en todo el mundo
- 191.067.560 US$
- Duración1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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