Añade un argumento en tu idiomaA racially charged trial and a heartrending love story converge in this documentary about Mildred and Richard Loving, set during the Civil Rights era.A racially charged trial and a heartrending love story converge in this documentary about Mildred and Richard Loving, set during the Civil Rights era.A racially charged trial and a heartrending love story converge in this documentary about Mildred and Richard Loving, set during the Civil Rights era.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 2 nominaciones en total
- Eleanor
- (metraje de archivo)
- Self - Virginia Governor, 1958
- (metraje de archivo)
- (as J. Lindsay Almond Jr.)
- Self - Caroline County Circuit Court
- (metraje de archivo)
- (as Judge Leon M. Bazile)
- Self - Associate Justice
- (metraje de archivo)
- Self - Associate Justice
- (metraje de archivo)
- Self - NBC News, Washington
- (sonido de archivo)
- Self - Associate Justice
- (metraje de archivo)
- Self - ACLU Attorney
- (metraje de archivo)
- (sonido de archivo)
- Self - Associate Justice
- (metraje de archivo)
- Self - Caroline County Deputy Sheriff
- (as Kenneth Edwards)
- Self - Associate Justice
- (metraje de archivo)
- Self - Associate Justice
- (metraje de archivo)
- Self - ACLU Attorney
- (metraje de archivo)
- (sonido de archivo)
- Joey Drayton
- (metraje de archivo)
Reseñas destacadas
We were not lucky enough to have the Loving's daughter Peggy present (as was the case for aegriffin at Tribeca) but the director and writers Nancy Buirski and Susie Ruth Powell were here for a Q&A. Their story of how this documentary came to be is entertaining and emotional. The idea that this film should have been used (as suggested by another reviewer) as an "opportunity to investigate the legal process" leaves me puzzled. Unless one is an attorney, the film presents as much about the legal process as one would reasonably want to know. It is not a legal treatise, but rather a story of a couple in love who would not back down from what is right, and an affirmation that the US legal system can (in time) bring about a just outcome on some occasions.
Everyone I saw it with gave this documentary their highest rating. You will not regret the time spent viewing this heart-warming slice of civil rights history. Kudos to Ms. Buirski & Powell.
And Ms. Buirski did mention that the documentary will be shown on HBO in February 2012. I certainly plan to watch it again at that time. 9/10
This is not meant to be a documentary about the legal machinations of the case (altho some of that is explained); but It's a compelling story about the human aspects of the case.
I read about Loving v. Virginia in law school and marveled at the bravery of the couple in question (a white man and black woman) who were prosecuted for leaving their home state of Virginia to marry in D.C. and then returning to Virginia where they were harassed by law enforcement and ultimately prosecuted as felons for miscegenation.
The documentary (which consists almost entirely of contemporaneous black and white footage) offers (and needs) little narration as the Lovings and their attorneys describe the events that led to the historical legal ruling.
While interracial marriage attracts little notice in most populous areas of America today, at the time the Lovings were prosecuted (1958) 21 states had anti-miscegenation statutes on their books. (Indeed, notwithstanding the 1967 decision, the last state to repeal its anti-miscegenation law was Alabama in 2000.) I saw the film at the Tribeca Film Festival tonight and as a wonderful bonus, the Lovings' youngest child, Peggy Loving Fortune, appeared and shared her personal feelings and recollections. (Her parents are deceased; Mrs. Mildred Jeter Loving died of pneumonia in 2008, and Mr. Richard Loving died in a automobile accident in 1975.) The film was made in part by HBO, so perhaps HBO will air it at some point.
Perhaps it might more accurately be called the story of how Richard and Mildred Loving wanted to live out their married life in Virginia. Ms. Buirski begins her discussion with consideration of the society and laws of the time as if she were talking about a place and time the audience has never heard of. To people my age it may seem ridiculous; barely more than 40 years had elapsed between the Supreme Court decision and the release of this film. Yet my nieces, on discovering their maternal grandmother had left Virginia in the 1950s to pass as White don't understand why she never told them.
Such is the lack of historical context people live in, a sort of moment which people imagine always existed. That's the reason and need for movies like this.
¿Sabías que...?
- CuriosidadesThe Lovings were a real life interracial married couple who were criminally charged under a Virginia statute banning miscegenation. By counsel of and with the American Civil Liberties Union (ACLU), the Lovings brought a suit which sought to overturn the law. In 1967, the United States Supreme Court ruled in favor of the Lovings, striking down the Virginia law, and all state anti-miscegenation laws, as unconstitutional per the Fourteenth Amendment to the United States Constitution.
- Citas
(uncredited man on street in archive footage): Some of my best friends are niggers, if I got in to trouble, I think th... the niggers would come to me as quick as anybody else in the world. I'll give you a little instance, I was standing down on the street with a gentleman from another city last Saturday, and I recon that fifteen or twenty negros passed, and I spoke to 'em "Good morning John, how you gettin' along?" "Very well thank you Mr. Wall, gettin' on fine." And that went on for fifteen or twenty uh negros in less than fifteen minutes... and uh I... I uh... we love our people.
- ConexionesEdited from El nacimiento de una nación (1915)
Selecciones populares
- How long is The Loving Story?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Η ιστορία των Λάβινγκ
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 4218 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 448 US$
- 10 jun 2012
- Recaudación en todo el mundo
- 4218 US$
- Duración1 hora 17 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1