El caftán azul

A love story unlike any other. The love of craft & beauty, love of another person, the romantic love of two people at once, love of life itself & the love for the simplest things in life that give life meaning.

It is set in an independant caftan store in a small town in Morocco where the husband & wife owner craft hand stitched, quality caftans against the backdrop of a modernising trade that uses machinery. Customers are demanding, often impatient & the craft of hand made caftans is slowly losing to quickly made caftans via sewing machines.

You appreciate the value of craftsmanship, passion & the process involved through the intimate filming & sheer amount of time it takes to hand stitch a caftan.

The husband is secretly gay & starts to develop feelings for the new apprentice. His wife, who he dearly loves likely knows but loves him for who he is. This exploration of sexuality & free expression in the small town setting is heart wrenching as is the way the movie depicts the husbands love for his increasingly sick wife.

It makes you think about what love really is. With the sick wife facing her mortality, she still holds on to her sense of duty while making the most of the simplest things in life.

The apprentice adds an interesting dynamic & shows the loyalty of the husband when his wife truly needs him despite him also being sexually interested in men.

The music, setting, foods, drinks, hamams & clothing give an intimate insight in to small town Moroccan life. The creation & eventual destination of the Blue Caftan is a metaphor for how we might choose to make decisions in life based on love, rather than just money.

A powerful, philosophical, tender & heartwrenching movie that makes you feel. Well done!

A convenience, an arrangement but with love, like the hand that nestles firmly within glove, a partnership, a pairing, with the coalition fearing, that an influence might thrust down from above; as events are taken out of their control, a condition leaving one without parole, a fight that can't be won, a world that's gradually undone, a price to pay, with the heaviest of tolls; all performed with so much elegance and grace, as two people braid, entwine, surround, embrace, whose devotion and whose caring, elevate just what is sharing, with respect, regard and reverence their embrace.

It's a beautiful film, with beautiful performances from beautiful people.

Perhaps the biggest question I have in connection with this film is, "Why hasn't it received far more recognition than it has?" This positively beautiful picture - winner of the Un Certain Regard FIPRESCI Prize at the 2022 Cannes Film Festival - should have received far wider attention than it has in this year's awards competitions, including the Oscars. Writer-director Maryam Touzani's second feature outing tells the tender, touching story of the middle-aged husband and wife owners of a traditional Moroccan caftan shop who take on a handsome young apprentice to help with their backlog of orders, a decision with ramifications that extend beyond the workplace, including those of an amorous nature. This gorgeously filmed, sensitively presented tale succeeds on so many levels that it's difficult to list them all - a superbly nuanced screenplay, a beautiful background score, gorgeous costuming and exquisite cinematography, to name just a few. It also brilliantly evokes a variety of moods, from romantic to loving to sensual to erotic, all without ever becoming obvious, excessive or tawdry (though don't be surprised if it opens up the water works at times, so keep the hankies within reach). Then there are the stellar performances of the three principals, all masterfully handled by Lubna Azabal, Saleh Bakri and newcomer Ayoub Missioui. Indeed, how this one got so egregiously overlooked truly escapes me, and I sincerely wish it had been released in time for me to include it on my list of the year's best releases. It should have rightfully claimed nominations for best foreign language/international film in a number of competitions, given its far superior attributes compared to many of the underwhelming releases that somehow managed to land awards or nominations. It's rare these days when a film has just about everything going for it, but "The Blue Caftan" certainly succeeds at this and is definitely well worth the viewing time.

As a Belgian I feel proud to have an actrice as Lubna Azabal, one the best actrices in the international movie world. I will never forget the movie 'Incendies', for me still one of the best movies of this century, where she was also the leading actrice.

And this time again, Lubna and the other two leading actors were fantastic in their roles. The script is beautiful and very emotional. And the love and tenderness between the three very different characters is pure and very profound.

Le Bleu du Caftan puts all national feelings and international religions aside. It's a timeless story. Director Maryam Touzani has a very bright future ahead, what an achievement.

I fell in love with the tenderness and delicate sensuality of 'Le bleu du caftan'. Rarely does a movie maker so poetically depict the many facets of sincere love and sorrow. Surrounded by colourful fabrics and brilliant threads all viewers could admire the pure essence of touch, intimacy and devotion, but also the cutting pain of loss and grief.

Everyone in the movie hall was very quiet and in full admiration of this wonderful movie, and some had to reach for their handkerchiefs.

So, go to the cinema and be witness of a true and realistic masterpiece.

A sensitively drawn chamber piece for the three actors. Lubna Azabal especially delivers a finely crafted performance encompassing the breadth of human emotions. Wonderful.