El caftán azul

"Halim" (Saleh Bakri) lives with his ailing wife "Mina" (Lubna Azabal) and together they run a small tailoring business. Now he is a master craftsman, everything is measured, cut and stitched by hand - a fairly labour intensive and time consuming process. To help meet the demands of his impatient customers, he has acquired an handsome apprentice "Youssef" (Ayoub Missioui) who takes a keen interest in his work and demonstrates an aptitude that is increasingly appreciated by "Halim". What's also fairly obvious is that both men are attracted to each other and we now embark on a rather delicate triangle in which the two men - entirely platonically - develop their relationship under the watchful gaze of his wife whom we suspect suspects, but... It's a very gently paced film this, allowing the three strong performances from these on-form character actors to develop slowly and engagingly and though the underpinning issues of sexuality in a country that is still largely unwelcoming is part of the theme, it is not a greater a part than the observation of the couple's happy marriage nor of the creative beauty of the men's skills at creating garments of delicacy and fineness. It's a film about discovery and family and I found it worked really quite well as we navigate a myriad of challenges towards the conclusion that, like the rest of this story, is anything but simple. It's quite observational in nature, so don't expect things to rattle along - they don't, but it draws together threads of lives and choices in as intricate a fashion as any of his creations and is really well worth a watch.

A sensitively drawn chamber piece for the three actors. Lubna Azabal especially delivers a finely crafted performance encompassing the breadth of human emotions. Wonderful.

All three actors are unimpeachable and creator, Touzani, gathered a sensitivity and grace in this touching work, where he shows a renunciation of some out of benevolence towards others, towards whom there is no physical, but spiritual love. The point is that we have a life which we can share only with a small number of people, who can share theirs with us, but if we support and help each others. Sexual orientation in those situations certainly isn't a priority. Beautiful and very emotional script can't waste a line and it oozes care from almost every minute. Essentially, "The Blue Caftan" isn't LGBTQ movie, but about a pure love between totally different characters, in every way.

I saw this movie as a part of the Gothenburg Film Festival this year, 2023.

A story about a man and his wife, and the new apprentice, in their sewing business. It's about craftsmanship and love, in so many ways. It's about leaning on each other and trusting one another.

For me this was a really beautiful and moving movie. So much love, caring and feelings between the beautiful characters. The story is moving and gives hope and understanding for what they all go thru - and cannot control. Really high quality acting and story telling that's just amazing to see and made us both laugh and cry. And the craftsmanship that is shown is very fascinating. Beautiful caftans, especially the blue one.

I really did want to like this Moroccan drama, and indeed, it is very beautifully and carefully executed, but I did find it just a bit too languid and nuanced for its own good, perhaps also finally just a little too sad and poignant, but it lingers in the mind, and like the precision snd skill of the kaftan maker, struggling with his sexuality and the conflicts of the society he is in, it does create a lasting effect. Not only a touching drama, but it highlights some very human themes and struggles.

Of course, a film from a Muslim country with themes on homosexuality and the struggles of individuals in a repressed society is a brave but necessary thing, and for that the makers should be congratulated. Beautifully crafted by all concerned.