Kooman

Movie starts off well with excellent acting by Asif and others.. however, the second half of the movie is a bit of a let down and feels rushed and written quite poorly.

The background score and cinematography is top notch as usual for Malyalam movies. It captures the mood quite well, something similar to Drishyam. I love how they captured the small town Kerala feel.

The first half of the movie is really quite well made, but the second half it felt like the writer was just trying to finish the script. I would've gone for a higher rating of they had just stuck to the story of the first half instead of making it a mystery thriller.

A well made story with a brilliant screenplay by Joseph who doesn't disappoint when it comes to quality cinema.... Asif Ali does have a meaty role and a milestone in his career....being an intellectual cpo shows some matured performance all over the movie but jaffer Idukki is a show stealer though his time space is short he does score even in a voice over scenes...Renji panicker sublte performance may give u an impact in enjoying a perfect cinema...but the movie takes a wrong turn towards the climax which forms a major draw back,doesn't do proper justification in concluding the movie,jeethu should have thought something offbeat or a unfinished climax would have better....but forget last 30mins this movie will give an above average satisfaction coz of poor climax execution.

Jeethu Joseph has reveled in taking existing thriller archetypes and dismantling them with his scripts that often turn the narrative on its head with completely unexpected twists and thrills. Despite some missteps in his filmography like "Oozham (2016)" and "The Body (2019)", the veteran master of murder mysteries returns to full form in "Kooman", effectively using an excellent Asif Ali to narrate an immersive tale of a deeply damaged investigator hot on the heels of an elusive, psychotic serial killer.

Asif Ali disappears into the character of "Giri", a scheming, near-megalomaniacal police constable, who while excelling in his deductive and investigative skills, often displays psychotic tendencies and a desire to get back at people who he perceives as having wronged him. His mentor, retired CI Somasekharan (an on-point Renji Panicker) tries his darndest to keep him in check and diverts his energies to the search for a ritualistic serial killer who has eluded authorities for decades.

While the first half of the film painstakingly builds up the multifaceted character of "Giri", Jeethu Joseph pulls off a masterful set of twists in the second half that turns the narrative flow on its head, making the audience root for the grey-shaded protagonist. Jaffer Idukki excels in yet another well-written supporting role, while Hannah Reji Koshy, Baburaj and the ever-dependable Pauly Valsan turn in noteworthy performances.

But it is the writing from K. R Krishna Kumar and the mold-breaking directorial prowess of Jeethu Joseph that is the true hero here, utilizing the diminutive Asif Ali to glorious effect, riding on their depiction of the unassuming but observant and intelligent investigator rather than the alpha male, all-conquering superhero detective that mainstream cinema has driven down out throats for far too long. Trust Jeethu Joseph to innovate yet again in a genre that has craved ingenuity for ages now. "Kooman" is a refreshing thriller and a must-watch theatre experience. Highly recommended!

I recently watched Kooman on Amazon Prime, and I have to say, it's definitely one of the better thrillers I've seen in a while. The storyline was gripping and had just the right amount of suspense to keep me interested till the end. The twists were well-placed, and the overall mood of the film was enhanced by the excellent background score and music.

What I really appreciated was how the movie didn't try too hard it just let the story unfold naturally. Asif Ali fitted into the character and nailed with his casual performance. That being said, there were a few scenes that felt unnecessary, almost like they were added just to increase the runtime. They didn't really add much to the story and could've easily been edited out.

Also, a few characters felt incomplete or forgotten. Some were introduced with a bit of buildup but were just left hanging without a proper conclusion. It left me wondering what happened to them or why they were there in the first place.

Also, a few characters felt incomplete or forgotten. Some were introduced with a bit of buildup but were just left hanging without a proper conclusion. It left me wondering what happened to them or why they were there in the first place.

One of jeethu josephs strongest field is investigative suspense thriller. He has made a few good movies and a few bad movies but none of his investigative suspense thriller movies are bad. This one is a really good movie. The strongest point is it's story and writing. I love jeethu Joseph as a writer. He knows how to handle exposition in a amazing way in his suspense thriller movies. The writing is so good as usual in this movie also. Asif ali gave a decent performance. I liked the way his character was treated (gave me a kind of nightcrawler vibes). The background music in few places were nice. The cinematography was decent, liked the way they used dolly zoom in a few places.

Jeethu Joseph usually waves away criticism regarding his making style. His previous movie Drishyam 2 got a lot of praises but a few criticism regarding it's making style. Personaly i think Drishyam 2 is a masterpiece. Even though the movie had very simple treatment, the writing just shines like a star, so the making style never really bothered me. But in this movie it becomes very evident. There needs to be a little upgrading in the making style. So many movies with simple story and basic screenplay just gets enhanced into a nice movie experience with its making style. This movie has a strong base but the movie somehow dosent feel utilised to it's full potential.