Sigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo ... Leer todoSigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo de Suzie.Sigue a Suzie, que vive en Japón, y a Sunny, un robot doméstico fabricado por la empresa de su marido, mientras descubren la oscura verdad de lo que realmente les paso a su marido y su hijo de Suzie.
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I guess Apple's strategy of releasing multiple episodes at the start of the season is a good one since it was the first couple of episodes that got me hooked. In the first 2-3 episodes, the tone was darkly funny, the mystery engaging, and the development of the relationship between Rashida Jones's character and the robot was interesting. After that, though, the show pretty much fell off of a cliff, devolving into inane subplots involving the Yakuza and spinning its wheels for several episodes with the plot going nowhere, the relationships taking a backseat, and the central mystery suddenly being ignored. It's too bad because there was a good show in here somewhere, but it seems to have gotten lost in effort to stretch things out over 10 episodes.
The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
I love Sci fi and I love Rashida Jones but I can't figure this show out. I'm not sure what it's about after 3 episodes. The fact that 70% of it is in Japanese makes it even harder. Rashida Jones' job seems to be to stand there half slumped and speak in English to people speaking to her in Japanese. She doesn't have any drive or maybe it's the way she portrays it I get no sense of urgency or even fear or trepidation from her as she's trying to figure out what happened to her husband and son. The writing is really uneven. This makes me sad. I wanted to like it, it's just too obscure for me I guess.
This is a slow burn series, but you only get half way through the story as Apple has cancelled it.
I did enjoy the show, but it's a bit of a slow story line so it takes a bit of stamina to get into it. But when you do get to start enjoying the characters, and the funny humour of their interactions, you find the series ends and the story has only been half told.
This series cries out for a second season and I believe it would have been a great success if Apple had any foresight or courage. This could of become series people would talk about years from now.
But it seems they are like most other streaming services, only after a quick buck.
I did enjoy the show, but it's a bit of a slow story line so it takes a bit of stamina to get into it. But when you do get to start enjoying the characters, and the funny humour of their interactions, you find the series ends and the story has only been half told.
This series cries out for a second season and I believe it would have been a great success if Apple had any foresight or courage. This could of become series people would talk about years from now.
But it seems they are like most other streaming services, only after a quick buck.
First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
¿Sabías que...?
- CuriosidadesThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- ConexionesReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- Banda sonoraSukiyo Aishite
Performed by Mari Atsumi
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- How many seasons does Sunny have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
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- Sitio oficial
- Idioma
- Títulos en diferentes países
- Dark Manual
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
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- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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