Hay más drama detrás de escena que en el escenario, mientras el equipo prepara un ambicioso musical de Broadway sobre la vida de Marilyn Monroe.Hay más drama detrás de escena que en el escenario, mientras el equipo prepara un ambicioso musical de Broadway sobre la vida de Marilyn Monroe.Hay más drama detrás de escena que en el escenario, mientras el equipo prepara un ambicioso musical de Broadway sobre la vida de Marilyn Monroe.
- Ganó 1 premio Primetime Emmy
- 9 premios y 28 nominaciones en total
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'Smash' just "Wants to be Loved by You...."
NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
This Show Was ,Unfortunately Doomed From The Start.
I like it ,but McPhee ,though pleasant enough to look at ,an an adequate singer,doesn't have the pipes for live theatre and has the stage presence of a potted plant. Hilty,who they positioned for the audience not to like,stole the show. But the real problem is they underestimated the stupidity of American audiences. They might have just as well done a show about classical pianists. The American audience has been dumbed down with reality TV ,and a dwindling PBS type presence ,as well as the republican party putting forth a distrust of anyone or anything that is smart ,or intellectual. This show could have succeeded on HBO or Showtime,a few sex scenes and a Sex in the City meets The Great White Way angle. They would have found their audience. But don't compare this to Glee. It resonated because everyone has been in high school,even stupid people, and they use pop music. Few people have ever performed live to a paying audience. This show couldn't draw on the sheer commonality that Glee can. In all,I'm sad to see it go. It could have been wonderful.
Adorable, Amazing, and my new favorite show!
I love musicals and grew up loving all the great Broadway hits like Phantom, Les Miserables, Miss Saigon, Jeckyl and Hyde....It is so refreshing to watch a show that provides us with a kind of behind the scenes and making of the next big production! The cast members in this show are outstanding and the music is spectacular! I hope, hope, hope that this gets the ratings to stay on the air! Although I'm a fan of Glee, I feel that it is less story driven and more theme oriented around certain artists or genres. If you are looking for something fresh, if you love a good drama, if you like excellent writing, and if you enjoy listening to people sing songs that make you feel good then you owe it to yourself to check out SMASH!
10aeiryl
Sorry it lasted only 2 seasons
The cast, level of vocal ability and performance, choreography, and dialogue were all excellent. The juxtaposition and occasional pairing of the two lead singers in competition for the lead in Bombshell really played up the suspense and excitement while highlighting what each brought to the part. It helped that we saw it through the director's eyes - the difficulty in choosing between them.
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
Didn't want it to end.
Was surprised at how much I loved this. Can't really compare it to GLEE, it isn't anything similar. although i do love GLEE, it is just a cutsie little teenage show.
I did see one review that said there was too much singing and dancing, and that is what i loved about it. Love the story, Love the acting, Loved everything about it. I think the plot will carry it along.
Was totally surprised at how great job Katharine McPhee did. I wasn't too impressed with her in House Bunny, but WOW, I believe what they say in the show. She IS a star.
I was left at the end of the hour wanting more...
I did see one review that said there was too much singing and dancing, and that is what i loved about it. Love the story, Love the acting, Loved everything about it. I think the plot will carry it along.
Was totally surprised at how great job Katharine McPhee did. I wasn't too impressed with her in House Bunny, but WOW, I believe what they say in the show. She IS a star.
I was left at the end of the hour wanting more...
¿Sabías que...?
- CuriosidadesSeveral of the actors on Smash have actually performed in Broadway musicals. Megan Hilty played Glinda in Wicked and originated the role of Doralee in 9 to 5. Christian Borle was in the original casts of Spamalot and Peter and the Starcatcher, and originated the role of Emmett in Legally Blonde. Brian d'Arcy James was in the original casts of Titanic, the revival of The Apple Tree, and played the title role in Shrek. Wesley Taylor was in the original casts of Rock of Ages and The Addams Family. Will Chase has been in Rent, Aida, The Full Monty, and Billy Elliot. Ann Harada (Linda) originated the role of Christmas Eve in the puppet musical "Avenue Q." Anjelica Huston has never been in a Broadway musical, but in 1969 she played Ophelia in a Broadway production of Hamlet, and Leslie Odom Jr. Played Aaron Burr in "Hamilton" which he won the Tony Award for best actor for his performance.Jeremy Jordan played Jay Gatsby in "The Great Gatsby"
- ConexionesFeatured in The Tonight Show with Jay Leno: Episodio #20.81 (2012)
- Banda sonoraSomewhere Over the Rainbow
(uncredited)
Written by Harold Arlen and E.Y. Harburg
Performed by Katharine McPhee
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