Perro feroz

I understand that many people will find this small French drama very poignant, touching, engrossing if you watch it closely enough. This is not exactly JULES AND JIM, but the scheme is not so far from the François Truffaut's gem. Excellent character study, analysis, far from clichés, despite the classical basic plot. Not for too wide audiences, not a millions euros gross maker, but who cares? It sounds so real, so authentic. I love discovering such films, and the French industry offers us many of them. I am lucky. Yes, this is a true good curiosity to find out. So shame that the release was too confidential.

This is the type of movie that you need to just chill out at the end of week with a nice story who can talk about a lot of people who get through this thing of manage the time of spending time with friends and girlfriend and usually there a lot of jealousy and issues in these situations and this movie talk about that and it's very interesting !!!

The script was nice and didn't feel annoying in font of it it was masterpiece anyway but it's cool movie on Sunday week with nice story...

Directing wasn't great but it's enough for a movie like that !

But the performance from the cast was good, all cast did his job mainly the leading role by Raphael Quenard he is still great good confidence on him that the reason why he is a good actor, deserves his trophy for best revelation !!!

Soundtrack was nice for this kind of project too!!!

This is quite an enjoyably complex drama that follows the relationship between "Dog" (Anthony Bajon) and his pal "Miralès" (Raphaël Quenard). The latter man is more of his mentor, really, and quite a critical, even cruel, one at that. They've been friends since they were twelve and "Dog" is a rather shy and reticent sort of fellow that his pal constantly tries to bring more out of his shell. Well, that dynamic changes somewhat when "Elsa" (Galatéa Bellugi) arrives on the scene and quickly she and "Dog" are an item. They want to be together, they don't really want "Miralès" hanging about with them, and he doesn't take that situation well. Despite his confidence and undoubted erudition, he - a trained chef - now finds himself largely alone with only his artist other at home, and his own dog upon whom he dotes. Things come to an head when "Dog" manages to annoy a local hoodlum, draws some interesting designs on the bonnet of his car, and faces quite a perilous situation as his gang seek retribution. Things become dangerous - but who can he turn to? It's this final storyline that lets this down a bit, otherwise there's a tautly directed storyline between the two men that's peppered with a lively script riddled with sarcasm and put-downs yet also clearly imbued with a considerable degree of fraternal affection. Though a bit verbally brutal at times, there s truth to some of the barbed remarks as the young "Dog" rather aimlessly coasts through life, and Bajon portrays that character effectively - especially given that he has virtually no dialogue at all. This film is also the source of one of the most lifeless sex scenes I think I have ever seen that didn't actually involve a mortuary - and that's quite entertaining. It's quirky and different, and though I thought it did rather fizzle out a bit, I did enjoy it.

So, I have to say this film seems, on paper, to be the sort of thing that would bore the life out of me. The theme of young people drawn into dissolute lifestyles and criminal activity are two-a-penny and usually rely on hyperbole and desperate attempts to make "this film" more hard-hitting than the (almost identical) previous film on the same subject.

On that basis, I approached "Junkyard Dog" with a degree of scepticism. I WAS WRONG.

This is a small gem which, despite it's size, scintillates. The characters are unlike anything I've seen before in this genre. They are rounded, intelligent and engaging characters; entirely unlike the characters from more cliched films (I'm looking at you, the UK's abysmal and self-regarding "Ill Manors", "Kidulthood" and "My Brother the Devil").

The story revolves around the intense relationship of a taciturn (voluntary mute?) young man waiting to join the armed forces and his best friend - a garrulous bully who treats his friend with the same level of respect as he treats his dog. Gaslighting is the gobby friend's stock-in-trade. Into this arrives a young woman, who becomes involved with the quiet half of the friendship. What follows is more about the dynamics of disenfranchised young people and their hidden depths, than about choreographed scenes of irate youths waving knives about (when they aren't in a recording studio rapping).

This is a total surprise of a film that combines social commentary with affectionate insights into its three protagonists.

I'm delighted to have had the opportunity of seeing this film (on MUBI in the UK at the time of writing). It would be a real pity if this film disappeared from MUBI in a month or two and never found a wider UK audience. Just saying.

Just when you thought you knew where the movie is headed, as you come upon an obnoxious young man, the story opens up, and roles shift. And you're reminded that humans are interestingly grey. Excellent perfomance from the lead - you'll know who it is when you see it. A story about co-dependency, enmeshment, toxicity, growing up, growing apart, reconciliation, youth, life, humans, animals, friendship; and some music, food, business, enemies, nature, beauty, art too. I loved a scene wherein light falls alternately on a man's face, in a pub, to convey his pull of emotions. In fact, I loved almost every frame of the movie. Quite enjoyable!