Monsters: El continente oscuro

The beauty of the original 2010 Monsters was its profound statement, Dark Continent satisfies the original naysayer's with action, and not much else.

The initial 2010 film Monsters was a profound parable about humanity and its interactions with one another that used an 'alien invasion' as a mirror for this introspection. It is an independent film I adore and can not recommend enough. Four years later, with seemingly no connection to the original's genius creator Gareth Edwards, Monsters: Dark Continent is released, with absolutely no relation to the 2010 film in both scope or talent.

Though the term 'derivative' does not imply subservience in its definition, quite often it is used as a descriptor for inferiority, and Monsters: Dark Continent warrants the adjective. When I first learned of a sequel to Monsters, I was aghast, for the narrative had been told in its entirety. When I saw the trailer, I was mortified of the bastardization of the beautiful film into Hollywood action drivel.

With the scope of potential from its predecessor being a peak of perfection to the lows of my expectations of pure garbage, Monsters: Dark Continent falls somewhere in the middle but certainly closer to trash. In truth, Dark Continent tries to be like its original in using the alien invasion to be an allegory for the war efforts in the middle east. Unfortunately it feels terribly superficial and contrived.

There is no beauty in the story telling of Dark Continent. The dialogue is poor and voice overs are used constantly to convey the narrative rather than creative artistry. Monsters: Dark Continent is neither philosophical nor intelligent in the manner of its originator. Writer and director Tom Green tries to speak of the war but it is in a very ignorant and uninformed perspective that is neither deep or even unique.

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Wow! Not a good wow, but just wow. I was really psyched to hear about a sequel to "Monsters" because that was such a great sci-fi movie but man, was I disappointed in this one. This was really just an anti-war movie and I think there was a message in there about the middle-east conflict but I couldn't be sure because there were so many confusing themes happening at the same time. The one thing this wasn't was a sci- fi movie about.....monsters. They could have edited out every monster scene and it would not have changed the movie one bit, I'm not kidding. If I had seen a pre-release copy that didn't have the special effects added in, I wouldn't have been confused about what was going on, at least no more than I am now. I'm sorry Tom Green but a swing and a miss.

"Why am I here? What am I doing here?"

Gareth Edward's low-budget feature debut, Monsters, made some noise with critics as well as with Hollywood producers who decided to hire him for the latest Godzilla remake, which I happened to enjoy quite a bit. Since then he has become a household name and is already working on a Star Wars anthology film and on the Godzilla sequel. Edwards managed to direct an entertaining sci-fi film using alien monsters as the background to tell the story of a journalist trying to escort an American tourist through an infected zone in Mexico back to the US. The film created a wonderful atmosphere and in a lesser way served as an allegory on the US immigration system.

Five years later, we get a sequel to Monsters and a new director. This is Tom Green's first feature film and he had a bigger budget to work with than Edwards did, but unfortunately the sequel is a mess and a bore. It was by far the longest two hours I've had to sit through in a movie all year. It tries to follow a similar premise as the original film by being an allegory of sorts, this time about American intervention in the Middle East and it too leaves the monsters as an afterthought. The soldiers are sent overseas to fight the monsters (which could easily represent the terrorists in our world) who have spread all the way to the Middle East, but in a way these soldiers become the real monsters. The allegory is heavy on this one and it doesn't quite work as well because it is too lazy and simple. The characters aren't interesting at all and no one stands out here. They even have to resort to using voice-over narration to introduce each character because there was no interest in character development whatsoever.

The sequel takes place several years after the original and now the monsters have spread through different parts of the world. At the same time, an insurgency has broke out in the Middle East and soldiers are being deployed to fight off the insurgents and destroy the monsters in that deeply infested area. Michael Parkes (Sam Keeley) grew up in Detroit and has been training in the military for the past two years along with his native friends: Frankie (Joe Dempsie), Karl (Kyle Soller), and Shaun (Parker Sawyers). They are all being deployed to the Middle East together and are ready to make a difference. After a few weeks of light fighting the recruits are sent on a mission with Sergeant Frater (Johnny Harris) to rescue some soldiers in the Infected Zone. This is where the real fight begins for the new recruits.

I can't complain about the aliens being simply a background for this clichéd anti-war film because it was the same thing in the first movie, but Dark Continent doesn't even take its time to develop interesting characters. The story is incredibly lazy and all the characters are unsympathetic. I felt the extremely slow pacing take its toll on me and I understood that it was trying to explore the human behavior in extreme conditions, but it did so in a very lazy way. The subtext here isn't nearly as provoking as it was in the original. I get it that Green is trying to show the irony of the world crumbling around us as we ignore it and still continue to destroy each other, but it simply didn't do anything for me.

http://estebueno10.blogspot.com/

"This was our home. It was our last day, so for those last few hours we needed to forget about what was coming." Ten years after the monsters landed on Earth things have gotten worse. They have begun to fully take over the entire planet and now with the US military using all of its resources to fight them off they now have to contend with a new type of insurgency. I will start by saying that I remember seeing the first one, thinking it was a little slow, but it's been so long all I remember about it is the cheesy ending. I had the same expectations for this one. I was wrong. While I though this one was a little better it was still pretty slow moving and was really missing something the first one had...monsters. In terms of war movies this one is pretty decent, the problem with it is that every so often a monster would pop up out of nowhere, presumably to remind you the movie is called monsters. Some movies are deceiving because of the trailers released, they seem funny and are really dramas, etc...this is the first movie I have seen where the title is misleading. This is really just another US vs Taliban movie, with an occasional (out of place) monster thrown in. Overall, a movie much like Battle LA, if there were no aliens in that movie. I give this a C.

What a load of pretentious, art w*nk nonsense this film really is.

It's bad enough that the story is paper thin and the characters are as unlikeable as an upset stomach (one minute gangsta tough, the next screaming like babies) but the direction is shocking.

It's like a frustrated art student trying out every possible style of image capture. Long shots, close shots, lens flare, angled, shaky cam, slow mo and none of them working.

One pointless scene of a helicopter taking off showed it's ascent from at least 10 different angles - outside looking up, inside looking out, inside looking inside, outside different angle etc etc.

Every character must have had at least two shots of them silent screaming from the Dummies Guide to filming internal angst.

Things aren't explained, geography is not established and you can almost feel the makers telegraphing their contempt to the audience that 'if you don't get this, you're too stupid'.

It's not engaging, thought provoking or entertaining. And when it's finished all you can contemplate is the utter pointlessness of the whole film.

I know many complain of studio execs interfering with a film but you really have to question who greenlit this laughable project or signed off the finished product for general release.

Whoever it was can't tell the difference between a movie and a flickerbook of cool filtered Instagram pics.